Filme "A tribo": mudança de paradigma na representação do surdo no cinema
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1728 |
Resumo: | This research is a study on the representation of the deaf in the cinema, since A Tribe (2014, by Miroslav Slaboshpitskyi) presents itself as a ruptured film of paradigms. The study arose from the need to expand the knowledge in the area of deafness in articulation with the area of audiovisual communication. Most of the studies on deafness are part of the area of Education and Linguistics, so it is up to the development of new looks from the anthropological and cultural point of view in the audiovisual sector. Comparing The Tribe with other films about the deafness of the 70s and 80s, we understand the discourses built on the deaf representation and the change of perspective that the film The Tribe presents. The film, object of this research, allows an articulation between areas, therefore, it describes the cultural elements of the deaf found in the film and the understanding of the concept of deaf culture; also presents a discussion about the classification of the film as mute and the understanding of the effects caused on the spectator. In addition to bibliographic research, two field surveys were carried out, in an online form. The first survey received 96 responses, while the second, 11 responses. Both researches complement, therefore, the first results in an overview on films in sign languages and the representation of the deaf culture, while the second one is specific about the film The Tribe. Regarding the deaf culture, 63% considered that this culture is not usually presented in the films, allowing a basis for the defense that A Tribe breaks paradigms in the representation of the deaf in the cinema, for presenting a narrative with cultural elements of the deaf , without the theme of the film being linked to deafness and making the sign language something natural, allowing new possibilities for the language film. |
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Magno, Maria Ignês Carloshttp://lattes.cnpq.br/1139572756285287http://lattes.cnpq.br/5399258696540102CRUZ, Tatiane Monteiro da2019-04-03T17:47:37Z2017-09-28CRUZ, Tatiane Monteiro da. Filme "A tribo": mudança de paradigma na representação do surdo no cinema. 2017. 120 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1728This research is a study on the representation of the deaf in the cinema, since A Tribe (2014, by Miroslav Slaboshpitskyi) presents itself as a ruptured film of paradigms. The study arose from the need to expand the knowledge in the area of deafness in articulation with the area of audiovisual communication. Most of the studies on deafness are part of the area of Education and Linguistics, so it is up to the development of new looks from the anthropological and cultural point of view in the audiovisual sector. Comparing The Tribe with other films about the deafness of the 70s and 80s, we understand the discourses built on the deaf representation and the change of perspective that the film The Tribe presents. The film, object of this research, allows an articulation between areas, therefore, it describes the cultural elements of the deaf found in the film and the understanding of the concept of deaf culture; also presents a discussion about the classification of the film as mute and the understanding of the effects caused on the spectator. In addition to bibliographic research, two field surveys were carried out, in an online form. The first survey received 96 responses, while the second, 11 responses. Both researches complement, therefore, the first results in an overview on films in sign languages and the representation of the deaf culture, while the second one is specific about the film The Tribe. Regarding the deaf culture, 63% considered that this culture is not usually presented in the films, allowing a basis for the defense that A Tribe breaks paradigms in the representation of the deaf in the cinema, for presenting a narrative with cultural elements of the deaf , without the theme of the film being linked to deafness and making the sign language something natural, allowing new possibilities for the language film.Esta pesquisa é um estudo sobre a representação do surdo no cinema, visto que A Tribo (2014, de Miroslav Slaboshpitskyi) se apresenta como um filme de ruptura de paradigmas. O estudo surgiu da necessidade de ampliarmos os saberes na área da surdez em articulação com a área da comunicação audiovisual. Grande parte dos estudos sobre a surdez faz parte da área da Educação e da Linguística, dessa forma, cabe o desenvolvimento de novos olhares do ponto de vista antropológico e cultural no audiovisual. Comparando A Tribo com outros filmes sobre a surdez das décadas de 70 e 80, compreendemos os discursos construídos sobre a representação do surdo e a mudança de perspectiva que o filme A Tribo apresenta. O filme, objeto dessa pesquisa, permite uma articulação entre áreas, pois, descreve os elementos culturais dos surdos encontrados no filme e a compreensão do conceito de cultura surda; apresenta, também, uma discussão sobre a classificação do filme como mudo e a compreensão dos efeitos causados no espectador. Além de pesquisa bibliográfica, foram realizadas duas pesquisas de campo, em formulário disponibilizado online. A primeira pesquisa recebeu 96 respostas, enquanto a segunda, 11 respostas. Ambas as pesquisas se complementam, pois, a primeira resulta em uma visão geral sobre filmes em línguas de sinais e a representação da cultura surda, enquanto que a segunda é específica sobre o filme A Tribo. No que se refere a cultura surda, 63% consideraram que em geral essa cultura não é apresentada nos filmes, permitindo uma base para a defesa de que A Tribo quebra paradigmas na representação do surdo no cinema, por apresentar uma narrativa com elementos culturais dos surdos, sem que o tema do filme esteja ligado à surdez e por fazer da língua de sinais algo natural, permitindo novas possibilidades para a linguagem cinematográfica.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-02T14:13:11Z No. of bitstreams: 1 Tatiane Monteiro da Cruz.pdf: 3008797 bytes, checksum: 4818c965fd5275c73645ad2451a7fee3 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T14:59:00Z (GMT) No. of bitstreams: 1 Tatiane Monteiro da Cruz.pdf: 3008797 bytes, checksum: 4818c965fd5275c73645ad2451a7fee3 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T17:47:22Z (GMT) No. of bitstreams: 1 Tatiane Monteiro da Cruz.pdf: 3008797 bytes, checksum: 4818c965fd5275c73645ad2451a7fee3 (MD5)Made available in DSpace on 2019-04-03T17:47:37Z (GMT). No. of bitstreams: 1 Tatiane Monteiro da Cruz.pdf: 3008797 bytes, checksum: 4818c965fd5275c73645ad2451a7fee3 (MD5) Previous issue date: 2017-09-28Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; Língua de sinaisCommunication; Sign languageCIENCIAS HUMANASFilme "A tribo": mudança de paradigma na representação do surdo no cinemainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7079206729423400013600600600600393015886071273952456530181105569640512075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALTatiane Monteiro da Cruz.pdfTatiane Monteiro da Cruz.pdfapplication/pdf3008797http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1728/2/Tatiane+Monteiro+da+Cruz.pdf4818c965fd5275c73645ad2451a7fee3MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1728/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1728oai:sitios.anhembi.br:TEDE/17282019-04-03 14:47:37.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:19.221Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
title |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
spellingShingle |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema CRUZ, Tatiane Monteiro da Comunicação; Língua de sinais Communication; Sign language CIENCIAS HUMANAS |
title_short |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
title_full |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
title_fullStr |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
title_full_unstemmed |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
title_sort |
Filme "A tribo": mudança de paradigma na representação do surdo no cinema |
author |
CRUZ, Tatiane Monteiro da |
author_facet |
CRUZ, Tatiane Monteiro da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Magno, Maria Ignês Carlos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1139572756285287 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5399258696540102 |
dc.contributor.author.fl_str_mv |
CRUZ, Tatiane Monteiro da |
contributor_str_mv |
Magno, Maria Ignês Carlos |
dc.subject.por.fl_str_mv |
Comunicação; Língua de sinais |
topic |
Comunicação; Língua de sinais Communication; Sign language CIENCIAS HUMANAS |
dc.subject.eng.fl_str_mv |
Communication; Sign language |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.eng.fl_txt_mv |
This research is a study on the representation of the deaf in the cinema, since A Tribe (2014, by Miroslav Slaboshpitskyi) presents itself as a ruptured film of paradigms. The study arose from the need to expand the knowledge in the area of deafness in articulation with the area of audiovisual communication. Most of the studies on deafness are part of the area of Education and Linguistics, so it is up to the development of new looks from the anthropological and cultural point of view in the audiovisual sector. Comparing The Tribe with other films about the deafness of the 70s and 80s, we understand the discourses built on the deaf representation and the change of perspective that the film The Tribe presents. The film, object of this research, allows an articulation between areas, therefore, it describes the cultural elements of the deaf found in the film and the understanding of the concept of deaf culture; also presents a discussion about the classification of the film as mute and the understanding of the effects caused on the spectator. In addition to bibliographic research, two field surveys were carried out, in an online form. The first survey received 96 responses, while the second, 11 responses. Both researches complement, therefore, the first results in an overview on films in sign languages and the representation of the deaf culture, while the second one is specific about the film The Tribe. Regarding the deaf culture, 63% considered that this culture is not usually presented in the films, allowing a basis for the defense that A Tribe breaks paradigms in the representation of the deaf in the cinema, for presenting a narrative with cultural elements of the deaf , without the theme of the film being linked to deafness and making the sign language something natural, allowing new possibilities for the language film. |
dc.description.abstract.por.fl_txt_mv |
Esta pesquisa é um estudo sobre a representação do surdo no cinema, visto que A Tribo (2014, de Miroslav Slaboshpitskyi) se apresenta como um filme de ruptura de paradigmas. O estudo surgiu da necessidade de ampliarmos os saberes na área da surdez em articulação com a área da comunicação audiovisual. Grande parte dos estudos sobre a surdez faz parte da área da Educação e da Linguística, dessa forma, cabe o desenvolvimento de novos olhares do ponto de vista antropológico e cultural no audiovisual. Comparando A Tribo com outros filmes sobre a surdez das décadas de 70 e 80, compreendemos os discursos construídos sobre a representação do surdo e a mudança de perspectiva que o filme A Tribo apresenta. O filme, objeto dessa pesquisa, permite uma articulação entre áreas, pois, descreve os elementos culturais dos surdos encontrados no filme e a compreensão do conceito de cultura surda; apresenta, também, uma discussão sobre a classificação do filme como mudo e a compreensão dos efeitos causados no espectador. Além de pesquisa bibliográfica, foram realizadas duas pesquisas de campo, em formulário disponibilizado online. A primeira pesquisa recebeu 96 respostas, enquanto a segunda, 11 respostas. Ambas as pesquisas se complementam, pois, a primeira resulta em uma visão geral sobre filmes em línguas de sinais e a representação da cultura surda, enquanto que a segunda é específica sobre o filme A Tribo. No que se refere a cultura surda, 63% consideraram que em geral essa cultura não é apresentada nos filmes, permitindo uma base para a defesa de que A Tribo quebra paradigmas na representação do surdo no cinema, por apresentar uma narrativa com elementos culturais dos surdos, sem que o tema do filme esteja ligado à surdez e por fazer da língua de sinais algo natural, permitindo novas possibilidades para a linguagem cinematográfica. |
description |
This research is a study on the representation of the deaf in the cinema, since A Tribe (2014, by Miroslav Slaboshpitskyi) presents itself as a ruptured film of paradigms. The study arose from the need to expand the knowledge in the area of deafness in articulation with the area of audiovisual communication. Most of the studies on deafness are part of the area of Education and Linguistics, so it is up to the development of new looks from the anthropological and cultural point of view in the audiovisual sector. Comparing The Tribe with other films about the deafness of the 70s and 80s, we understand the discourses built on the deaf representation and the change of perspective that the film The Tribe presents. The film, object of this research, allows an articulation between areas, therefore, it describes the cultural elements of the deaf found in the film and the understanding of the concept of deaf culture; also presents a discussion about the classification of the film as mute and the understanding of the effects caused on the spectator. In addition to bibliographic research, two field surveys were carried out, in an online form. The first survey received 96 responses, while the second, 11 responses. Both researches complement, therefore, the first results in an overview on films in sign languages and the representation of the deaf culture, while the second one is specific about the film The Tribe. Regarding the deaf culture, 63% considered that this culture is not usually presented in the films, allowing a basis for the defense that A Tribe breaks paradigms in the representation of the deaf in the cinema, for presenting a narrative with cultural elements of the deaf , without the theme of the film being linked to deafness and making the sign language something natural, allowing new possibilities for the language film. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-09-28 |
dc.date.accessioned.fl_str_mv |
2019-04-03T17:47:37Z |
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CRUZ, Tatiane Monteiro da. Filme "A tribo": mudança de paradigma na representação do surdo no cinema. 2017. 120 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1728 |
identifier_str_mv |
CRUZ, Tatiane Monteiro da. Filme "A tribo": mudança de paradigma na representação do surdo no cinema. 2017. 120 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
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http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1728 |
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UAM |
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Universidade Anhembi Morumbi |
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