In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Comunicação, Mídia e Consumo (Online) |
Texto Completo: | https://revistacmc.espm.br/revistacmc/article/view/2714 |
Resumo: | TikTok has internationally become a digital platform with a remarkable expansion of consumption, recognized as capable of forming public opinion, echoing current agendas and debates and favoring the propagation of trends in the most diverse fields of social life. Music constitutes an essential part of the experience of the visitors of this digital platform, in which the compositions appear in short videos, edited, remixed, pasteurized or distorted, participating and supporting the most different types of performances of the regulars. The article explores, based on a critical review of the scientific literature on the subject, the implications and impacts of these new practices, uses and consumption of music in the context of the platformization of the cultural industry under intense algorithmic mediation, phenomena to which TikTok contributes in an important and decisive way. |
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In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical successNo TikTok do seu coração: do jabá às trends. Estratégias e manipulação algorítmica na produção do sucesso musical.Indústria fonográficaaudiovisualvídeos curtosindústria culturalPhonographic industryaudio-visualshort videoscultural industryTikTok has internationally become a digital platform with a remarkable expansion of consumption, recognized as capable of forming public opinion, echoing current agendas and debates and favoring the propagation of trends in the most diverse fields of social life. Music constitutes an essential part of the experience of the visitors of this digital platform, in which the compositions appear in short videos, edited, remixed, pasteurized or distorted, participating and supporting the most different types of performances of the regulars. The article explores, based on a critical review of the scientific literature on the subject, the implications and impacts of these new practices, uses and consumption of music in the context of the platformization of the cultural industry under intense algorithmic mediation, phenomena to which TikTok contributes in an important and decisive way.O TikTok tornou-se internacionalmente plataforma digital de notável expansão de consumo, reconhecida como capaz de formar opinião pública, ecoar pautas e debates do momento e favorecer a propagação de tendências nos mais diversos campos da vida social. A música constitui parte essencial da experiência dos frequentadores dessa plataforma digital, na qual as composições surgem em vídeos curtos, editadas, remixadas, pasteurizadas ou distorcidas, participando e dando suporte aos mais diferentes tipos de performances dos frequentadores. O artigo explora, a partir da revisão crítica da literatura científica sobre o tema, as implicações e impactos dessas novas práticas, usos e consumo de música no âmbito da plataformização da indústria cultural sob a intensa mediação algorítmica, fenômenos para os quais o TikTok contribui de forma importante e decisiva.Escola Superior de Propaganda e Marketing2023-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistacmc.espm.br/revistacmc/article/view/271410.18568/cmc.v20i57.2714Comunicação Mídia e Consumo; Vol. 20 No. 57 (2023): JANEIRO/ABRILComunicação Mídia e Consumo; Vol. 20 Núm. 57 (2023): JANEIRO/ABRILComunicação Mídia e Consumo; v. 20 n. 57 (2023): JANEIRO/ABRIL1983-707010.18568/cmc.v20i57reponame:Comunicação, Mídia e Consumo (Online)instname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://revistacmc.espm.br/revistacmc/article/view/2714/1212https://revistacmc.espm.br/revistacmc/article/view/2714/1221Copyright (c) 2023 Comunicação Mídia e Consumoinfo:eu-repo/semantics/openAccessJunqueira, Antonio HélioDuarte Freitas, Maria do Carmo2024-02-12T13:30:24Zoai:ojs.revistacmc.espm.br:article/2714Revistahttps://revistacmc.espm.br/revistacmc/oaiPRIhttp://revistacmc.espm.br/index.php/revistacmc/oaithoff@espm.br||revistacmc@espm.br1983-70701806-4981opendoar:2024-02-12T13:30:24Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success No TikTok do seu coração: do jabá às trends. Estratégias e manipulação algorítmica na produção do sucesso musical. |
title |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success |
spellingShingle |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success Junqueira, Antonio Hélio Indústria fonográfica audiovisual vídeos curtos indústria cultural Phonographic industry audio-visual short videos cultural industry |
title_short |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success |
title_full |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success |
title_fullStr |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success |
title_full_unstemmed |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success |
title_sort |
In your heart’s TikTok: from “jabá” to trends. Strategies and algorithmic manipulation in the production of musical success |
author |
Junqueira, Antonio Hélio |
author_facet |
Junqueira, Antonio Hélio Duarte Freitas, Maria do Carmo |
author_role |
author |
author2 |
Duarte Freitas, Maria do Carmo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Junqueira, Antonio Hélio Duarte Freitas, Maria do Carmo |
dc.subject.por.fl_str_mv |
Indústria fonográfica audiovisual vídeos curtos indústria cultural Phonographic industry audio-visual short videos cultural industry |
topic |
Indústria fonográfica audiovisual vídeos curtos indústria cultural Phonographic industry audio-visual short videos cultural industry |
description |
TikTok has internationally become a digital platform with a remarkable expansion of consumption, recognized as capable of forming public opinion, echoing current agendas and debates and favoring the propagation of trends in the most diverse fields of social life. Music constitutes an essential part of the experience of the visitors of this digital platform, in which the compositions appear in short videos, edited, remixed, pasteurized or distorted, participating and supporting the most different types of performances of the regulars. The article explores, based on a critical review of the scientific literature on the subject, the implications and impacts of these new practices, uses and consumption of music in the context of the platformization of the cultural industry under intense algorithmic mediation, phenomena to which TikTok contributes in an important and decisive way. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-04-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2714 10.18568/cmc.v20i57.2714 |
url |
https://revistacmc.espm.br/revistacmc/article/view/2714 |
identifier_str_mv |
10.18568/cmc.v20i57.2714 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://revistacmc.espm.br/revistacmc/article/view/2714/1212 https://revistacmc.espm.br/revistacmc/article/view/2714/1221 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Comunicação Mídia e Consumo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Comunicação Mídia e Consumo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Comunicação Mídia e Consumo; Vol. 20 No. 57 (2023): JANEIRO/ABRIL Comunicação Mídia e Consumo; Vol. 20 Núm. 57 (2023): JANEIRO/ABRIL Comunicação Mídia e Consumo; v. 20 n. 57 (2023): JANEIRO/ABRIL 1983-7070 10.18568/cmc.v20i57 reponame:Comunicação, Mídia e Consumo (Online) instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Comunicação, Mídia e Consumo (Online) |
collection |
Comunicação, Mídia e Consumo (Online) |
repository.name.fl_str_mv |
Comunicação, Mídia e Consumo (Online) - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
thoff@espm.br||revistacmc@espm.br |
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1793890301006315520 |