Young people of samba: the black identities representations in the street carnival of Bagé RS

Detalhes bibliográficos
Autor(a) principal: Santos, Nilton Silva dos
Data de Publicação: 2022
Outros Autores: Silva, Rafael Rosa da
Tipo de documento: Artigo
Idioma: por
Título da fonte: RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade
Texto Completo: http://periodicos.claec.org/index.php/relacult/article/view/2245
Resumo: This article aims to discuss the black identitys representations that are forged by young musicians in Bagé's street carnival. Within the black territories where carnival practices are undertaken, the participation of young people occurs through numerous musical experiences, ranging from the involvement with various types of instruments, as well as in the composition of sambas. Thus, it can be seen that the carnival period boosts and awake the participation of young people in the search for the construction of their identities. This work seeks to understand how musical spaces can be forged within the territories of the periphery and how the young people who live in these spaces construct their various identities, having carnival as an important period of socialization. Beyond the momesque period, these young people, because they belong to the black territories of Bagé, seek their identity constructions through lifestyles in which music is presented in a plural and diverse way.
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spelling Young people of samba: the black identities representations in the street carnival of Bagé RSLa juventud de lo samba: representacione de la identidad negra en el carnaval de la calle de Bagé RSLes jeunes de la samba: les représentations de l'identité noire dans le carnaval de rue de Bagé RSJovens do samba: as construções identitárias negras no carnaval de rua de Bagé RSBagé CarnivalIdentitymusicyouthCarnaval de BagéidentidadejuventudmúsicaCarnaval de BagéidentidadejovensmúsicaCarnaval BagéIdentitéjeunessemusiqueThis article aims to discuss the black identitys representations that are forged by young musicians in Bagé's street carnival. Within the black territories where carnival practices are undertaken, the participation of young people occurs through numerous musical experiences, ranging from the involvement with various types of instruments, as well as in the composition of sambas. Thus, it can be seen that the carnival period boosts and awake the participation of young people in the search for the construction of their identities. This work seeks to understand how musical spaces can be forged within the territories of the periphery and how the young people who live in these spaces construct their various identities, having carnival as an important period of socialization. Beyond the momesque period, these young people, because they belong to the black territories of Bagé, seek their identity constructions through lifestyles in which music is presented in a plural and diverse way.Este artículo pretende discutir sobre las representaciones de la identidad negra que se forjan los jóvenes músicos en el carnaval callejero de Bagé. Dentro de los territorios negros donde se realizan las prácticas de carnaval, la participación de los jóvenes tiene lugar mediante de numerosas experiencias musicales, que van desde la participación con diversos tipos de instrumentos, así como en la composición de sambas y sambas de enredo. Así, se observa que el periodo de carnaval potencia y aumenta la participación de los jóvenes en la búsqueda de la construcción de sus identidades. Este trabajo busca entender cómo se pueden forjar espacios musicales dentro de los territorios de la periferia y cómo los jóvenes que viven en estos espacios construyen sus diversas identidades, teniendo el carnaval como un importante período de socialización. Más allá del periodo momesco, estos jóvenes, al pertenecer a los territorios negros de Bagé, buscan construir sus identidades mediante de estilos de vida en los que la música se presenta de forma plural y diversa.Cet article vise à discuter des représentations des identités noires  forgées par les jeunes musiciens dans le carnaval de rue de Bagé. Dans les territoires noirs où se déroulent les pratiques carnavalesques, la participation des jeunes se traduit par de nombreuses expériences musicales, allant de l'utilisation de divers types d'instruments à la composition de sambas et de sambas de enredo. Ainsi, on constate que la période du carnaval stimule et renforce la participation des jeunes dans la recherche de la construction de leurs identités. Ce travail cherche à comprendre comment des espaces musicaux peuvent être forgés dans les territoires de la périphérie et comment les jeunes qui vivent dans ces espaces construisent leurs différentes identités, le carnaval étant une période importante de socialisation. Au-delà de la période momesco, ces jeunes, en tant qu'ils appartiennent aux territoires noirs de Bagé, cherchent à construire leurs identités à travers des modes de vie dans lesquels la musique est présentée de manière plurielle et diverse.Este artigo tem por objetivo discutir acerca das representações identitárias negras que são forjadas por jovens músicos no carnaval de rua de Bagé. Dentro dos territórios negros onde as práticas carnavalescas são empreendidas, a participação de jovens se dá por inúmeras experiencias musicais, que vão desde o envolvimento com diversos tipos de instrumentos, bem como na composição de sambas e sambas de enredo. Com isto, percebe-se que o período carnavalesco impulsiona e potencializa a participação de jovens na busca pela construção de suas identidades. Este trabalho busca entender como os espaços musicais podem ser forjados dentro dos territórios de periferia e de como os jovens que vivem nestes espaços constroem suas variadas identidades, tendo no carnaval um período importante de socialização. Para além do período momesco, estes jovens, por pertencerem à territórios negros de Bagé, buscam suas construções identitárias através de estilos de vida em que a música se apresenta de modo plural e diverso.  Editora CLAEC - Centro Latino-Americano de Estudos em Cultura2022-04-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.claec.org/index.php/relacult/article/view/224510.23899/relacult.v7i3.2245RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade; v. 7 n. 3 (2021)2525-787010.23899/relacult.v7i3reponame:RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedadeinstname:Centro Latino-Americano de Estudos em Cultura (CLAEC)instacron:CLAECporhttp://periodicos.claec.org/index.php/relacult/article/view/2245/1512Copyright (c) 2021 Nilton Silva dos Santos, Rafael Rosa da Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSantos, Nilton Silva dosSilva, Rafael Rosa da 2022-07-19T01:31:58Zoai:ojs.pkp.sfu.ca:article/2245Revistahttp://periodicos.claec.org/index.php/relacult/indexONGhttp://periodicos.claec.org/index.php/relacult/oairelacult@claec.org || periodicos@claec.org2525-78702525-7870opendoar:2022-07-19T01:31:58RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade - Centro Latino-Americano de Estudos em Cultura (CLAEC)false
dc.title.none.fl_str_mv Young people of samba: the black identities representations in the street carnival of Bagé RS
La juventud de lo samba: representacione de la identidad negra en el carnaval de la calle de Bagé RS
Les jeunes de la samba: les représentations de l'identité noire dans le carnaval de rue de Bagé RS
Jovens do samba: as construções identitárias negras no carnaval de rua de Bagé RS
title Young people of samba: the black identities representations in the street carnival of Bagé RS
spellingShingle Young people of samba: the black identities representations in the street carnival of Bagé RS
Santos, Nilton Silva dos
Bagé Carnival
Identity
music
youth
Carnaval de Bagé
identidade
juventud
música
Carnaval de Bagé
identidade
jovens
música
Carnaval Bagé
Identité
jeunesse
musique
title_short Young people of samba: the black identities representations in the street carnival of Bagé RS
title_full Young people of samba: the black identities representations in the street carnival of Bagé RS
title_fullStr Young people of samba: the black identities representations in the street carnival of Bagé RS
title_full_unstemmed Young people of samba: the black identities representations in the street carnival of Bagé RS
title_sort Young people of samba: the black identities representations in the street carnival of Bagé RS
author Santos, Nilton Silva dos
author_facet Santos, Nilton Silva dos
Silva, Rafael Rosa da
author_role author
author2 Silva, Rafael Rosa da
author2_role author
dc.contributor.author.fl_str_mv Santos, Nilton Silva dos
Silva, Rafael Rosa da
dc.subject.por.fl_str_mv Bagé Carnival
Identity
music
youth
Carnaval de Bagé
identidade
juventud
música
Carnaval de Bagé
identidade
jovens
música
Carnaval Bagé
Identité
jeunesse
musique
topic Bagé Carnival
Identity
music
youth
Carnaval de Bagé
identidade
juventud
música
Carnaval de Bagé
identidade
jovens
música
Carnaval Bagé
Identité
jeunesse
musique
description This article aims to discuss the black identitys representations that are forged by young musicians in Bagé's street carnival. Within the black territories where carnival practices are undertaken, the participation of young people occurs through numerous musical experiences, ranging from the involvement with various types of instruments, as well as in the composition of sambas. Thus, it can be seen that the carnival period boosts and awake the participation of young people in the search for the construction of their identities. This work seeks to understand how musical spaces can be forged within the territories of the periphery and how the young people who live in these spaces construct their various identities, having carnival as an important period of socialization. Beyond the momesque period, these young people, because they belong to the black territories of Bagé, seek their identity constructions through lifestyles in which music is presented in a plural and diverse way.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.claec.org/index.php/relacult/article/view/2245
10.23899/relacult.v7i3.2245
url http://periodicos.claec.org/index.php/relacult/article/view/2245
identifier_str_mv 10.23899/relacult.v7i3.2245
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.claec.org/index.php/relacult/article/view/2245/1512
dc.rights.driver.fl_str_mv Copyright (c) 2021 Nilton Silva dos Santos, Rafael Rosa da Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Nilton Silva dos Santos, Rafael Rosa da Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora CLAEC - Centro Latino-Americano de Estudos em Cultura
publisher.none.fl_str_mv Editora CLAEC - Centro Latino-Americano de Estudos em Cultura
dc.source.none.fl_str_mv RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade; v. 7 n. 3 (2021)
2525-7870
10.23899/relacult.v7i3
reponame:RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade
instname:Centro Latino-Americano de Estudos em Cultura (CLAEC)
instacron:CLAEC
instname_str Centro Latino-Americano de Estudos em Cultura (CLAEC)
instacron_str CLAEC
institution CLAEC
reponame_str RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade
collection RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade
repository.name.fl_str_mv RELACult - Revista Latino-Americana de Estudos em Cultura e Sociedade - Centro Latino-Americano de Estudos em Cultura (CLAEC)
repository.mail.fl_str_mv relacult@claec.org || periodicos@claec.org
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