Fashion and the Crossroads: a Theoretical-methodological Essay

Detalhes bibliográficos
Autor(a) principal: Costa, Carla
Data de Publicação: 2023
Outros Autores: Casarin, Carolina, Santos, Heloisa, Dalla Rosa Júnior, João, Medrado, Michelle
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Diálogo com a Economia Criativa
Texto Completo: https://dialogo.espm.br/revistadcec-rj/article/view/433
Resumo: The article proposes a theoretical and methodological essay to undertake the decolonial turn onfashion research. Coming from a multidisciplinary approach, the essay explores two concepts: asocial back stitch in fashion and tear up in fashion to demonstrate the first steps that the practiceof the cross method requires in the context of fashion research. The crossroads, as a concept, isused in its political and epistemological function, guiding the theoretical-methodological proposalto the transgression of western canons and colonies that still operate in fashion studies. Thecrossroads is associated with the metaphor of the drawing and the sewing machine bobbin, whichbroadens the thinking of fashion gears and, therefore, operates the decolonial turn.
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spelling Fashion and the Crossroads: a Theoretical-methodological EssayA moda e as encruzilhadas: um ensaio teórico-metodológicoModaEncruzilhadasTeoriaMétodoFashionCrossroads TheoryMethod The article proposes a theoretical and methodological essay to undertake the decolonial turn onfashion research. Coming from a multidisciplinary approach, the essay explores two concepts: asocial back stitch in fashion and tear up in fashion to demonstrate the first steps that the practiceof the cross method requires in the context of fashion research. The crossroads, as a concept, isused in its political and epistemological function, guiding the theoretical-methodological proposalto the transgression of western canons and colonies that still operate in fashion studies. Thecrossroads is associated with the metaphor of the drawing and the sewing machine bobbin, whichbroadens the thinking of fashion gears and, therefore, operates the decolonial turn.O objetivo deste artigo é apresentar um ensaio sobre os passos teórico-metodológicos para empreender o giro decolonial nas pesquisas de/em moda. Partindo de abordagens pluridisciplinares, o texto explora dois conceitos: retrocesso social em moda e rasgo em moda, de modo a demonstrar as primeiras etapas que a prática do método do cruzo exige no âmbito da pesquisa. Como conceito, a encruzilhada é empregada em sua função política e epistemológica, direcionando a proposta teórico-metodológico à transgressão dos cânones ocidentais e colônias que ainda operam nos estudos de moda. À encruzilhada, é associada a metáfora do desenho e da bobina da máquina de costura, o que permite ampliar o pensamento das engrenagens da moda e, assim, operar o giro decolonial.Escola Superior de Propaganda e Marketing2023-05-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://dialogo.espm.br/revistadcec-rj/article/view/43310.22398/2525-2828.8229-21Journal Dialogue with Creative Economy; Vol. 8 No. 22 (2023): Thematic Report - Fashion and Creative Economy; 9-21Diálogo com a Economia Criativa; v. 8 n. 22 (2023): Dossiê Moda e Economia Criativa; 9-212525-2828reponame:Diálogo com a Economia Criativainstname:Escola Superior de Propaganda e Marketing (ESPM)instacron:ESPMporenghttps://dialogo.espm.br/revistadcec-rj/article/view/433/346https://dialogo.espm.br/revistadcec-rj/article/view/433/347Copyright (c) 2023 Carla Costa, Carolina Casarin, Heloisa Santos, João Dalla Rosa Júnior, Michelle Medradohttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCosta, CarlaCasarin, CarolinaSantos, HeloisaDalla Rosa Júnior, João Medrado, Michelle2023-05-11T21:56:34Zoai:ojs.dialogo.espm.br:article/433Revistahttps://dialogo.espm.br/revistadcec-rj/ONGhttps://dialogo.espm.br/revistadcec-rj/oai||revistadcec-rj@espm.br2525-28282525-2828opendoar:2023-05-11T21:56:34Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)false
dc.title.none.fl_str_mv Fashion and the Crossroads: a Theoretical-methodological Essay
A moda e as encruzilhadas: um ensaio teórico-metodológico
title Fashion and the Crossroads: a Theoretical-methodological Essay
spellingShingle Fashion and the Crossroads: a Theoretical-methodological Essay
Costa, Carla
Moda
Encruzilhadas
Teoria
Método
Fashion
Crossroads
Theory
Method
title_short Fashion and the Crossroads: a Theoretical-methodological Essay
title_full Fashion and the Crossroads: a Theoretical-methodological Essay
title_fullStr Fashion and the Crossroads: a Theoretical-methodological Essay
title_full_unstemmed Fashion and the Crossroads: a Theoretical-methodological Essay
title_sort Fashion and the Crossroads: a Theoretical-methodological Essay
author Costa, Carla
author_facet Costa, Carla
Casarin, Carolina
Santos, Heloisa
Dalla Rosa Júnior, João
Medrado, Michelle
author_role author
author2 Casarin, Carolina
Santos, Heloisa
Dalla Rosa Júnior, João
Medrado, Michelle
author2_role author
author
author
author
dc.contributor.author.fl_str_mv Costa, Carla
Casarin, Carolina
Santos, Heloisa
Dalla Rosa Júnior, João
Medrado, Michelle
dc.subject.por.fl_str_mv Moda
Encruzilhadas
Teoria
Método
Fashion
Crossroads
Theory
Method
topic Moda
Encruzilhadas
Teoria
Método
Fashion
Crossroads
Theory
Method
description The article proposes a theoretical and methodological essay to undertake the decolonial turn onfashion research. Coming from a multidisciplinary approach, the essay explores two concepts: asocial back stitch in fashion and tear up in fashion to demonstrate the first steps that the practiceof the cross method requires in the context of fashion research. The crossroads, as a concept, isused in its political and epistemological function, guiding the theoretical-methodological proposalto the transgression of western canons and colonies that still operate in fashion studies. Thecrossroads is associated with the metaphor of the drawing and the sewing machine bobbin, whichbroadens the thinking of fashion gears and, therefore, operates the decolonial turn.
publishDate 2023
dc.date.none.fl_str_mv 2023-05-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/433
10.22398/2525-2828.8229-21
url https://dialogo.espm.br/revistadcec-rj/article/view/433
identifier_str_mv 10.22398/2525-2828.8229-21
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://dialogo.espm.br/revistadcec-rj/article/view/433/346
https://dialogo.espm.br/revistadcec-rj/article/view/433/347
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
publisher.none.fl_str_mv Escola Superior de Propaganda e Marketing
dc.source.none.fl_str_mv Journal Dialogue with Creative Economy; Vol. 8 No. 22 (2023): Thematic Report - Fashion and Creative Economy; 9-21
Diálogo com a Economia Criativa; v. 8 n. 22 (2023): Dossiê Moda e Economia Criativa; 9-21
2525-2828
reponame:Diálogo com a Economia Criativa
instname:Escola Superior de Propaganda e Marketing (ESPM)
instacron:ESPM
instname_str Escola Superior de Propaganda e Marketing (ESPM)
instacron_str ESPM
institution ESPM
reponame_str Diálogo com a Economia Criativa
collection Diálogo com a Economia Criativa
repository.name.fl_str_mv Diálogo com a Economia Criativa - Escola Superior de Propaganda e Marketing (ESPM)
repository.mail.fl_str_mv ||revistadcec-rj@espm.br
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