The invisible daily life in Adam Magyar's work

Detalhes bibliográficos
Autor(a) principal: de Carvalho Pereira da Silva, Victa
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1921
Resumo: In search of forms of time representation able to demonstrate its complexity, several recent visual and audiovisual works of art turn to urban daily life as a strategy to reflect on our current experience. From the "Urban Flow" (2006-2013) and "Stainless" (2011-2015) series by the Hungarian artist Adam Magyar, this article intends to observe emerging temporalities seized through hybrid technologies to capture images in the context of cities. Our objective is to reflect on the multiple ways of experiencing time through images today, as well as on the main challenges of photography in the context of contemporary art.   Keywords: Photography. Daily. Time. Experience.  
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spelling The invisible daily life in Adam Magyar's workLa vida cotidiano invisible en la obra de Adam MagyarO cotidiano invisível na obra de Adam MagyarFotografia. Cotidiano. Tempo. ExperiênciaFotografía. Cotidiano. Tiempo. Experiencia.Photography. Everydaylife. Time. ExperienceIn search of forms of time representation able to demonstrate its complexity, several recent visual and audiovisual works of art turn to urban daily life as a strategy to reflect on our current experience. From the "Urban Flow" (2006-2013) and "Stainless" (2011-2015) series by the Hungarian artist Adam Magyar, this article intends to observe emerging temporalities seized through hybrid technologies to capture images in the context of cities. Our objective is to reflect on the multiple ways of experiencing time through images today, as well as on the main challenges of photography in the context of contemporary art.   Keywords: Photography. Daily. Time. Experience.  En busca de formas de representación del tiempo capaces de demostrar su complejidad, varias obras visuales y audiovisuales recientes se centran en la vida cotidiana urbana como una estrategia para reflexionar sobre nuestra experiencia actual. De las series "Urban Flow" (2006-2013) y "Stainless" (2011-2015) del artista húngaro Adam Magyar, este artículo pretende observar las temporalidades emergentes incautadas a través de tecnologías de captura de imágenes híbridas en el contexto de ciudades Nuestro objetivo es reflexionar sobre las múltiples formas de experimentar el tiempo a través de las imágenes actuales, así como sobre los principales desafíos de la fotografía en el contexto del arte contemporáneo. Palabras clave: Fotografía. Cotidiano. Tiempo. Experiencia.No contexto mais recente das miscigenações entre a fotografia, o cinema e o vídeo, as propostas do artista húngaro Adam Magyar voltam-se para o que o artista chama de tempo perdido do cotidiano urbano, este muitas vezes ocultado pelas velocidades e fluxos da vida nas grandes cidades. A partir das séries Urban Flow (2006-2013) e Stainless (2011-2015), este artigo pretende observar as temporalidades emergentes apreendidas através de tecnologias híbridas de captura de imagens, com o objetivo de refletir sobre as múltiplas formas de experimentar o tempo através das imagens do cotidiano na atualidade. O tempo perdido moderno torna-se, no trabalho de Magyar, um tempo paradoxal no qual a imagem deixa de ser o rastro de um espaço percorrido para tornar-se ela mesma expressão do tempo.ABEC2020-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/192110.30962/ec.1921E-Compós; Vol. 23 (2020)E-Compós; Vol. 23 (2020)E-Compós; v. 23 (2020)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1921/1991Copyright (c) 2020 Victa de Carvalho Pereira da Silvainfo:eu-repo/semantics/openAccessde Carvalho Pereira da Silva, Victa2020-09-09T21:25:57Zoai:ojs.www.e-compos.org.br:article/1921Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2020-09-09T21:25:57E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv The invisible daily life in Adam Magyar's work
La vida cotidiano invisible en la obra de Adam Magyar
O cotidiano invisível na obra de Adam Magyar
title The invisible daily life in Adam Magyar's work
spellingShingle The invisible daily life in Adam Magyar's work
de Carvalho Pereira da Silva, Victa
Fotografia. Cotidiano. Tempo. Experiência
Fotografía. Cotidiano. Tiempo. Experiencia.
Photography. Everydaylife. Time. Experience
title_short The invisible daily life in Adam Magyar's work
title_full The invisible daily life in Adam Magyar's work
title_fullStr The invisible daily life in Adam Magyar's work
title_full_unstemmed The invisible daily life in Adam Magyar's work
title_sort The invisible daily life in Adam Magyar's work
author de Carvalho Pereira da Silva, Victa
author_facet de Carvalho Pereira da Silva, Victa
author_role author
dc.contributor.author.fl_str_mv de Carvalho Pereira da Silva, Victa
dc.subject.por.fl_str_mv Fotografia. Cotidiano. Tempo. Experiência
Fotografía. Cotidiano. Tiempo. Experiencia.
Photography. Everydaylife. Time. Experience
topic Fotografia. Cotidiano. Tempo. Experiência
Fotografía. Cotidiano. Tiempo. Experiencia.
Photography. Everydaylife. Time. Experience
description In search of forms of time representation able to demonstrate its complexity, several recent visual and audiovisual works of art turn to urban daily life as a strategy to reflect on our current experience. From the "Urban Flow" (2006-2013) and "Stainless" (2011-2015) series by the Hungarian artist Adam Magyar, this article intends to observe emerging temporalities seized through hybrid technologies to capture images in the context of cities. Our objective is to reflect on the multiple ways of experiencing time through images today, as well as on the main challenges of photography in the context of contemporary art.   Keywords: Photography. Daily. Time. Experience.  
publishDate 2020
dc.date.none.fl_str_mv 2020-06-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1921
10.30962/ec.1921
url https://www.e-compos.org.br/e-compos/article/view/1921
identifier_str_mv 10.30962/ec.1921
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1921/1991
dc.rights.driver.fl_str_mv Copyright (c) 2020 Victa de Carvalho Pereira da Silva
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Victa de Carvalho Pereira da Silva
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 23 (2020)
E-Compós; Vol. 23 (2020)
E-Compós; v. 23 (2020)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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