Os espaços de confinamento Persa
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1726 |
Resumo: | A study of films of Persian origin, which considers reduced film spaces as a possible clipping to address issues of arrest and control in their multiple appearances. Based on some audiovisual works by the Iranian filmmakers Jafar Panahi, Abbas Kiarostami and Samira Makhmalbaf, we seek to contextualize a spatial subtraction and its representation that reveal, respectively, political prison, social prison and private jail. It is, therefore, a social study of spaces, both their representation in the aesthetic field (the cinema, in the case), and the historical and cultural processes occurring in such spaces. By establishing the theoretical discussion between the cinema and the history of Iran, and perceiving the restrictions that an artistic production suffers within a theocratic regime; the text evidences, through the chosen films, the presence of the prison and the control in the esthetic proposal of such films, concerned with the interpretation of its society. That is, the variety of works analyzed gives analogical unity to research: the subtraction of space and the events given from the confinement. In addition, the philosophical interest in such works allows the understanding of social spaces from the point of view of cinema, which is, therefore, the main objective of this text. |
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Monteiro, Maurício Máriohttp://lattes.cnpq.br/0631200501793331TAVARES, Jansen Hinkel M.2019-04-03T17:42:32Z2017-09-29TAVARES, Jansen Hinkel M.. Os espaços de confinamento Persa. 2017. 118 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1726A study of films of Persian origin, which considers reduced film spaces as a possible clipping to address issues of arrest and control in their multiple appearances. Based on some audiovisual works by the Iranian filmmakers Jafar Panahi, Abbas Kiarostami and Samira Makhmalbaf, we seek to contextualize a spatial subtraction and its representation that reveal, respectively, political prison, social prison and private jail. It is, therefore, a social study of spaces, both their representation in the aesthetic field (the cinema, in the case), and the historical and cultural processes occurring in such spaces. By establishing the theoretical discussion between the cinema and the history of Iran, and perceiving the restrictions that an artistic production suffers within a theocratic regime; the text evidences, through the chosen films, the presence of the prison and the control in the esthetic proposal of such films, concerned with the interpretation of its society. That is, the variety of works analyzed gives analogical unity to research: the subtraction of space and the events given from the confinement. In addition, the philosophical interest in such works allows the understanding of social spaces from the point of view of cinema, which is, therefore, the main objective of this text.Um estudo sobre filmes de origem persa, que considera os espaços fílmicos reduzidos como um recorte possível para abordar questões referentes à prisão e ao controle, em suas múltiplas aparições. A partir de algumas obras audiovisuais dos cineastas iranianos Jafar Panahi, Abbas Kiarostami e Samira Makhmalbaf, busca-se contextualizar uma subtração espacial e sua representação que revelam, respectivamente: a prisão política, a prisão social e o cárcere privado. Trata-se, portanto, de um estudo social sobre os espaços, tanto sua representação no campo estético (o cinema, no caso), quanto os processos históricos e culturais ocorridos em tais espaços. Ao estabelecer a discussão teórica entre o cinema e a história do Irã, e perceber as restrições que uma produção artística sofre dentro de um regime teocrático; o texto evidencia, através dos filmes escolhidos, a presença da prisão e do controle na proposta estética de tais filmes, preocupados com a interpretação de sua sociedade. Ou seja, a variedade das obras analisadas confere unidade analógica à pesquisa: a subtração do espaço e os acontecimentos dados a partir do confinamento. Além disso, o interesse filosófico por tais obras permite a compreensão dos espaços sociais sob a ótica do cinema, que é, dessa forma, o principal objetivo do presente texto.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-02T13:56:31Z No. of bitstreams: 1 Jansen Hinkel M. Tavares.pdf: 729393 bytes, checksum: 6ab3447b94e0245dfb736d6f96543697 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T14:57:39Z (GMT) No. of bitstreams: 1 Jansen Hinkel M. Tavares.pdf: 729393 bytes, checksum: 6ab3447b94e0245dfb736d6f96543697 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-04-03T17:41:55Z (GMT) No. of bitstreams: 1 Jansen Hinkel M. Tavares.pdf: 729393 bytes, checksum: 6ab3447b94e0245dfb736d6f96543697 (MD5)Made available in DSpace on 2019-04-03T17:42:32Z (GMT). No. of bitstreams: 1 Jansen Hinkel M. Tavares.pdf: 729393 bytes, checksum: 6ab3447b94e0245dfb736d6f96543697 (MD5) Previous issue date: 2017-09-29Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em ComunicaçãoUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuComunicação; Cinema iraniano; Análise fílmicaCommunication; Iranian cinema; Film analysisCIENCIAS HUMANASOs espaços de confinamento Persainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-7079206729423400013600600600600393015886071273952456530181105569640512075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALJansen Hinkel M. Tavares.pdfJansen Hinkel M. 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dc.title.por.fl_str_mv |
Os espaços de confinamento Persa |
title |
Os espaços de confinamento Persa |
spellingShingle |
Os espaços de confinamento Persa TAVARES, Jansen Hinkel M. Comunicação; Cinema iraniano; Análise fílmica Communication; Iranian cinema; Film analysis CIENCIAS HUMANAS |
title_short |
Os espaços de confinamento Persa |
title_full |
Os espaços de confinamento Persa |
title_fullStr |
Os espaços de confinamento Persa |
title_full_unstemmed |
Os espaços de confinamento Persa |
title_sort |
Os espaços de confinamento Persa |
author |
TAVARES, Jansen Hinkel M. |
author_facet |
TAVARES, Jansen Hinkel M. |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Monteiro, Maurício Mário |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0631200501793331 |
dc.contributor.author.fl_str_mv |
TAVARES, Jansen Hinkel M. |
contributor_str_mv |
Monteiro, Maurício Mário |
dc.subject.por.fl_str_mv |
Comunicação; Cinema iraniano; Análise fílmica |
topic |
Comunicação; Cinema iraniano; Análise fílmica Communication; Iranian cinema; Film analysis CIENCIAS HUMANAS |
dc.subject.eng.fl_str_mv |
Communication; Iranian cinema; Film analysis |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.eng.fl_txt_mv |
A study of films of Persian origin, which considers reduced film spaces as a possible clipping to address issues of arrest and control in their multiple appearances. Based on some audiovisual works by the Iranian filmmakers Jafar Panahi, Abbas Kiarostami and Samira Makhmalbaf, we seek to contextualize a spatial subtraction and its representation that reveal, respectively, political prison, social prison and private jail. It is, therefore, a social study of spaces, both their representation in the aesthetic field (the cinema, in the case), and the historical and cultural processes occurring in such spaces. By establishing the theoretical discussion between the cinema and the history of Iran, and perceiving the restrictions that an artistic production suffers within a theocratic regime; the text evidences, through the chosen films, the presence of the prison and the control in the esthetic proposal of such films, concerned with the interpretation of its society. That is, the variety of works analyzed gives analogical unity to research: the subtraction of space and the events given from the confinement. In addition, the philosophical interest in such works allows the understanding of social spaces from the point of view of cinema, which is, therefore, the main objective of this text. |
dc.description.abstract.por.fl_txt_mv |
Um estudo sobre filmes de origem persa, que considera os espaços fílmicos reduzidos como um recorte possível para abordar questões referentes à prisão e ao controle, em suas múltiplas aparições. A partir de algumas obras audiovisuais dos cineastas iranianos Jafar Panahi, Abbas Kiarostami e Samira Makhmalbaf, busca-se contextualizar uma subtração espacial e sua representação que revelam, respectivamente: a prisão política, a prisão social e o cárcere privado. Trata-se, portanto, de um estudo social sobre os espaços, tanto sua representação no campo estético (o cinema, no caso), quanto os processos históricos e culturais ocorridos em tais espaços. Ao estabelecer a discussão teórica entre o cinema e a história do Irã, e perceber as restrições que uma produção artística sofre dentro de um regime teocrático; o texto evidencia, através dos filmes escolhidos, a presença da prisão e do controle na proposta estética de tais filmes, preocupados com a interpretação de sua sociedade. Ou seja, a variedade das obras analisadas confere unidade analógica à pesquisa: a subtração do espaço e os acontecimentos dados a partir do confinamento. Além disso, o interesse filosófico por tais obras permite a compreensão dos espaços sociais sob a ótica do cinema, que é, dessa forma, o principal objetivo do presente texto. |
description |
A study of films of Persian origin, which considers reduced film spaces as a possible clipping to address issues of arrest and control in their multiple appearances. Based on some audiovisual works by the Iranian filmmakers Jafar Panahi, Abbas Kiarostami and Samira Makhmalbaf, we seek to contextualize a spatial subtraction and its representation that reveal, respectively, political prison, social prison and private jail. It is, therefore, a social study of spaces, both their representation in the aesthetic field (the cinema, in the case), and the historical and cultural processes occurring in such spaces. By establishing the theoretical discussion between the cinema and the history of Iran, and perceiving the restrictions that an artistic production suffers within a theocratic regime; the text evidences, through the chosen films, the presence of the prison and the control in the esthetic proposal of such films, concerned with the interpretation of its society. That is, the variety of works analyzed gives analogical unity to research: the subtraction of space and the events given from the confinement. In addition, the philosophical interest in such works allows the understanding of social spaces from the point of view of cinema, which is, therefore, the main objective of this text. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-09-29 |
dc.date.accessioned.fl_str_mv |
2019-04-03T17:42:32Z |
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TAVARES, Jansen Hinkel M.. Os espaços de confinamento Persa. 2017. 118 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1726 |
identifier_str_mv |
TAVARES, Jansen Hinkel M.. Os espaços de confinamento Persa. 2017. 118 f. Dissertação (Programa de Pós-Graduação Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo. |
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http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1726 |
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