The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Revista EDICIC |
Texto Completo: | https://ojs.edicic.org/revistaedicic/article/view/255 |
Resumo: | Animated series are a tool for encouraging reading, especially in the case of those aimed at a children's audience, as they are sometimes the first contact for children. The representation of books, reading, libraries and information environments in these series should be positive in order to encourage the public to become familiar with these spaces. My Little Pony: Friendship is Magic is one of the most successful series of the 2010s, with an audience ranging from children to adults. The aim of this work is to identify the libraries and librarians that appear in this series, and to find out whether they comply with the stereotypes set by traditional cinema, through a viewing of the series. The results highlight the appearance of 7 libraries and one archive. They are mostly public centers, except for one library that belongs to a private school (although it is open to all kinds of creatures), and two private, inside a castle. They are structured in a similar way (a sign with a book symbol and shelves with stairs, mainly), although the architectural styles are very different. The librarians are all women, and the stereotype of the librarian with glasses and short hair or hair tied up in a bun is fulfilled. Of the services, the most common is the search for information among the collections, carried out autonomously by the users. The book is, in many episodes, the key to solving a problem or to defeating a villain. |
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The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magicLa representación de las bibliotecas en las series de animación infantil: el caso de my little pony: friendship is magicA representação das bibliotecas nas séries de animação infantil: o caso de my little pony: friendship is magicMy Little PonySeries de Animación InfantilRepresentaciónBibliotecasMy Little PonySéries de Animação InfantilRepresentaçãoBibliotecasMy Little PonyAnimated Childrens’ Television SeriesRepresentationLibrariesAnimated series are a tool for encouraging reading, especially in the case of those aimed at a children's audience, as they are sometimes the first contact for children. The representation of books, reading, libraries and information environments in these series should be positive in order to encourage the public to become familiar with these spaces. My Little Pony: Friendship is Magic is one of the most successful series of the 2010s, with an audience ranging from children to adults. The aim of this work is to identify the libraries and librarians that appear in this series, and to find out whether they comply with the stereotypes set by traditional cinema, through a viewing of the series. The results highlight the appearance of 7 libraries and one archive. They are mostly public centers, except for one library that belongs to a private school (although it is open to all kinds of creatures), and two private, inside a castle. They are structured in a similar way (a sign with a book symbol and shelves with stairs, mainly), although the architectural styles are very different. The librarians are all women, and the stereotype of the librarian with glasses and short hair or hair tied up in a bun is fulfilled. Of the services, the most common is the search for information among the collections, carried out autonomously by the users. The book is, in many episodes, the key to solving a problem or to defeating a villain.Las series de animación son una herramienta de animación a la lectura, especialmente en el caso de las dirigidas a un público infantil, ya que en ocasiones son la primera toma de contacto para los niños. La representación de libros, lectura, bibliotecas y entornos informacionales en estas series debe ser positiva para animar al público a familiarizarse con estos espacios. My Little Pony: Friendship is Magic, es una de las series más exitosas de la década de los 2010, con una audiencia que abarca desde público infantil a adulto. El objetivo de este trabajo es identificar las bibliotecas y los bibliotecarios que aparecen en esta serie, y averiguar si cumplen con los estereotipos marcados por el cine tradicional, mediante un visionado de la serie. De los resultados se destaca la aparición de 7 bibliotecas y un archivo. Son en su mayoría centros de carácter público, excepto una biblioteca que pertenece a un centro de enseñanza privado (si bien es abierto a toda clase de criaturas), y dos privadas, dentro de un castillo. Se estructuran de manera similar (un cartel con un símbolo de un libro y estanterías con escaleras, principalmente), si bien los estilos arquitectónicos son muy distintos. Las bibliotecarias son todas mujeres, y se cumple el estereotipo de la bibliotecaria con gafas y pelo corto o recogido en un moño. De los servicios, el más habitual es la búsqueda de información entre los fondos, realizado por parte de los usuarios de forma autónoma. El libro es, en múltiples episodios, la clave para resolver un problema o derrotar a un villano.As séries de animação são um instrumento de animação à leitura, sobretudo quando se destinam ao público infantil, pois são por vezes o primeiro contacto das crianças. A representação dos livros, da leitura, das bibliotecas e dos ambientes de informação nestas séries deve ser positiva, de modo a incentivar o público a familiarizar-se com estes espaços. My Little Pony: Friendship is Magic é uma das séries de maior sucesso da década de 2010, com um público que vai desde crianças a adultos. O objetivo deste trabalho é identificar as bibliotecas e os bibliotecários que aparecem nesta série, e averiguar se cumprem os estereótipos estabelecidos pelo cinema tradicional, através de um visionamento da série. Os resultados evidenciam o aparecimento de 7 bibliotecas e um arquivo. São, na sua maioria, centros públicos, com exceção de uma biblioteca que pertence a uma escola privada (embora esteja aberta a todo o tipo de criaturas), e duas bibliotecas privadas, dentro dum castelo. Estão estruturadas de forma semelhante (um letreiro com um símbolo de livro e prateleiras com escadas, principalmente), embora os estilos arquitetônicos sejam muito diferentes. As bibliotecárias são todas mulheres e cumpre-se o estereótipo da bibliotecária de óculos e cabelo curto ou preso num carrapito. Dos serviços, o mais comum é a pesquisa de informação nas colecções, realizada autonomamente pelos utilizadores. O livro é, em muitos episódios, a chave para a resolução de um problema ou a derrota de um vilão.Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe2023-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionResearch PaperArtículo de InvestigaciónArtigo de Pesquisaapplication/pdfhttps://ojs.edicic.org/revistaedicic/article/view/25510.62758/re.v3i3.255Revista EDICIC; Vol. 3 No. 3 (2023): Special Issue: Information Literacy, digital humanities and gender studies: trends and challenges; 1-23Revista EDICIC; Vol. 3 Núm. 3 (2023): Número especial: Alfabetización informacional, humanidades digitales y estudios de género: tendencias y desafíos; 1-23Revista EDICIC; v. 3 n. 3 (2023): Número Especial: Competência em Informação, humanidades digitais e estudos de gênero: tendencias e desafíos ; 1-232236-575310.62758/re.v3i3reponame:Revista EDICICinstname:Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe (EDICIC)instacron:EDICICspahttps://ojs.edicic.org/revistaedicic/article/view/255/270Derechos de autor 2023 Revista EDICIChttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMercadal-Cuesta, David2024-04-26T11:27:52Zoai:ojs.pkp.sfu.ca:article/255Revistahttp://ojs.edicic.org/index.php/revistaedicicPRIhttp://ojs.edicic.org/index.php/revistaedicic/oaiedicic@edicic.org2236-57532236-5753opendoar:2024-04-26T11:27:52Revista EDICIC - Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe (EDICIC)false |
dc.title.none.fl_str_mv |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic La representación de las bibliotecas en las series de animación infantil: el caso de my little pony: friendship is magic A representação das bibliotecas nas séries de animação infantil: o caso de my little pony: friendship is magic |
title |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic |
spellingShingle |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic Mercadal-Cuesta, David My Little Pony Series de Animación Infantil Representación Bibliotecas My Little Pony Séries de Animação Infantil Representação Bibliotecas My Little Pony Animated Childrens’ Television Series Representation Libraries |
title_short |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic |
title_full |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic |
title_fullStr |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic |
title_full_unstemmed |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic |
title_sort |
The representation of libraries in animated childrens’ television series: the case of my little pony: friendship is magic |
author |
Mercadal-Cuesta, David |
author_facet |
Mercadal-Cuesta, David |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mercadal-Cuesta, David |
dc.subject.por.fl_str_mv |
My Little Pony Series de Animación Infantil Representación Bibliotecas My Little Pony Séries de Animação Infantil Representação Bibliotecas My Little Pony Animated Childrens’ Television Series Representation Libraries |
topic |
My Little Pony Series de Animación Infantil Representación Bibliotecas My Little Pony Séries de Animação Infantil Representação Bibliotecas My Little Pony Animated Childrens’ Television Series Representation Libraries |
description |
Animated series are a tool for encouraging reading, especially in the case of those aimed at a children's audience, as they are sometimes the first contact for children. The representation of books, reading, libraries and information environments in these series should be positive in order to encourage the public to become familiar with these spaces. My Little Pony: Friendship is Magic is one of the most successful series of the 2010s, with an audience ranging from children to adults. The aim of this work is to identify the libraries and librarians that appear in this series, and to find out whether they comply with the stereotypes set by traditional cinema, through a viewing of the series. The results highlight the appearance of 7 libraries and one archive. They are mostly public centers, except for one library that belongs to a private school (although it is open to all kinds of creatures), and two private, inside a castle. They are structured in a similar way (a sign with a book symbol and shelves with stairs, mainly), although the architectural styles are very different. The librarians are all women, and the stereotype of the librarian with glasses and short hair or hair tied up in a bun is fulfilled. Of the services, the most common is the search for information among the collections, carried out autonomously by the users. The book is, in many episodes, the key to solving a problem or to defeating a villain. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Research Paper Artículo de Investigación Artigo de Pesquisa |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.edicic.org/revistaedicic/article/view/255 10.62758/re.v3i3.255 |
url |
https://ojs.edicic.org/revistaedicic/article/view/255 |
identifier_str_mv |
10.62758/re.v3i3.255 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://ojs.edicic.org/revistaedicic/article/view/255/270 |
dc.rights.driver.fl_str_mv |
Derechos de autor 2023 Revista EDICIC https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Derechos de autor 2023 Revista EDICIC https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe |
publisher.none.fl_str_mv |
Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe |
dc.source.none.fl_str_mv |
Revista EDICIC; Vol. 3 No. 3 (2023): Special Issue: Information Literacy, digital humanities and gender studies: trends and challenges; 1-23 Revista EDICIC; Vol. 3 Núm. 3 (2023): Número especial: Alfabetización informacional, humanidades digitales y estudios de género: tendencias y desafíos; 1-23 Revista EDICIC; v. 3 n. 3 (2023): Número Especial: Competência em Informação, humanidades digitais e estudos de gênero: tendencias e desafíos ; 1-23 2236-5753 10.62758/re.v3i3 reponame:Revista EDICIC instname:Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe (EDICIC) instacron:EDICIC |
instname_str |
Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe (EDICIC) |
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EDICIC |
institution |
EDICIC |
reponame_str |
Revista EDICIC |
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Revista EDICIC |
repository.name.fl_str_mv |
Revista EDICIC - Asociación de Educación e Investigación en Ciencia de la Información de Iberoamérica y el Caribe (EDICIC) |
repository.mail.fl_str_mv |
edicic@edicic.org |
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1809218354359042048 |