Corpo e discurso: um estudo sobre o filme Cinderella

• Autor(a) principal: Silva, Graciela Teixeira Assed da
• Data de Publicação: 2017
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório do Centro Universitário Braz Cubas
• Texto Completo: https://repositorio.cruzeirodosul.edu.br/handle/123456789/503
• topic: Análise do discurso; Corpo espetacularizado; Cinderella; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA::TEORIA E ANALISE LINGUISTICA

The movie Cinderella it was launched in March 2015 by Walt Disney Pictures Company, it was directed by Kenneth Branagh and produced by David Barron, Simon Kinberg and Allison Shearmur. The story is a retelling of the Cinderella animation (produced in 1950 by the same company from the classic Charles Perrault). The theory of discourse analysis (AD) of the French line conceives language as necessary mediation between man and his natural and social reality. We also use the M. Foucault's reflections regarding the discursive practices and the study of the body. To sustain our discursive approach from the body, and how it produces senses, we used the writings of Jean-Jacques Courtine on the subject. The main objective in this dissertation is to address the body as spectacularized, through observation on how to produce discourses and meanings from the surface (s) of the body (ies) and their power relations. We will also work as the body spectacularized is subjective ideological imaginary, experienced and shared culture. The methodology of work will be made from the crop visual excerpts from movie scenes and animation 1950, accompanied by transcripts of conversations that pervade such scenes, so that, from the beat description / interpretation proposed by the AD methodology, written from Foucault and Courtine about the body into relation to the possible speeches and peculiarities can also uncover clues (s) of the body (s) spectacularized in the film and animation of Cinderella.