Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones

Detalhes bibliográficos
Autor(a) principal: Souza, Kélica Andréa Campos de
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório do Centro Universitário Braz Cubas
Texto Completo: https://repositorio.cruzeirodosul.edu.br/handle/123456789/1021
Resumo: Based on the theoretical framework of semiotics about actions, passions and studies on ways of life, we analyzed in this work, the fictional narration of the TV series Game of Thrones, to identify what are the main characteristics that make up the female characters in series currently produced. Created by David Benioff and D. B. Weiss, to HBO channel, the story is an intersemiotic translation of literary series A Song of Ice and Fire, by George R. R. Martin, and since the release of the series first season (2011), it has gained more space around the public sphere of entertainment, especially around Brazilians. Designed in a fictional universe and anchored in the medieval period, the series, which depicts the struggle for power between the noble families of Westeros continent, presents some complex female characters, among which we selected for our analysis: Daenerys Targaryen, a young lady, shy and naive, who is sold by her own brother to a savage tribe; Catelyn Tully Stark, a very political woman who is the matriarch of one of the most important families of the kingdom; and Cersei Lannister, the queen of Westeros. Considering that the serial narratives are constituted as one of the main cultural products responsible for disseminating values and determine behavior through the content that convey, we seek to identify the narrative, thematic, figurative and pathetic of female characters roles selected, as the main way of life that they demonstrate. We noticed, with those characters acting ways, that their soul states are primarily responsible for their change of ways of life and that the female is associated with motherhood and power, denying the life forms of passivity and submission and founding an individual moral categorized on the can-do, of the endogenous order, and a way of approaching to an equal way life compared to male ways of life, appeared on the show. Key words: Ways of life; passion; female; Game of Thrones.
id CUB_932c9b966e71b5e5604763985ceba63f
oai_identifier_str oai:repositorio.cruzeirodosul.edu.br:123456789/1021
network_acronym_str CUB
network_name_str Repositório do Centro Universitário Braz Cubas
repository_id_str
spelling Ação, paixões e formas de vida do feminino na série televisiva Game of ThronesAction, passions and ways of life of female in the TV series Game of ThronesFormas de vidaPaixãoFemininoGame of ThronesCNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICABased on the theoretical framework of semiotics about actions, passions and studies on ways of life, we analyzed in this work, the fictional narration of the TV series Game of Thrones, to identify what are the main characteristics that make up the female characters in series currently produced. Created by David Benioff and D. B. Weiss, to HBO channel, the story is an intersemiotic translation of literary series A Song of Ice and Fire, by George R. R. Martin, and since the release of the series first season (2011), it has gained more space around the public sphere of entertainment, especially around Brazilians. Designed in a fictional universe and anchored in the medieval period, the series, which depicts the struggle for power between the noble families of Westeros continent, presents some complex female characters, among which we selected for our analysis: Daenerys Targaryen, a young lady, shy and naive, who is sold by her own brother to a savage tribe; Catelyn Tully Stark, a very political woman who is the matriarch of one of the most important families of the kingdom; and Cersei Lannister, the queen of Westeros. Considering that the serial narratives are constituted as one of the main cultural products responsible for disseminating values and determine behavior through the content that convey, we seek to identify the narrative, thematic, figurative and pathetic of female characters roles selected, as the main way of life that they demonstrate. We noticed, with those characters acting ways, that their soul states are primarily responsible for their change of ways of life and that the female is associated with motherhood and power, denying the life forms of passivity and submission and founding an individual moral categorized on the can-do, of the endogenous order, and a way of approaching to an equal way life compared to male ways of life, appeared on the show. Key words: Ways of life; passion; female; Game of Thrones.Com base no referencial teórico da semiótica de linha francesa, a partir dos postulados da semiótica da ação, da semiótica das paixões e dos estudos sobre as formas de vida, analisamos, neste trabalho, a narrativa ficcional seriada televisiva Game of Thrones, a fim de identificar quais as principais características que configuram os atores femininos nos seriados que são produzidos atualmente. Criada por David Benioff e D.B Weiss para o canal a cabo HBO, a narrativa é uma tradução intersemiótica da série literária A Song of Ice and Fire, do escritor norte-americano George R.R. Martin e, desde a apresentação da sua primeira temporada (2011), tem conquistado cada vez mais espaço entre o público da esfera do entretenimento, principalmente os brasileiros. Projetada num universo fictício e ancorada no período medieval, a série, que retrata a disputa pelo poder entre as famílias nobres do continente de Westeros, apresenta atores femininos complexos, entre os quais selecionamos para nossa análise: Daenerys Targaryen, uma jovem tímida e ingênua que é vendida pelo irmão a uma tribo de selvagens; Catelyn Tully Stark, uma mulher que possui forte tato político e é a matriarca de uma das famílias mais importantes do reino; e Cersei Lannister, a rainha de Westeros. Considerando que as narrativas seriadas se constituem como um dos principais produtos culturais responsáveis por disseminar valores e determinar comportamentos através do conteúdo que veiculam, buscamos identificar os papéis actanciais, temáticos, figurativos e patêmicos dos atores femininos selecionados, bem como as principais formas de vida que manifestam. Observamos, na representação desses atores, que os estados de alma são os principais responsáveis pelas transformações em suas formas de vida e que o feminino está associado à maternidade e ao poder, negando as formas de vida de passividade e submissão e fundando uma moral individual modalizada pelo poder-fazer, da ordem do endógeno, e aproximando-se de uma forma de vida igualitária em relação às formas de vida do masculino apresentadas no seriado. Palavras-chave: Formas de vida; paixão; feminino; Game of ThronesUniversidade de FrancaBrasilPós-GraduaçãoPrograma de Mestrado em LinguísticaUNIFRANCâmara, Naiá Sadi8473437310101321http://lattes.cnpq.br/8473437310101321Miyazaki, Tieko Yamaguchi1263051399657638http://lattes.cnpq.br/1263051399657638Abriata, Vera Lúcia Rodella0008939878371016http://lattes.cnpq.br/0008939878371016Souza, Kélica Andréa Campos de2020-09-01T13:18:46Z2020-09-01T13:18:46Z2015-02-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfSOUZA, Kélica Andréa Campos de. Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones. Franca, 2015. 133 f. Dissertação (Mestrado) - Universidade de Franca. 2015.https://repositorio.cruzeirodosul.edu.br/handle/123456789/1021porinfo:eu-repo/semantics/openAccessreponame:Repositório do Centro Universitário Braz Cubasinstname:Centro Universitário Braz Cubas (CUB)instacron:CUB2020-09-01T13:19:40Zoai:repositorio.cruzeirodosul.edu.br:123456789/1021Repositório InstitucionalPUBhttps://repositorio.brazcubas.edu.br/oai/requestbibli@brazcubas.edu.bropendoar:2020-09-01T13:19:40Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB)false
dc.title.none.fl_str_mv Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
Action, passions and ways of life of female in the TV series Game of Thrones
title Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
spellingShingle Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
Souza, Kélica Andréa Campos de
Formas de vida
Paixão
Feminino
Game of Thrones
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
title_short Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
title_full Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
title_fullStr Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
title_full_unstemmed Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
title_sort Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones
author Souza, Kélica Andréa Campos de
author_facet Souza, Kélica Andréa Campos de
author_role author
dc.contributor.none.fl_str_mv Câmara, Naiá Sadi
8473437310101321
http://lattes.cnpq.br/8473437310101321
Miyazaki, Tieko Yamaguchi
1263051399657638
http://lattes.cnpq.br/1263051399657638
Abriata, Vera Lúcia Rodella
0008939878371016
http://lattes.cnpq.br/0008939878371016
dc.contributor.author.fl_str_mv Souza, Kélica Andréa Campos de
dc.subject.por.fl_str_mv Formas de vida
Paixão
Feminino
Game of Thrones
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
topic Formas de vida
Paixão
Feminino
Game of Thrones
CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
description Based on the theoretical framework of semiotics about actions, passions and studies on ways of life, we analyzed in this work, the fictional narration of the TV series Game of Thrones, to identify what are the main characteristics that make up the female characters in series currently produced. Created by David Benioff and D. B. Weiss, to HBO channel, the story is an intersemiotic translation of literary series A Song of Ice and Fire, by George R. R. Martin, and since the release of the series first season (2011), it has gained more space around the public sphere of entertainment, especially around Brazilians. Designed in a fictional universe and anchored in the medieval period, the series, which depicts the struggle for power between the noble families of Westeros continent, presents some complex female characters, among which we selected for our analysis: Daenerys Targaryen, a young lady, shy and naive, who is sold by her own brother to a savage tribe; Catelyn Tully Stark, a very political woman who is the matriarch of one of the most important families of the kingdom; and Cersei Lannister, the queen of Westeros. Considering that the serial narratives are constituted as one of the main cultural products responsible for disseminating values and determine behavior through the content that convey, we seek to identify the narrative, thematic, figurative and pathetic of female characters roles selected, as the main way of life that they demonstrate. We noticed, with those characters acting ways, that their soul states are primarily responsible for their change of ways of life and that the female is associated with motherhood and power, denying the life forms of passivity and submission and founding an individual moral categorized on the can-do, of the endogenous order, and a way of approaching to an equal way life compared to male ways of life, appeared on the show. Key words: Ways of life; passion; female; Game of Thrones.
publishDate 2015
dc.date.none.fl_str_mv 2015-02-13
2020-09-01T13:18:46Z
2020-09-01T13:18:46Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv SOUZA, Kélica Andréa Campos de. Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones. Franca, 2015. 133 f. Dissertação (Mestrado) - Universidade de Franca. 2015.
https://repositorio.cruzeirodosul.edu.br/handle/123456789/1021
identifier_str_mv SOUZA, Kélica Andréa Campos de. Ação, paixões e formas de vida do feminino na série televisiva Game of Thrones. Franca, 2015. 133 f. Dissertação (Mestrado) - Universidade de Franca. 2015.
url https://repositorio.cruzeirodosul.edu.br/handle/123456789/1021
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de Franca
Brasil
Pós-Graduação
Programa de Mestrado em Linguística
UNIFRAN
publisher.none.fl_str_mv Universidade de Franca
Brasil
Pós-Graduação
Programa de Mestrado em Linguística
UNIFRAN
dc.source.none.fl_str_mv reponame:Repositório do Centro Universitário Braz Cubas
instname:Centro Universitário Braz Cubas (CUB)
instacron:CUB
instname_str Centro Universitário Braz Cubas (CUB)
instacron_str CUB
institution CUB
reponame_str Repositório do Centro Universitário Braz Cubas
collection Repositório do Centro Universitário Braz Cubas
repository.name.fl_str_mv Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB)
repository.mail.fl_str_mv bibli@brazcubas.edu.br
_version_ 1798311337410953216