The invisible daily life in Adam Magyar's work
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/1921 |
Resumo: | In search of forms of time representation able to demonstrate its complexity, several recent visual and audiovisual works of art turn to urban daily life as a strategy to reflect on our current experience. From the "Urban Flow" (2006-2013) and "Stainless" (2011-2015) series by the Hungarian artist Adam Magyar, this article intends to observe emerging temporalities seized through hybrid technologies to capture images in the context of cities. Our objective is to reflect on the multiple ways of experiencing time through images today, as well as on the main challenges of photography in the context of contemporary art. Keywords: Photography. Daily. Time. Experience. |
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The invisible daily life in Adam Magyar's workLa vida cotidiano invisible en la obra de Adam MagyarO cotidiano invisível na obra de Adam MagyarFotografia. Cotidiano. Tempo. ExperiênciaFotografía. Cotidiano. Tiempo. Experiencia.Photography. Everydaylife. Time. ExperienceIn search of forms of time representation able to demonstrate its complexity, several recent visual and audiovisual works of art turn to urban daily life as a strategy to reflect on our current experience. From the "Urban Flow" (2006-2013) and "Stainless" (2011-2015) series by the Hungarian artist Adam Magyar, this article intends to observe emerging temporalities seized through hybrid technologies to capture images in the context of cities. Our objective is to reflect on the multiple ways of experiencing time through images today, as well as on the main challenges of photography in the context of contemporary art. Keywords: Photography. Daily. Time. Experience. En busca de formas de representación del tiempo capaces de demostrar su complejidad, varias obras visuales y audiovisuales recientes se centran en la vida cotidiana urbana como una estrategia para reflexionar sobre nuestra experiencia actual. De las series "Urban Flow" (2006-2013) y "Stainless" (2011-2015) del artista húngaro Adam Magyar, este artículo pretende observar las temporalidades emergentes incautadas a través de tecnologías de captura de imágenes híbridas en el contexto de ciudades Nuestro objetivo es reflexionar sobre las múltiples formas de experimentar el tiempo a través de las imágenes actuales, así como sobre los principales desafíos de la fotografía en el contexto del arte contemporáneo. Palabras clave: Fotografía. Cotidiano. Tiempo. Experiencia.No contexto mais recente das miscigenações entre a fotografia, o cinema e o vídeo, as propostas do artista húngaro Adam Magyar voltam-se para o que o artista chama de tempo perdido do cotidiano urbano, este muitas vezes ocultado pelas velocidades e fluxos da vida nas grandes cidades. A partir das séries Urban Flow (2006-2013) e Stainless (2011-2015), este artigo pretende observar as temporalidades emergentes apreendidas através de tecnologias híbridas de captura de imagens, com o objetivo de refletir sobre as múltiplas formas de experimentar o tempo através das imagens do cotidiano na atualidade. O tempo perdido moderno torna-se, no trabalho de Magyar, um tempo paradoxal no qual a imagem deixa de ser o rastro de um espaço percorrido para tornar-se ela mesma expressão do tempo.ABEC2020-06-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/192110.30962/ec.1921E-Compós; Vol. 23 (2020)E-Compós; Vol. 23 (2020)E-Compós; v. 23 (2020)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1921/1991Copyright (c) 2020 Victa de Carvalho Pereira da Silvainfo:eu-repo/semantics/openAccessde Carvalho Pereira da Silva, Victa2020-09-09T21:25:57Zoai:ojs.www.e-compos.org.br:article/1921Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2020-09-09T21:25:57E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
The invisible daily life in Adam Magyar's work La vida cotidiano invisible en la obra de Adam Magyar O cotidiano invisível na obra de Adam Magyar |
title |
The invisible daily life in Adam Magyar's work |
spellingShingle |
The invisible daily life in Adam Magyar's work de Carvalho Pereira da Silva, Victa Fotografia. Cotidiano. Tempo. Experiência Fotografía. Cotidiano. Tiempo. Experiencia. Photography. Everydaylife. Time. Experience |
title_short |
The invisible daily life in Adam Magyar's work |
title_full |
The invisible daily life in Adam Magyar's work |
title_fullStr |
The invisible daily life in Adam Magyar's work |
title_full_unstemmed |
The invisible daily life in Adam Magyar's work |
title_sort |
The invisible daily life in Adam Magyar's work |
author |
de Carvalho Pereira da Silva, Victa |
author_facet |
de Carvalho Pereira da Silva, Victa |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Carvalho Pereira da Silva, Victa |
dc.subject.por.fl_str_mv |
Fotografia. Cotidiano. Tempo. Experiência Fotografía. Cotidiano. Tiempo. Experiencia. Photography. Everydaylife. Time. Experience |
topic |
Fotografia. Cotidiano. Tempo. Experiência Fotografía. Cotidiano. Tiempo. Experiencia. Photography. Everydaylife. Time. Experience |
description |
In search of forms of time representation able to demonstrate its complexity, several recent visual and audiovisual works of art turn to urban daily life as a strategy to reflect on our current experience. From the "Urban Flow" (2006-2013) and "Stainless" (2011-2015) series by the Hungarian artist Adam Magyar, this article intends to observe emerging temporalities seized through hybrid technologies to capture images in the context of cities. Our objective is to reflect on the multiple ways of experiencing time through images today, as well as on the main challenges of photography in the context of contemporary art. Keywords: Photography. Daily. Time. Experience. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/1921 10.30962/ec.1921 |
url |
https://www.e-compos.org.br/e-compos/article/view/1921 |
identifier_str_mv |
10.30962/ec.1921 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/1921/1991 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Victa de Carvalho Pereira da Silva info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Victa de Carvalho Pereira da Silva |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 23 (2020) E-Compós; Vol. 23 (2020) E-Compós; v. 23 (2020) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
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1798045734887489536 |