Alva Noto e Ryuichi Sakamoto na performance "insen live": dialogismo sonoro e seus aspectos projetuais

• Autor(a) principal: ROSA, Pedro Camilo
• Data de Publicação: 2015
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do ANHEMBI
• Texto Completo: http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1631
• topic: Design; Composição musical; Performance - Arte; LINGUISTICA, LETRAS E ARTES

This academic essay intends to investigate the variations and ranges created in the dialogue between musicians during a live performance, considering the relations between image and sound by means of musical narratives. All the research carried out in this essay is guided by the study of the design project proposal created in the dialogue process between the musician and sound artist Alva Noto in duet with the pianist and music composer Ryuichi Sakamoto during the live performance of the son “ax Mr. L”5. The project proposal is a dialogue building process between the musicians, and takes place during the pre-production, by means of the musical arrangement preparation and sound-visual sequencing, and during the live performance. To that end, the concept of dialogism by Mikhail Mikhailovich Bakhtin (1895-1975) and its ramifications, as produced in essays by Professor and Linguist Diana Barros6, will be presented. Semiotician Julia Kristeva7 introduces an insight on intertextuality, a structural concept of dialogism, also studied and presented in this essay. In the book Dialogismo, Polifonia, Intertextualidade (BARROS, 2011, p. 1), a contemporary definition of the dialogism concept associated with the investigation of dialogical relations between speeches within the musical universe is produced. The ook “B kht n o Cír ulo” (BRAIT, 2009, p. 9) presents a historical contextualization on Bakhtin’s studies. The entire musical analysis developed within this research is based on British musician Philip Tagg’s8 musical analysis studies, not only to analyze the musical composition of Ryuichi Sakamoto, but also to help enlighten the sound project structuring processes of Alva Noto.