O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012)
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1729 |
Resumo: | This research had as objective to raise and to study the reception that the films of the actor, director, scriptwriter and Paulista producer Amácio Mazzaropi (1912 - 1981) obtained next to the cinematographic criticism. To this end, a survey was carried out, firstly, with physical and virtual archives of the criticisms published in the most representative print media, preferably in São Paulo and Rio de Janeiro (at the time of Mazzaropi's cinematographic production, the two main cultural and journalistic diffusion of the country), between 1952 and 1980 (period of the production of the films of Mazzaropi). In a second moment, a survey of criticism published between 1981 (year of Mazzaropi's death) and 2012 (year of the celebrations of its centenary of birth) was published. The purpose of the two-period study was to see if, how, and in what proportions it would or would not be possible to verify significant changes in these critical perceptions, and how they became - or not - over the study period, and why. It was also made a specific analysis in all editions of the first phase of the magazine Cultura Cultura (from 1966 to 1988), considered one of the most presentations of the informative news and critic of the Brazilian cinema of this period. In order to contextualize and deepen this study, studies were also carried out on the biographical and artistic trajectory of Amácio Mazzaropi, a survey of the history and development of Brazilian cinematographic criticism, analysis of the forms of classification of the concept of art criticism, as well as research on the construction of the culture and the idol identity, elements, indispensable for the objectives of this study to be fulfilled to the satisfaction. For the field of Communication, this research shows relevance when developing historical counterpoints among the different ways in which film criticism received, perceived, processed and disseminated the work of this filmmaker who is considered the most commercially successful in the history of Brazilian cinema. |
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Schvarzman, SheilaSABADIN, Celso Fabio2019-04-03T18:02:42Z2017-04-19SABADIN, Celso Fabio. O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012). 2017. 107 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1729This research had as objective to raise and to study the reception that the films of the actor, director, scriptwriter and Paulista producer Amácio Mazzaropi (1912 - 1981) obtained next to the cinematographic criticism. To this end, a survey was carried out, firstly, with physical and virtual archives of the criticisms published in the most representative print media, preferably in São Paulo and Rio de Janeiro (at the time of Mazzaropi's cinematographic production, the two main cultural and journalistic diffusion of the country), between 1952 and 1980 (period of the production of the films of Mazzaropi). In a second moment, a survey of criticism published between 1981 (year of Mazzaropi's death) and 2012 (year of the celebrations of its centenary of birth) was published. The purpose of the two-period study was to see if, how, and in what proportions it would or would not be possible to verify significant changes in these critical perceptions, and how they became - or not - over the study period, and why. It was also made a specific analysis in all editions of the first phase of the magazine Cultura Cultura (from 1966 to 1988), considered one of the most presentations of the informative news and critic of the Brazilian cinema of this period. In order to contextualize and deepen this study, studies were also carried out on the biographical and artistic trajectory of Amácio Mazzaropi, a survey of the history and development of Brazilian cinematographic criticism, analysis of the forms of classification of the concept of art criticism, as well as research on the construction of the culture and the idol identity, elements, indispensable for the objectives of this study to be fulfilled to the satisfaction. For the field of Communication, this research shows relevance when developing historical counterpoints among the different ways in which film criticism received, perceived, processed and disseminated the work of this filmmaker who is considered the most commercially successful in the history of Brazilian cinema.Esta pesquisa teve como objetivo levantar e estudar a recepção que os filmes do ator, diretor, roteirista e produtor paulista Amácio Mazzaropi (1912 – 1981) obtiveram junto à crítica cinematográfica. Para tal, foi realizado, num primeiro momento, um levantamento junto a arquivos físicos e virtuais das críticas publicadas nos mais representativos veículos da mídia impressa preferencialmente de São Paulo e Rio de Janeiro (na época da produção cinematográfica de Mazzaropi, os dois principais centros de difusão cultural e jornalística do país), entre 1952 e 1980 (período da produção dos filmes de Mazzaropi). Num segundo momento, partiu-se para um levantamento de críticas publicadas entre 1981 (ano de falecimento de Mazzaropi) e 2012 (ano das comemorações de seu centenário de nascimento). O objetivo do estudo em dois períodos foi verificar se, como, e em que proporções seria ou não possível verificar alterações significativas nestas percepções críticas, e como elas se transformaram – ou não – no decorrer do período estudado, e porquê. Foi feita ainda uma análise específica na totalidade das edições da primeira fase da revista Filme Cultura (de 1966 a 1988), tida como das mais apresentativas do noticiário informativo e crítico do cinema brasileiro deste período. Para efeito de contextualização e aprofundamento deste estudo, foram realizados também estudos sobre a trajetória biográfica e artística de Amácio Mazzaropi, levantamento da história e do desenvolvimento da crítica cinematográfica no Brasil, análise das formas de classificação do conceito de crítica de arte, além de pesquisa sobre a construção da cultura e da identidade caipiras, elementos, indispensáveis para que os objetivos deste estudo fossem cumpridos a contento. Para o campo da Comunicação, esta pesquisa mostra relevância ao desenvolver contrapontos históricos entre as diversas maneiras pelas quais a crítica cinematográfica recebeu, percebeu, processou e difundiu a obra deste cineasta que é considerado o mais bem sucedido comercialmente na história do cinema Brasileiro.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-01T13:49:46Z No. of bitstreams: 1 Celso Sabadin.pdf: 1680733 bytes, checksum: d18c2f7d02e775ae941b91de56d5a3d4 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T14:59:49Z (GMT) No. of bitstreams: 1 Celso Sabadin.pdf: 1680733 bytes, checksum: d18c2f7d02e775ae941b91de56d5a3d4 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T18:02:06Z (GMT) No. of bitstreams: 1 Celso Sabadin.pdf: 1680733 bytes, checksum: d18c2f7d02e775ae941b91de56d5a3d4 (MD5)Made available in DSpace on 2019-04-03T18:02:42Z (GMT). No. of bitstreams: 1 Celso Sabadin.pdf: 1680733 bytes, checksum: d18c2f7d02e775ae941b91de56d5a3d4 (MD5) Previous issue date: 2017-04-19Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuAnálise fílmica; Cinema brasileiro; Cinema - CríticaFilm analysis; Brazilian cinema; Cinema - CriticismCIENCIAS HUMANASO Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7079206729423400013600600600600393015886071273952456530181105569640512075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALCelso Sabadin.pdfCelso Sabadin.pdfapplication/pdf1680733http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1729/2/Celso+Sabadin.pdfd18c2f7d02e775ae941b91de56d5a3d4MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1729/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1729oai:sitios.anhembi.br:TEDE/17292019-04-03 15:02:42.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:14.823Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
title |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
spellingShingle |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) SABADIN, Celso Fabio Análise fílmica; Cinema brasileiro; Cinema - Crítica Film analysis; Brazilian cinema; Cinema - Criticism CIENCIAS HUMANAS |
title_short |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
title_full |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
title_fullStr |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
title_full_unstemmed |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
title_sort |
O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012) |
author |
SABADIN, Celso Fabio |
author_facet |
SABADIN, Celso Fabio |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Schvarzman, Sheila |
dc.contributor.author.fl_str_mv |
SABADIN, Celso Fabio |
contributor_str_mv |
Schvarzman, Sheila |
dc.subject.por.fl_str_mv |
Análise fílmica; Cinema brasileiro; Cinema - Crítica |
topic |
Análise fílmica; Cinema brasileiro; Cinema - Crítica Film analysis; Brazilian cinema; Cinema - Criticism CIENCIAS HUMANAS |
dc.subject.eng.fl_str_mv |
Film analysis; Brazilian cinema; Cinema - Criticism |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.por.fl_txt_mv |
This research had as objective to raise and to study the reception that the films of the actor, director, scriptwriter and Paulista producer Amácio Mazzaropi (1912 - 1981) obtained next to the cinematographic criticism. To this end, a survey was carried out, firstly, with physical and virtual archives of the criticisms published in the most representative print media, preferably in São Paulo and Rio de Janeiro (at the time of Mazzaropi's cinematographic production, the two main cultural and journalistic diffusion of the country), between 1952 and 1980 (period of the production of the films of Mazzaropi). In a second moment, a survey of criticism published between 1981 (year of Mazzaropi's death) and 2012 (year of the celebrations of its centenary of birth) was published. The purpose of the two-period study was to see if, how, and in what proportions it would or would not be possible to verify significant changes in these critical perceptions, and how they became - or not - over the study period, and why. It was also made a specific analysis in all editions of the first phase of the magazine Cultura Cultura (from 1966 to 1988), considered one of the most presentations of the informative news and critic of the Brazilian cinema of this period. In order to contextualize and deepen this study, studies were also carried out on the biographical and artistic trajectory of Amácio Mazzaropi, a survey of the history and development of Brazilian cinematographic criticism, analysis of the forms of classification of the concept of art criticism, as well as research on the construction of the culture and the idol identity, elements, indispensable for the objectives of this study to be fulfilled to the satisfaction. For the field of Communication, this research shows relevance when developing historical counterpoints among the different ways in which film criticism received, perceived, processed and disseminated the work of this filmmaker who is considered the most commercially successful in the history of Brazilian cinema. Esta pesquisa teve como objetivo levantar e estudar a recepção que os filmes do ator, diretor, roteirista e produtor paulista Amácio Mazzaropi (1912 – 1981) obtiveram junto à crítica cinematográfica. Para tal, foi realizado, num primeiro momento, um levantamento junto a arquivos físicos e virtuais das críticas publicadas nos mais representativos veículos da mídia impressa preferencialmente de São Paulo e Rio de Janeiro (na época da produção cinematográfica de Mazzaropi, os dois principais centros de difusão cultural e jornalística do país), entre 1952 e 1980 (período da produção dos filmes de Mazzaropi). Num segundo momento, partiu-se para um levantamento de críticas publicadas entre 1981 (ano de falecimento de Mazzaropi) e 2012 (ano das comemorações de seu centenário de nascimento). O objetivo do estudo em dois períodos foi verificar se, como, e em que proporções seria ou não possível verificar alterações significativas nestas percepções críticas, e como elas se transformaram – ou não – no decorrer do período estudado, e porquê. Foi feita ainda uma análise específica na totalidade das edições da primeira fase da revista Filme Cultura (de 1966 a 1988), tida como das mais apresentativas do noticiário informativo e crítico do cinema brasileiro deste período. Para efeito de contextualização e aprofundamento deste estudo, foram realizados também estudos sobre a trajetória biográfica e artística de Amácio Mazzaropi, levantamento da história e do desenvolvimento da crítica cinematográfica no Brasil, análise das formas de classificação do conceito de crítica de arte, além de pesquisa sobre a construção da cultura e da identidade caipiras, elementos, indispensáveis para que os objetivos deste estudo fossem cumpridos a contento. Para o campo da Comunicação, esta pesquisa mostra relevância ao desenvolver contrapontos históricos entre as diversas maneiras pelas quais a crítica cinematográfica recebeu, percebeu, processou e difundiu a obra deste cineasta que é considerado o mais bem sucedido comercialmente na história do cinema Brasileiro. |
description |
This research had as objective to raise and to study the reception that the films of the actor, director, scriptwriter and Paulista producer Amácio Mazzaropi (1912 - 1981) obtained next to the cinematographic criticism. To this end, a survey was carried out, firstly, with physical and virtual archives of the criticisms published in the most representative print media, preferably in São Paulo and Rio de Janeiro (at the time of Mazzaropi's cinematographic production, the two main cultural and journalistic diffusion of the country), between 1952 and 1980 (period of the production of the films of Mazzaropi). In a second moment, a survey of criticism published between 1981 (year of Mazzaropi's death) and 2012 (year of the celebrations of its centenary of birth) was published. The purpose of the two-period study was to see if, how, and in what proportions it would or would not be possible to verify significant changes in these critical perceptions, and how they became - or not - over the study period, and why. It was also made a specific analysis in all editions of the first phase of the magazine Cultura Cultura (from 1966 to 1988), considered one of the most presentations of the informative news and critic of the Brazilian cinema of this period. In order to contextualize and deepen this study, studies were also carried out on the biographical and artistic trajectory of Amácio Mazzaropi, a survey of the history and development of Brazilian cinematographic criticism, analysis of the forms of classification of the concept of art criticism, as well as research on the construction of the culture and the idol identity, elements, indispensable for the objectives of this study to be fulfilled to the satisfaction. For the field of Communication, this research shows relevance when developing historical counterpoints among the different ways in which film criticism received, perceived, processed and disseminated the work of this filmmaker who is considered the most commercially successful in the history of Brazilian cinema. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-04-19 |
dc.date.accessioned.fl_str_mv |
2019-04-03T18:02:42Z |
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info:eu-repo/semantics/publishedVersion |
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dc.identifier.citation.fl_str_mv |
SABADIN, Celso Fabio. O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012). 2017. 107 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1729 |
identifier_str_mv |
SABADIN, Celso Fabio. O Jeca que virou cultura: recepções críticas à obra cinematográfica de Mazzaropi (1952-2012). 2017. 107 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
url |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1729 |
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por |
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Universidade Anhembi Morumbi |
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Universidade Anhembi Morumbi |
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repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbi |
repository.mail.fl_str_mv |
|
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1668889959417774080 |