A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Diálogo com a Economia Criativa |
Texto Completo: | https://dialogo.espm.br/revistadcec-rj/article/view/438 |
Resumo: | The participation of about 5% to 6%, respectively, in the Brazilian and world populations, does not place deaf consumers in the focus of cultural and accessibility studies. Consuming is a meaningful human act and makes up the person’s identity. Deafness seen from a medical perspective is seen as a disability. On the other hand, from the socio-anthropological perspective, it is recognized as a cultural and linguistic difference that impacts the way a person sees and is seen in the world. Therefore, accessibility is guaranteed by preparation, either through the offer of instruments that guarantee autonomy or through the construction of spaces under the universal design theory that guarantees the autonomy of all people. This study analyzed experiences of cultural consumption by deaf people in Rio de Janeiro who live a communication barrier, identifying the barriers and limitations found in the market as well as the inclusive practices available. Semi-structured in-depth interviews were carried out in which the interviewers described their experiences through their life stories. The discussion showed practices that create widely perceptible barriers and limitations, such as the lack of subtitles in national films, which discourage attendance at cultural venues such as cinemas. In addition, it is necessary to give space for speech and work places to people with disabilities, since they know the reality of the public with equal conditions. It is so negative when palliative measures generate the impression of disrespect. Finally, autonomy measures achieve to the objective they are done. |
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A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdasDeaf ConsumersCultural AccessibilityUniversal DesignConsumidores SurdosAcessibilidade CulturalDesign UniversalThe participation of about 5% to 6%, respectively, in the Brazilian and world populations, does not place deaf consumers in the focus of cultural and accessibility studies. Consuming is a meaningful human act and makes up the person’s identity. Deafness seen from a medical perspective is seen as a disability. On the other hand, from the socio-anthropological perspective, it is recognized as a cultural and linguistic difference that impacts the way a person sees and is seen in the world. Therefore, accessibility is guaranteed by preparation, either through the offer of instruments that guarantee autonomy or through the construction of spaces under the universal design theory that guarantees the autonomy of all people. This study analyzed experiences of cultural consumption by deaf people in Rio de Janeiro who live a communication barrier, identifying the barriers and limitations found in the market as well as the inclusive practices available. Semi-structured in-depth interviews were carried out in which the interviewers described their experiences through their life stories. The discussion showed practices that create widely perceptible barriers and limitations, such as the lack of subtitles in national films, which discourage attendance at cultural venues such as cinemas. In addition, it is necessary to give space for speech and work places to people with disabilities, since they know the reality of the public with equal conditions. It is so negative when palliative measures generate the impression of disrespect. Finally, autonomy measures achieve to the objective they are done.A participação de 5 e 6%, respectivamente, das populações brasileira e mundial não coloca os consumidores surdos no foco de estudos culturais nem de acessibilidade. Consumir é um ato humano carregado de significado e compõe a identidade do indivíduo. A surdez encarada pelo olhar médico é vista como uma deficiência. Por outro lado, pela perspectiva socioantropológica, é reconhecida como uma diferença cultural e linguística que impacta na maneira como o sujeito vê o mundo e é visto nele. Para tanto, a acessibilidade precisa de preparo para ser garantida, quer pela oferta de instrumentos que promovam a autonomia dos indivíduos, quer pela construção de espaços pela luz do design universal, que assegura a autonomia de todos os indivíduos. Este trabalho analisou experiências de consumo de cultura por indivíduos surdos no Rio de Janeiro que experimentam uma barreira comunicacional, buscando identificar as barreiras e limitações encontradas, bem como práticas inclusivas disponíveis. Foram realizadas entrevistas em profundidade semiestruturadas em que os sujeitos de pesquisa narraram experiências por meio de suas histórias de vida. A discussão aborda práticas que criam barreiras e limitações amplamente perceptíveis, como falta de legendas em filmes nacionais, que desestimulam a frequência a equipamentos culturais como cinemas. Além disso, faz-se preciso dar espaço de fala e de atuação no mercado a pessoas com deficiências, conhecendo a realidade do público com iguais condições. É amplamente negativo quando medidas paliativas geram a impressão de desrespeito. Por fim, medidas de autonomia alcançam o objetivo proposto.Escola Superior de Propaganda e Marketing2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/438Journal Dialogue with Creative Economy; Vol. 7 No. 21 (2022); 131-147Diálogo com a Economia Criativa; v. 7 n. 21 (2022); 131-1472525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporhttps://dialogo.espm.br/revistadcec-rj/article/view/438/338Copyright (c) 2022 Alexandre Souza da Silva, Luís Pessôa, Janaina Nascimentohttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSouza da Silva, AlexandreGrubits de Paula Pessôa, Luís AlexandreNascimento Simões de Souza, Janaina2023-02-22T15:56:55Zoai:ojs.dialogo.espm.br:article/438Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2023-02-22T15:56:55Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false |
dc.title.none.fl_str_mv |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
title |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
spellingShingle |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas Souza da Silva, Alexandre Deaf Consumers Cultural Accessibility Universal Design Consumidores Surdos Acessibilidade Cultural Design Universal |
title_short |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
title_full |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
title_fullStr |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
title_full_unstemmed |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
title_sort |
A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas |
author |
Souza da Silva, Alexandre |
author_facet |
Souza da Silva, Alexandre Grubits de Paula Pessôa, Luís Alexandre Nascimento Simões de Souza, Janaina |
author_role |
author |
author2 |
Grubits de Paula Pessôa, Luís Alexandre Nascimento Simões de Souza, Janaina |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Souza da Silva, Alexandre Grubits de Paula Pessôa, Luís Alexandre Nascimento Simões de Souza, Janaina |
dc.subject.por.fl_str_mv |
Deaf Consumers Cultural Accessibility Universal Design Consumidores Surdos Acessibilidade Cultural Design Universal |
topic |
Deaf Consumers Cultural Accessibility Universal Design Consumidores Surdos Acessibilidade Cultural Design Universal |
description |
The participation of about 5% to 6%, respectively, in the Brazilian and world populations, does not place deaf consumers in the focus of cultural and accessibility studies. Consuming is a meaningful human act and makes up the person’s identity. Deafness seen from a medical perspective is seen as a disability. On the other hand, from the socio-anthropological perspective, it is recognized as a cultural and linguistic difference that impacts the way a person sees and is seen in the world. Therefore, accessibility is guaranteed by preparation, either through the offer of instruments that guarantee autonomy or through the construction of spaces under the universal design theory that guarantees the autonomy of all people. This study analyzed experiences of cultural consumption by deaf people in Rio de Janeiro who live a communication barrier, identifying the barriers and limitations found in the market as well as the inclusive practices available. Semi-structured in-depth interviews were carried out in which the interviewers described their experiences through their life stories. The discussion showed practices that create widely perceptible barriers and limitations, such as the lack of subtitles in national films, which discourage attendance at cultural venues such as cinemas. In addition, it is necessary to give space for speech and work places to people with disabilities, since they know the reality of the public with equal conditions. It is so negative when palliative measures generate the impression of disrespect. Finally, autonomy measures achieve to the objective they are done. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dialogo.espm.br/revistadcec-rj/article/view/438 |
url |
https://dialogo.espm.br/revistadcec-rj/article/view/438 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dialogo.espm.br/revistadcec-rj/article/view/438/338 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Alexandre Souza da Silva, Luís Pessôa, Janaina Nascimento http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Alexandre Souza da Silva, Luís Pessôa, Janaina Nascimento http://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
publisher.none.fl_str_mv |
Escola Superior de Propaganda e Marketing |
dc.source.none.fl_str_mv |
Journal Dialogue with Creative Economy; Vol. 7 No. 21 (2022); 131-147 Diálogo com a Economia Criativa; v. 7 n. 21 (2022); 131-147 2525-2828 reponame:Diálogo com a Economia Criativa instname:Escola Superior de Propaganda e Marketing (ESPM) instacron:ESPM |
instname_str |
Escola Superior de Propaganda e Marketing (ESPM) |
instacron_str |
ESPM |
institution |
ESPM |
reponame_str |
Diálogo com a Economia Criativa |
collection |
Diálogo com a Economia Criativa |
repository.name.fl_str_mv |
Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM) |
repository.mail.fl_str_mv |
||revistadcec-rj@espm.br |
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1797231688739192832 |