Mulheres caras: o consumo de mulheridades no trap brasileiro

• Autor(a) principal: Braggion, Giulia Maria de Almeida
• Data de Publicação: 2023
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da ESPM
• Texto Completo: http://tede2.espm.br/handle/tede/667
• topic: trap; Brasil; mulheridades; análise audiovisual; trap; Brazil; womanities; audiovisual analysis; CIENCIAS SOCIAIS APLICADAS::COMUNICACAO

This dissertation analyzes the consumption and visibility of expressions of womanities in Brazilian trap - as a lifestyle, language, aesthetics and musicality - from the creation of a social and consumption observatory of the phenomenon. In this observatory, we will present trap as a musical phenomenon and establish a gender perspective based on the concept of womanities according to Letícia Nascimento (2021). The communicational and consumer aspects mobilized from bibliographic reviews about the “place of women” and women as a social class according to Teresa de Lauretis (1987), political re-existence according to Aline Resende (2016), popular culture and bastard cultures according to Omar Rincón (2015), media as a social process and narratives according to Roger Silverstone (1999), individual and collective identity Marshall McLuhan (1964), way of life by Raymond Williams (2011), cultural imaginaries and mass culture by Grant McCracken (2003), affections according to Leonardo Mozdzenski (2018), musical phenomenon according to Anthony Seeger (2008), music scene, sound territories, cultural identities, significant places and cultural identities according to Jeder Janotti Júnior (2012), network communication by John Thompson (2018) and contemporary citizenship Néstor García Canclini (1995). Documentary research analysis, participatory research according to Carlos Rodrigues Brandão (2006) and multi-sited analysis of video clips according to Rose de Melo Rocha (2019; 1999), Jeder Janotti Junior (2005; 2012), Thiago Soares (2005; 2006) and Juliana Gutmann (2021) from the audiovisual productions of Brazilian trap artists, namely Azzy, Cynthia Luz and Flora Matos. The result is an overview of the phenomenon that problematizes which womanities are available for consumption in Brazilian trap, how the tensions of their reception contexts occur, how they are communicated and how they are consumed.