Animated Shapes: the movement drawn in cartoon animation

Detalhes bibliográficos
Autor(a) principal: FIALHO, ANTONIO
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Diálogo com a Economia Criativa
Texto Completo: https://dialogo.espm.br/revistadcec-rj/article/view/471
Resumo: This research proposes an investigative clipping on the constitution of the shape of certain cartoon characters, selected from the functionality of drawing for animation, with the purpose of arguing how the visual project of certain figures exacerbates the creative variation between their poses to establish consecutive changes to the drawn movement, suggesting spontaneity to cartoon animation. Through a brief historical overview of the dynamic relationships that were established between shape and movement in American cartoons, mainly from the 1910s to the 1940s, the research delimits how certain variations in the external and internal structure of the figure were decisive in influencing this qualitative construction in character animation. From there, the research unfolds to analyze the configuration of some contemporary characters of cartoon animation in relation to the peculiarities of the movement performed by them, proposing to highlight the attributes of the qualitative result of these animations. Thus, we seek to reflect on how the shapes of these characters are reorganized to represent the animated movement, based on the practice of specific fundamental principles, conceptually analyzed, in its constructive structure, in this research.
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spelling Animated Shapes: the movement drawn in cartoon animationFormas Animadas: o movimento desenhado na animação cartunescaDesenho animadoAnimação cartunesca Forma MudançaMovimentoAnimated cartoonCartoon animationShapeChange MovementThis research proposes an investigative clipping on the constitution of the shape of certain cartoon characters, selected from the functionality of drawing for animation, with the purpose of arguing how the visual project of certain figures exacerbates the creative variation between their poses to establish consecutive changes to the drawn movement, suggesting spontaneity to cartoon animation. Through a brief historical overview of the dynamic relationships that were established between shape and movement in American cartoons, mainly from the 1910s to the 1940s, the research delimits how certain variations in the external and internal structure of the figure were decisive in influencing this qualitative construction in character animation. From there, the research unfolds to analyze the configuration of some contemporary characters of cartoon animation in relation to the peculiarities of the movement performed by them, proposing to highlight the attributes of the qualitative result of these animations. Thus, we seek to reflect on how the shapes of these characters are reorganized to represent the animated movement, based on the practice of specific fundamental principles, conceptually analyzed, in its constructive structure, in this research.Esta pesquisa propõe um recorte investigativo sobre a constituição da forma de determinados personagens caricatos, selecionados a partir da funcionalidade do desenho para animação, com o propósito de argumentar como o projeto visual de certas figuras exacerbam a variação criativa entre suas poses para estabelecer mudanças consecutivas ao movimento desenhado, sugerindo espontaneidade à animação cartunesca. Por meio de um breve panorama histórico sobre as relações dinâmicas que se estabeleceram entre forma e movimento no desenho animado estadunidense, principalmente nas décadas de 1910 a 1940, a pesquisa delimita como certas variações na estrutura externa e interna da figura foram decisivas para influenciar essa construção qualitativa na animação de personagens. A partir daí, a pesquisa se desdobra para analisar a forma de alguns personagens contemporâneos da animação cartunesca em relação às peculiaridades do movimento realizado por eles, propondo destacar os atributos do resultado qualitativo dessas animações. Assim, busca-se refletir como as formas destes personagens se reorganizam para representar o  movimento animado, tomando por base a prática de princípios fundamentais específicos, discutidos conceitualmente e analisados, em sua estrutura construtiva, nesta pesquisa.Escola Superior de Propaganda e Marketing2023-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/47110.22398/2525-2828.82464-78Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 64-78Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 64-782525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://dialogo.espm.br/revistadcec-rj/article/view/471/402https://dialogo.espm.br/revistadcec-rj/article/view/471/403Copyright (c) 2023 ANTONIO FIALHOhttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessFIALHO, ANTONIO2023-12-22T16:08:27Zoai:ojs.dialogo.espm.br:article/471Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2023-12-22T16:08:27Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv Animated Shapes: the movement drawn in cartoon animation
Formas Animadas: o movimento desenhado na animação cartunesca
title Animated Shapes: the movement drawn in cartoon animation
spellingShingle Animated Shapes: the movement drawn in cartoon animation
FIALHO, ANTONIO
Desenho animado
Animação cartunesca
Forma
Mudança
Movimento
Animated cartoon
Cartoon animation
Shape
Change
Movement
title_short Animated Shapes: the movement drawn in cartoon animation
title_full Animated Shapes: the movement drawn in cartoon animation
title_fullStr Animated Shapes: the movement drawn in cartoon animation
title_full_unstemmed Animated Shapes: the movement drawn in cartoon animation
title_sort Animated Shapes: the movement drawn in cartoon animation
author FIALHO, ANTONIO
author_facet FIALHO, ANTONIO
author_role author
dc.contributor.author.fl_str_mv FIALHO, ANTONIO
dc.subject.por.fl_str_mv Desenho animado
Animação cartunesca
Forma
Mudança
Movimento
Animated cartoon
Cartoon animation
Shape
Change
Movement
topic Desenho animado
Animação cartunesca
Forma
Mudança
Movimento
Animated cartoon
Cartoon animation
Shape
Change
Movement
description This research proposes an investigative clipping on the constitution of the shape of certain cartoon characters, selected from the functionality of drawing for animation, with the purpose of arguing how the visual project of certain figures exacerbates the creative variation between their poses to establish consecutive changes to the drawn movement, suggesting spontaneity to cartoon animation. Through a brief historical overview of the dynamic relationships that were established between shape and movement in American cartoons, mainly from the 1910s to the 1940s, the research delimits how certain variations in the external and internal structure of the figure were decisive in influencing this qualitative construction in character animation. From there, the research unfolds to analyze the configuration of some contemporary characters of cartoon animation in relation to the peculiarities of the movement performed by them, proposing to highlight the attributes of the qualitative result of these animations. Thus, we seek to reflect on how the shapes of these characters are reorganized to represent the animated movement, based on the practice of specific fundamental principles, conceptually analyzed, in its constructive structure, in this research.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/471
10.22398/2525-2828.82464-78
url https://dialogo.espm.br/revistadcec-rj/article/view/471
identifier_str_mv 10.22398/2525-2828.82464-78
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/471/402
https://dialogo.espm.br/revistadcec-rj/article/view/471/403
dc.rights.driver.fl_str_mv Copyright (c) 2023 ANTONIO FIALHO
http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 ANTONIO FIALHO
http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Journal Dialogue with Creative Economy; Vol. 8 No. 24 (2023): Dossier SEANIMA#3 ; 64-78
Diálogo com a Economia Criativa; v. 8 n. 24 (2023): Dossiê SEANIMA#3; 64-78
2525-2828
reponame:Diálogo com a Economia Criativa
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Diálogo com a Economia Criativa
collection Diálogo com a Economia Criativa
repository.name.fl_str_mv Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv ||revistadcec-rj@espm.br
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