Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago

Detalhes bibliográficos
Autor(a) principal: Moreira, Maria Elisa Rodrigues
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista da ANPOLL (Online)
Texto Completo: https://revistadaanpoll.emnuvens.com.br/revista/article/view/1190
Resumo: Known as a fiction writer and an important intelectual in the brazilian literary scene as well as in the foreign scene, Silviano Santiago is an author whose works are characterized by a persistent mockery of the limits among the literary genres, like the biography, the autobiography, the memoirs, the essays and the fictions. In this paper, resorting to the Cassio Hissa’s theories about the notions of “borders”, as well as the Jean-François Lyotard and Eneida Souza’s reflections about “narrative knowledges”, I propose a brief analysis about the book “O falso mentiroso: memórias” [The False Liar: Memories] (2004), in which Santiago, into a “contamination” and “hybridization” process, links essay, critic and fiction to thinking better about the most important questions in his literary production.
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spelling Cartesian, in his own way: Between the scams and camouflages of Silviano SantiagoCartesiano, à sua maneira: entre os embustes e camuflagens de Silviano SantiagoHybridismBorderFictionEssaySilviano SantiagoHibridismoFronteiraFicçãoEnsaioSilviano SantiagoKnown as a fiction writer and an important intelectual in the brazilian literary scene as well as in the foreign scene, Silviano Santiago is an author whose works are characterized by a persistent mockery of the limits among the literary genres, like the biography, the autobiography, the memoirs, the essays and the fictions. In this paper, resorting to the Cassio Hissa’s theories about the notions of “borders”, as well as the Jean-François Lyotard and Eneida Souza’s reflections about “narrative knowledges”, I propose a brief analysis about the book “O falso mentiroso: memórias” [The False Liar: Memories] (2004), in which Santiago, into a “contamination” and “hybridization” process, links essay, critic and fiction to thinking better about the most important questions in his literary production.Escritor e intelectual relevante na cena literária não apenas brasileira, Silviano Santiago é autor de uma obra que se caracteriza pela constante burla dos limites entre os gêneros literários, tais como a biografia, a autobiografia, as memórias, os ensaios, a ficção. Neste artigo, recorrendo às reflexões de Cássio Hissa acerca da noção de “fronteira” e às de Jean-François Lyotard e Eneida Souza sobre “saberes narrativos”, proponho uma breve análise do livro O falso mentiroso: memórias (2004), no qual Santiago, num processo de “contaminação” e “hibridização”, articula ensaio, crítica e ficção para refletir sobre questões caras à sua produção. ANPOLL2018-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/119010.18309/anp.v47i1.1190Revista da Anpoll; Vol. 1 No. 47 (2018): Estudos Literários; 106-116Revista da Anpoll; v. 1 n. 47 (2018): Estudos Literários; 106-1161982-78301414-7564reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLporhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1190/1012Copyright (c) 2018 Maria Elisa Rodrigues Moreirainfo:eu-repo/semantics/openAccessMoreira, Maria Elisa Rodrigues2019-06-25T17:50:45Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1190Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-01-13T09:48:46.590633Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false
dc.title.none.fl_str_mv Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
Cartesiano, à sua maneira: entre os embustes e camuflagens de Silviano Santiago
title Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
spellingShingle Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
Moreira, Maria Elisa Rodrigues
Hybridism
Border
Fiction
Essay
Silviano Santiago
Hibridismo
Fronteira
Ficção
Ensaio
Silviano Santiago
title_short Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
title_full Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
title_fullStr Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
title_full_unstemmed Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
title_sort Cartesian, in his own way: Between the scams and camouflages of Silviano Santiago
author Moreira, Maria Elisa Rodrigues
author_facet Moreira, Maria Elisa Rodrigues
author_role author
dc.contributor.author.fl_str_mv Moreira, Maria Elisa Rodrigues
dc.subject.por.fl_str_mv Hybridism
Border
Fiction
Essay
Silviano Santiago
Hibridismo
Fronteira
Ficção
Ensaio
Silviano Santiago
topic Hybridism
Border
Fiction
Essay
Silviano Santiago
Hibridismo
Fronteira
Ficção
Ensaio
Silviano Santiago
description Known as a fiction writer and an important intelectual in the brazilian literary scene as well as in the foreign scene, Silviano Santiago is an author whose works are characterized by a persistent mockery of the limits among the literary genres, like the biography, the autobiography, the memoirs, the essays and the fictions. In this paper, resorting to the Cassio Hissa’s theories about the notions of “borders”, as well as the Jean-François Lyotard and Eneida Souza’s reflections about “narrative knowledges”, I propose a brief analysis about the book “O falso mentiroso: memórias” [The False Liar: Memories] (2004), in which Santiago, into a “contamination” and “hybridization” process, links essay, critic and fiction to thinking better about the most important questions in his literary production.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1190
10.18309/anp.v47i1.1190
url https://revistadaanpoll.emnuvens.com.br/revista/article/view/1190
identifier_str_mv 10.18309/anp.v47i1.1190
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1190/1012
dc.rights.driver.fl_str_mv Copyright (c) 2018 Maria Elisa Rodrigues Moreira
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Maria Elisa Rodrigues Moreira
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ANPOLL
publisher.none.fl_str_mv ANPOLL
dc.source.none.fl_str_mv Revista da Anpoll; Vol. 1 No. 47 (2018): Estudos Literários; 106-116
Revista da Anpoll; v. 1 n. 47 (2018): Estudos Literários; 106-116
1982-7830
1414-7564
reponame:Revista da ANPOLL (Online)
instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
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reponame_str Revista da ANPOLL (Online)
collection Revista da ANPOLL (Online)
repository.name.fl_str_mv Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
repository.mail.fl_str_mv revistadaanpoll@gmail.com
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