Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/1014 |
Resumo: | Fake documentaries in found footage style have been consolidated as one of the most prolific subgenres of horror cinema. In the area of sound design, this subgenre pushes the creative boundaries toward an aesthetic that, unlike traditional fiction, emphasizes a certain degree of technical imperfection. We intend here to analyze the sound design of [Rec] (2007), a Spanish movie directed by Paco Plaza and Jaume Balagueró, with the objective of understand how the sonic structure of the film figures out the balance between legibility and verisimilitude. |
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Studied imperfection: [Rec] as a paradigm of sound design in found footage horror filmsImperfección calculada: [Rec] como paradigma de diseño de sonido en el falso documental de terrorImperfeição calculada: [Rec] como paradigma do sound design em falsos documentários de horrorCinema de horrorEstudos do somSound designFound footageZumbiFake documentaries in found footage style have been consolidated as one of the most prolific subgenres of horror cinema. In the area of sound design, this subgenre pushes the creative boundaries toward an aesthetic that, unlike traditional fiction, emphasizes a certain degree of technical imperfection. We intend here to analyze the sound design of [Rec] (2007), a Spanish movie directed by Paco Plaza and Jaume Balagueró, with the objective of understand how the sonic structure of the film figures out the balance between legibility and verisimilitude.Falsos documentales codificados como found footage se han consolidado como un subgénero prolífico del cine de terror. En el ámbito del diseño de sonido, este estilo de película empuja los límites creativos hacia una estética que valore cierto grado de imperfección técnica, a diferencia de la ficción tradicional. Como caso de estudio, el presente trabajo tiene como objetivo analizar el diseño de sonido de [Rec] (2007), largometraje español de Paco Plaza y Jaume Balagueró, a fin de examinar cómo la película aborda el equilibrio entre la legibilidad y la probabilidad.Falsos documentários codificados como found footage vêm se consolidando como um subgênero prolífico do cinema de horror. Na área do sound design, esse estilo de filme empurra os limites criativos em direção a uma estética que, ao contrário da ficção tradicional, valoriza certo grau de imperfeição técnica. Como estudo de caso, propomos analisar o sound design de [Rec], filme de Paco Plaza e Jaume Balagueró, a fim de examinar como a construção sonora desse filme resolve o equilíbrio entre legibilidade e verossimilhança.ABEC2014-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/101410.30962/ec.1014E-Compós; Vol. 17 No. 2 (2014)E-Compós; Vol. 17 Núm. 2 (2014)E-Compós; v. 17 n. 2 (2014)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1014/777Carreiro, Rodrigoinfo:eu-repo/semantics/openAccess2021-06-11T12:45:01Zoai:ojs.www.e-compos.org.br:article/1014Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-11T12:45:01E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films Imperfección calculada: [Rec] como paradigma de diseño de sonido en el falso documental de terror Imperfeição calculada: [Rec] como paradigma do sound design em falsos documentários de horror |
title |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films |
spellingShingle |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films Carreiro, Rodrigo Cinema de horror Estudos do som Sound design Found footage Zumbi |
title_short |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films |
title_full |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films |
title_fullStr |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films |
title_full_unstemmed |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films |
title_sort |
Studied imperfection: [Rec] as a paradigm of sound design in found footage horror films |
author |
Carreiro, Rodrigo |
author_facet |
Carreiro, Rodrigo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Carreiro, Rodrigo |
dc.subject.por.fl_str_mv |
Cinema de horror Estudos do som Sound design Found footage Zumbi |
topic |
Cinema de horror Estudos do som Sound design Found footage Zumbi |
description |
Fake documentaries in found footage style have been consolidated as one of the most prolific subgenres of horror cinema. In the area of sound design, this subgenre pushes the creative boundaries toward an aesthetic that, unlike traditional fiction, emphasizes a certain degree of technical imperfection. We intend here to analyze the sound design of [Rec] (2007), a Spanish movie directed by Paco Plaza and Jaume Balagueró, with the objective of understand how the sonic structure of the film figures out the balance between legibility and verisimilitude. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-12-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/1014 10.30962/ec.1014 |
url |
https://www.e-compos.org.br/e-compos/article/view/1014 |
identifier_str_mv |
10.30962/ec.1014 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/1014/777 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 17 No. 2 (2014) E-Compós; Vol. 17 Núm. 2 (2014) E-Compós; v. 17 n. 2 (2014) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
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1798045734081134592 |