The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image.
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/1064 |
Resumo: | This paper proposes to think about the ambiguities (more precisely the duality human/animal) presented in the Thai film Tropical Malady, directed by Apichatpong Weerasethakul, as a starting point to discuss the regimen that cinematographic image assumes in its relation to contemporary spectatorship. Weerasethakul’s work becomes exemplary to reflect about contemporary cinema as an art in perpetual transformation, completely opened to alterity, disclosing new forms of spatiality/temporality as well as new connections between identity and difference. |
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The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image.La ambigüedad hombre/animal en Tropical Malady y la dimensión chamánica de la Imagen.A Ambiguidade Homem/Animal em Mal dos Trópicos e a dimensão xamânica da Imagem.CinemaWeerasethakulAmbiguidadeImagemAlteridadeThis paper proposes to think about the ambiguities (more precisely the duality human/animal) presented in the Thai film Tropical Malady, directed by Apichatpong Weerasethakul, as a starting point to discuss the regimen that cinematographic image assumes in its relation to contemporary spectatorship. Weerasethakul’s work becomes exemplary to reflect about contemporary cinema as an art in perpetual transformation, completely opened to alterity, disclosing new forms of spatiality/temporality as well as new connections between identity and difference.En este artigo proponemos desarrollar algunas refecciones acerca de las ambigüedades presentes en la película tailandesa Tropical Malady – más precisamente en lo tocante a la dualidad hombre/animal – extendiendo la discusión para pensar el estatuto de la imagen cinematográfica en nuestros días y su relación con el espectador contemporáneo. El trabajo de Weerasethakul es ejemplar para reflexionar sobre el cine contemporáneo, un arte en perpetua transformación, abierto a la alteridad, indicando, de esta manera, otros espacios y otras temporalidades así como también nuevas relaciones entre la identidad y la diferencia.Propomos desenvolver algumas reflexões acerca das ambiguidades presentes em Mal dos Trópicos – mais exatamente sobre a dualidade homem/animal – estendendo a discussão para o estatuto que a imagem cinematográfica assume em relação à experiência do espectador de cinema em nossos dias. A obra de Weerasethakul torna-se exemplar para pensarmos o cinema contemporâneo, uma arte em constante transformação, que se abre para a alteridade, para o “devir-outro”, revelando, com isso, outras formas de espaço e de temporalidade, novas relações de identidade e de diferença.ABEC2015-03-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/mswordhttps://www.e-compos.org.br/e-compos/article/view/106410.30962/ec.1064E-Compós; Vol. 17 No. 3 (2014)E-Compós; Vol. 17 Núm. 3 (2014)E-Compós; v. 17 n. 3 (2014)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1064/791https://www.e-compos.org.br/e-compos/article/view/1064/1425Codato, Henriqueinfo:eu-repo/semantics/openAccess2023-11-06T20:37:15Zoai:ojs.www.e-compos.org.br:article/1064Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2023-11-06T20:37:15E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. La ambigüedad hombre/animal en Tropical Malady y la dimensión chamánica de la Imagen. A Ambiguidade Homem/Animal em Mal dos Trópicos e a dimensão xamânica da Imagem. |
title |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. |
spellingShingle |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. Codato, Henrique Cinema Weerasethakul Ambiguidade Imagem Alteridade |
title_short |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. |
title_full |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. |
title_fullStr |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. |
title_full_unstemmed |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. |
title_sort |
The Ambiguity human/animal in Tropical Malady and the Shamanic dimension of Image. |
author |
Codato, Henrique |
author_facet |
Codato, Henrique |
author_role |
author |
dc.contributor.author.fl_str_mv |
Codato, Henrique |
dc.subject.por.fl_str_mv |
Cinema Weerasethakul Ambiguidade Imagem Alteridade |
topic |
Cinema Weerasethakul Ambiguidade Imagem Alteridade |
description |
This paper proposes to think about the ambiguities (more precisely the duality human/animal) presented in the Thai film Tropical Malady, directed by Apichatpong Weerasethakul, as a starting point to discuss the regimen that cinematographic image assumes in its relation to contemporary spectatorship. Weerasethakul’s work becomes exemplary to reflect about contemporary cinema as an art in perpetual transformation, completely opened to alterity, disclosing new forms of spatiality/temporality as well as new connections between identity and difference. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-03-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/1064 10.30962/ec.1064 |
url |
https://www.e-compos.org.br/e-compos/article/view/1064 |
identifier_str_mv |
10.30962/ec.1064 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/1064/791 https://www.e-compos.org.br/e-compos/article/view/1064/1425 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/msword |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 17 No. 3 (2014) E-Compós; Vol. 17 Núm. 3 (2014) E-Compós; v. 17 n. 3 (2014) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
_version_ |
1798045729831256064 |