Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda

Detalhes bibliográficos
Autor(a) principal: Carvalho, Pâmela Tavares de
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório do Centro Universitário Braz Cubas
Texto Completo: https://repositorio.cruzeirodosul.edu.br/handle/123456789/444
Resumo: In a society focused on consumption and spectacle, the desire to model a legitimate bodily appearance reveals values and begins to promote configurations of subjectivities and of society itself: clothes and adornments take on the symbolic and emotional dimensions that inhabit bodies. Considering the relations permeated by images and consumptions made around fashion products (material and immaterial), it is necessary to rethink the discursive production of fashion and its senses that penetrate the culture of the body, in order to recognize the practices that govern the life after-modern, marked by the valorization of the person along with his body, allied to a notion of power-knowledge, from the identification of (des) construction of such practices. The discourse of fashion establishes a series of possibilities of being and being that, in the whole of its manifestations, presents an own organization as a language that relates directly to the corporeal imaginary. The body is, therefore, the ideal support that guides the fashion speech. Thus, glimpsing a communion between discourse, body and fashion, considering the latter as a discursive event, as a historical and cultural construction on which different knowledges are articulated, it is aimed, with this research, to problematize fashion as a device that authorizes visibilities and visibilities about the deviant female body, that is, the fat, the disabled person and the transsexual. Then, the practices of interpretation, based on the theoretical framework of Discourse Analysis of french orientation and the postulates proposed by Michel Foucault and Jean Jacques Courtine, will guide the paths of this research. From the immense archive of fashion about the body, from the theoretical reflections, a corpus will be analyzed consisting of discourses extracted from the popular fashion magazines, such as Vogue Brasil and Vogue Paris, Glamour, Moda Moldes and Marie Claire, in which it is possible to observe, through strategic movements of the fashion device, the irruption of spaces of visibilities and dictations that circulate among them, with the construction of an effect of democracy and belonging, bodies different from that crystallized in society as susceptible of voice in fashion. Thus, it is possible that the bodies called deviant, deficient, transsexual and fat, circulate in the fashion space, provided they respond to a set of rules, rules that circumscribe lean and transsexual bodies with longiline contours and the latter improved by technology prosthetic, and the fat one, since he values, or rather, correct his body through the knowledge instituted by fashion
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spelling Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de modaMy body, my fashion: an analysis of discourse about the body said to be deviant in specialized fashion magazinesDiscursoModaCorpoMemóriaDispositivoCNPQ::LINGUISTICA, LETRAS E ARTESIn a society focused on consumption and spectacle, the desire to model a legitimate bodily appearance reveals values and begins to promote configurations of subjectivities and of society itself: clothes and adornments take on the symbolic and emotional dimensions that inhabit bodies. Considering the relations permeated by images and consumptions made around fashion products (material and immaterial), it is necessary to rethink the discursive production of fashion and its senses that penetrate the culture of the body, in order to recognize the practices that govern the life after-modern, marked by the valorization of the person along with his body, allied to a notion of power-knowledge, from the identification of (des) construction of such practices. The discourse of fashion establishes a series of possibilities of being and being that, in the whole of its manifestations, presents an own organization as a language that relates directly to the corporeal imaginary. The body is, therefore, the ideal support that guides the fashion speech. Thus, glimpsing a communion between discourse, body and fashion, considering the latter as a discursive event, as a historical and cultural construction on which different knowledges are articulated, it is aimed, with this research, to problematize fashion as a device that authorizes visibilities and visibilities about the deviant female body, that is, the fat, the disabled person and the transsexual. Then, the practices of interpretation, based on the theoretical framework of Discourse Analysis of french orientation and the postulates proposed by Michel Foucault and Jean Jacques Courtine, will guide the paths of this research. From the immense archive of fashion about the body, from the theoretical reflections, a corpus will be analyzed consisting of discourses extracted from the popular fashion magazines, such as Vogue Brasil and Vogue Paris, Glamour, Moda Moldes and Marie Claire, in which it is possible to observe, through strategic movements of the fashion device, the irruption of spaces of visibilities and dictations that circulate among them, with the construction of an effect of democracy and belonging, bodies different from that crystallized in society as susceptible of voice in fashion. Thus, it is possible that the bodies called deviant, deficient, transsexual and fat, circulate in the fashion space, provided they respond to a set of rules, rules that circumscribe lean and transsexual bodies with longiline contours and the latter improved by technology prosthetic, and the fat one, since he values, or rather, correct his body through the knowledge instituted by fashionNo seio de uma sociedade voltada para o consumo e o espetáculo, o desejo de modelar uma aparência corporal legítima revela valores e passa a promover configurações de subjetividades e da própria sociedade: roupas e adornos se revestem de dimensões simbólicas e emocionais que habitam os corpos. Considerando as relações permeadas pelas imagens e consumos realizados em torno dos produtos de moda (materiais e imateriais), é necessário repensar a produção discursiva da moda e seus sentidos que penetram a cultura do corpo, a fim de reconhecer as práticas que regem a vida pós-moderna, marcada pela valorização do indivíduo juto ao seu corpo, aliada a uma noção de poder – saber, a partir da identificação da (des)construção de tais práticas. O discurso da moda estabelece uma série de possibilidades de ser e estar que, no conjunto de suas manifestações, apresenta uma organização própria enquanto linguagem que se relaciona diretamente com o imaginário corpóreo. O corpo é, portanto, o suporte ideal que orienta o discurso fashion. Desse modo, vislumbrando uma comunhão entre discurso, corpo e moda, vista esta última como acontecimento discursivo, como uma construção histórica e cultural sobre a qual se articulam diferentes saberes, objetiva-se, com a pesquisa, problematizar a moda como um dispositivo que autoriza dizibilidades e visibilidades sobre o corpo feminino desviante, ou seja, o gordo, o deficiente e o transexual. Para tanto, as práticas de interpretação, embasadas no interior do arcabouço teórico da Análise de Discurso de orientação francesa e dos postulados propostos por Michel Foucault e Jean Jacques Courtine, orientarão os caminhos desta pesquisa. Do imenso arquivo da moda sobre o corpo, a partir das reflexões teóricas, analisar-se-á um corpus constituído por discursos extraídos das chamadas revistas de moda, icônicas e populares, como a Vogue Brasil e Vogue Paris, a Glamour, a Moda Moldes e Marie Claire, nas quais é possível observar, por meio de movimentos estratégicos do dispositivo da moda, a irrupção de espaços de vizibilidades e dizibilidades que fazem circular por entre eles, com a construção de um efeito de democracia e pertencimento, corpos diferentes daquele cristalizado na sociedade como passível de voz na moda. Assim, é possível que os corpos ditos desviantes, deficientes, transexuais e gordos, circulem no espaço de moda, desde que respondam a um conjunto de regras, regras estas que circunscrevem corpos transexuais e deficientes magros e com contornos longilíneos e este último aprimorado pela tecnologia protética, e o gordo desde que valorize, ou melhor, corrija seu corpo por meio de saberes instituídos pela moda.Universidade de FrancaBrasilPós-GraduaçãoPrograma de Mestrado em LinguísticaUNIFRANManzano, Luciana Carmona Garcia9059098295895752http://lattes.cnpq.br/9059098295895752Rodrigues, Marília Giselda5631344543606220http://lattes.cnpq.br/5631344543606220Araújo, Lígia Mara Boin Menossi deCarvalho, Pâmela Tavares de2020-03-30T18:58:14Z2020-03-30T18:58:14Z2019-03-14info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfCARVALHO, Pâmela Tavares de. Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda. Franca, SP, 2019. 134 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2019.https://repositorio.cruzeirodosul.edu.br/handle/123456789/444porinfo:eu-repo/semantics/openAccessreponame:Repositório do Centro Universitário Braz Cubasinstname:Centro Universitário Braz Cubas (CUB)instacron:CUB2020-03-30T18:59:25Zoai:repositorio.cruzeirodosul.edu.br:123456789/444Repositório InstitucionalPUBhttps://repositorio.brazcubas.edu.br/oai/requestbibli@brazcubas.edu.bropendoar:2020-03-30T18:59:25Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB)false
dc.title.none.fl_str_mv Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
My body, my fashion: an analysis of discourse about the body said to be deviant in specialized fashion magazines
title Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
spellingShingle Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
Carvalho, Pâmela Tavares de
Discurso
Moda
Corpo
Memória
Dispositivo
CNPQ::LINGUISTICA, LETRAS E ARTES
title_short Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
title_full Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
title_fullStr Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
title_full_unstemmed Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
title_sort Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda
author Carvalho, Pâmela Tavares de
author_facet Carvalho, Pâmela Tavares de
author_role author
dc.contributor.none.fl_str_mv Manzano, Luciana Carmona Garcia
9059098295895752
http://lattes.cnpq.br/9059098295895752
Rodrigues, Marília Giselda
5631344543606220
http://lattes.cnpq.br/5631344543606220
Araújo, Lígia Mara Boin Menossi de
dc.contributor.author.fl_str_mv Carvalho, Pâmela Tavares de
dc.subject.por.fl_str_mv Discurso
Moda
Corpo
Memória
Dispositivo
CNPQ::LINGUISTICA, LETRAS E ARTES
topic Discurso
Moda
Corpo
Memória
Dispositivo
CNPQ::LINGUISTICA, LETRAS E ARTES
description In a society focused on consumption and spectacle, the desire to model a legitimate bodily appearance reveals values and begins to promote configurations of subjectivities and of society itself: clothes and adornments take on the symbolic and emotional dimensions that inhabit bodies. Considering the relations permeated by images and consumptions made around fashion products (material and immaterial), it is necessary to rethink the discursive production of fashion and its senses that penetrate the culture of the body, in order to recognize the practices that govern the life after-modern, marked by the valorization of the person along with his body, allied to a notion of power-knowledge, from the identification of (des) construction of such practices. The discourse of fashion establishes a series of possibilities of being and being that, in the whole of its manifestations, presents an own organization as a language that relates directly to the corporeal imaginary. The body is, therefore, the ideal support that guides the fashion speech. Thus, glimpsing a communion between discourse, body and fashion, considering the latter as a discursive event, as a historical and cultural construction on which different knowledges are articulated, it is aimed, with this research, to problematize fashion as a device that authorizes visibilities and visibilities about the deviant female body, that is, the fat, the disabled person and the transsexual. Then, the practices of interpretation, based on the theoretical framework of Discourse Analysis of french orientation and the postulates proposed by Michel Foucault and Jean Jacques Courtine, will guide the paths of this research. From the immense archive of fashion about the body, from the theoretical reflections, a corpus will be analyzed consisting of discourses extracted from the popular fashion magazines, such as Vogue Brasil and Vogue Paris, Glamour, Moda Moldes and Marie Claire, in which it is possible to observe, through strategic movements of the fashion device, the irruption of spaces of visibilities and dictations that circulate among them, with the construction of an effect of democracy and belonging, bodies different from that crystallized in society as susceptible of voice in fashion. Thus, it is possible that the bodies called deviant, deficient, transsexual and fat, circulate in the fashion space, provided they respond to a set of rules, rules that circumscribe lean and transsexual bodies with longiline contours and the latter improved by technology prosthetic, and the fat one, since he values, or rather, correct his body through the knowledge instituted by fashion
publishDate 2019
dc.date.none.fl_str_mv 2019-03-14
2020-03-30T18:58:14Z
2020-03-30T18:58:14Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv CARVALHO, Pâmela Tavares de. Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda. Franca, SP, 2019. 134 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2019.
https://repositorio.cruzeirodosul.edu.br/handle/123456789/444
identifier_str_mv CARVALHO, Pâmela Tavares de. Meu corpo, minha moda: uma análise de discurso sobre o corpo dito desviante em revistas especializadas de moda. Franca, SP, 2019. 134 f. Dissertação (Mestrado em Linguística) - Universidade de Franca. 2019.
url https://repositorio.cruzeirodosul.edu.br/handle/123456789/444
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de Franca
Brasil
Pós-Graduação
Programa de Mestrado em Linguística
UNIFRAN
publisher.none.fl_str_mv Universidade de Franca
Brasil
Pós-Graduação
Programa de Mestrado em Linguística
UNIFRAN
dc.source.none.fl_str_mv reponame:Repositório do Centro Universitário Braz Cubas
instname:Centro Universitário Braz Cubas (CUB)
instacron:CUB
instname_str Centro Universitário Braz Cubas (CUB)
instacron_str CUB
institution CUB
reponame_str Repositório do Centro Universitário Braz Cubas
collection Repositório do Centro Universitário Braz Cubas
repository.name.fl_str_mv Repositório do Centro Universitário Braz Cubas - Centro Universitário Braz Cubas (CUB)
repository.mail.fl_str_mv bibli@brazcubas.edu.br
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