A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas

Detalhes bibliográficos
Autor(a) principal: Souza da Silva, Alexandre
Data de Publicação: 2022
Outros Autores: Grubits de Paula Pessôa, Luís Alexandre, Nascimento Simões de Souza, Janaina
Tipo de documento: Artigo
Idioma: por
Título da fonte: Diálogo com a Economia Criativa
Texto Completo: https://dialogo.espm.br/revistadcec-rj/article/view/438
Resumo: The participation of about 5% to 6%, respectively, in the Brazilian and world populations, does not place deaf consumers in the focus of cultural and accessibility studies. Consuming is a meaningful human act and makes up the person’s identity. Deafness seen from a medical perspective is seen as a disability. On the other hand, from the socio-anthropological perspective, it is recognized as a cultural and linguistic difference that impacts the way a person sees and is seen in the world. Therefore, accessibility is guaranteed by preparation, either through the offer of instruments that guarantee autonomy or through the construction of spaces under the universal design theory that guarantees the autonomy of all people. This study analyzed experiences of cultural consumption by deaf people in Rio de Janeiro who live a communication barrier, identifying the barriers and limitations found in the market as well as the inclusive practices available. Semi-structured in-depth interviews were carried out in which the interviewers described their experiences through their life stories. The discussion showed practices that create widely perceptible barriers and limitations, such as the lack of subtitles in national films, which discourage attendance at cultural venues such as cinemas. In addition, it is necessary to give space for speech and work places to people with disabilities, since they know the reality of the public with equal conditions. It is so negative when palliative measures generate the impression of disrespect. Finally, autonomy measures achieve to the objective they are done.
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spelling A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdasDeaf ConsumersCultural AccessibilityUniversal DesignConsumidores SurdosAcessibilidade CulturalDesign UniversalThe participation of about 5% to 6%, respectively, in the Brazilian and world populations, does not place deaf consumers in the focus of cultural and accessibility studies. Consuming is a meaningful human act and makes up the person’s identity. Deafness seen from a medical perspective is seen as a disability. On the other hand, from the socio-anthropological perspective, it is recognized as a cultural and linguistic difference that impacts the way a person sees and is seen in the world. Therefore, accessibility is guaranteed by preparation, either through the offer of instruments that guarantee autonomy or through the construction of spaces under the universal design theory that guarantees the autonomy of all people. This study analyzed experiences of cultural consumption by deaf people in Rio de Janeiro who live a communication barrier, identifying the barriers and limitations found in the market as well as the inclusive practices available. Semi-structured in-depth interviews were carried out in which the interviewers described their experiences through their life stories. The discussion showed practices that create widely perceptible barriers and limitations, such as the lack of subtitles in national films, which discourage attendance at cultural venues such as cinemas. In addition, it is necessary to give space for speech and work places to people with disabilities, since they know the reality of the public with equal conditions. It is so negative when palliative measures generate the impression of disrespect. Finally, autonomy measures achieve to the objective they are done.A participação de 5 e 6%, respectivamente, das populações brasileira e mundial não coloca os consumidores surdos no foco de estudos culturais nem de acessibilidade. Consumir é um ato humano carregado de significado e compõe a identidade do indivíduo. A surdez encarada pelo olhar médico é vista como uma deficiência. Por outro lado, pela perspectiva socioantropológica, é reconhecida como uma diferença cultural e linguística que impacta na maneira como o sujeito vê o mundo e é visto nele. Para tanto, a acessibilidade precisa de preparo para ser garantida, quer pela oferta de instrumentos que promovam a autonomia dos indivíduos, quer pela construção de espaços pela luz do design universal, que assegura a autonomia de todos os indivíduos. Este trabalho analisou experiências de consumo de cultura por indivíduos surdos no Rio de Janeiro que experimentam uma barreira comunicacional, buscando identificar as barreiras e limitações encontradas, bem como práticas inclusivas disponíveis. Foram realizadas entrevistas em profundidade semiestruturadas em que os sujeitos de pesquisa narraram experiências por meio de suas histórias de vida. A discussão aborda práticas que criam barreiras e limitações amplamente perceptíveis, como falta de legendas em filmes nacionais, que desestimulam a frequência a equipamentos culturais como cinemas. Além disso, faz-se preciso dar espaço de fala e de atuação no mercado a pessoas com deficiências, conhecendo a realidade do público com iguais condições. É amplamente negativo quando medidas paliativas geram a impressão de desrespeito. Por fim, medidas de autonomia alcançam o objetivo proposto.Escola Superior de Propaganda e Marketing2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/438Journal Dialogue with Creative Economy; Vol. 7 No. 21 (2022); 131-147Diálogo com a Economia Criativa; v. 7 n. 21 (2022); 131-1472525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporhttps://dialogo.espm.br/revistadcec-rj/article/view/438/338Copyright (c) 2022 Alexandre Souza da Silva, Luís Pessôa, Janaina Nascimentohttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSouza da Silva, AlexandreGrubits de Paula Pessôa, Luís AlexandreNascimento Simões de Souza, Janaina2023-02-22T15:56:55Zoai:ojs.dialogo.espm.br:article/438Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2023-02-22T15:56:55Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
title A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
spellingShingle A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
Souza da Silva, Alexandre
Deaf Consumers
Cultural Accessibility
Universal Design
Consumidores Surdos
Acessibilidade Cultural
Design Universal
title_short A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
title_full A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
title_fullStr A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
title_full_unstemmed A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
title_sort A cultura do consumo ou o consumo da cultura? Por um design universal na acessibilidade cultural de pessoas surdas
author Souza da Silva, Alexandre
author_facet Souza da Silva, Alexandre
Grubits de Paula Pessôa, Luís Alexandre
Nascimento Simões de Souza, Janaina
author_role author
author2 Grubits de Paula Pessôa, Luís Alexandre
Nascimento Simões de Souza, Janaina
author2_role author
author
dc.contributor.author.fl_str_mv Souza da Silva, Alexandre
Grubits de Paula Pessôa, Luís Alexandre
Nascimento Simões de Souza, Janaina
dc.subject.por.fl_str_mv Deaf Consumers
Cultural Accessibility
Universal Design
Consumidores Surdos
Acessibilidade Cultural
Design Universal
topic Deaf Consumers
Cultural Accessibility
Universal Design
Consumidores Surdos
Acessibilidade Cultural
Design Universal
description The participation of about 5% to 6%, respectively, in the Brazilian and world populations, does not place deaf consumers in the focus of cultural and accessibility studies. Consuming is a meaningful human act and makes up the person’s identity. Deafness seen from a medical perspective is seen as a disability. On the other hand, from the socio-anthropological perspective, it is recognized as a cultural and linguistic difference that impacts the way a person sees and is seen in the world. Therefore, accessibility is guaranteed by preparation, either through the offer of instruments that guarantee autonomy or through the construction of spaces under the universal design theory that guarantees the autonomy of all people. This study analyzed experiences of cultural consumption by deaf people in Rio de Janeiro who live a communication barrier, identifying the barriers and limitations found in the market as well as the inclusive practices available. Semi-structured in-depth interviews were carried out in which the interviewers described their experiences through their life stories. The discussion showed practices that create widely perceptible barriers and limitations, such as the lack of subtitles in national films, which discourage attendance at cultural venues such as cinemas. In addition, it is necessary to give space for speech and work places to people with disabilities, since they know the reality of the public with equal conditions. It is so negative when palliative measures generate the impression of disrespect. Finally, autonomy measures achieve to the objective they are done.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/438
url https://dialogo.espm.br/revistadcec-rj/article/view/438
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/438/338
dc.rights.driver.fl_str_mv Copyright (c) 2022 Alexandre Souza da Silva, Luís Pessôa, Janaina Nascimento
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Alexandre Souza da Silva, Luís Pessôa, Janaina Nascimento
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Journal Dialogue with Creative Economy; Vol. 7 No. 21 (2022); 131-147
Diálogo com a Economia Criativa; v. 7 n. 21 (2022); 131-147
2525-2828
reponame:Diálogo com a Economia Criativa
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Diálogo com a Economia Criativa
collection Diálogo com a Economia Criativa
repository.name.fl_str_mv Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv ||revistadcec-rj@espm.br
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