Panther Claw: blacks in the U.S. superhero comics

Detalhes bibliográficos
Autor(a) principal: Lima, Sávio Queiroz
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Identidade!
Texto Completo: http://periodicos.est.edu.br/index.php/identidade/article/view/618
Resumo: Through a basic chronological construction of the production and editing of American comics of the 1960s and forward, the article studies black superheroes in the 20th century. Thus, the paper develops a network of relations between historical reality and literary historicity of this marketing production. The paper focused on the most significant production, which went beyond the purely local market and achieved more scope, to study black superheroes and their relationships with the same historical, cultural, social and political time the African-American community has experienced. With the methodological emphasis on some products, characters, such as Black Panther, Storm, Luke Cage and others, the article understands the importance of these characters as socio-cultural constructions of each observed age. Through the passage of time and the changes observed we perceive changes and permits that the mental structures exercised in the grounds of the super-beings with the phenotype of African and African-American origin. 
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spelling Panther Claw: blacks in the U.S. superhero comicsGarra de Pantera: os negros nos quadrinhos de super-herói dos EUAHistory; Comics; Politics; IdeologyHistóriaHistória; História em Quadrinhos; Consciência Negra; ideologiaThrough a basic chronological construction of the production and editing of American comics of the 1960s and forward, the article studies black superheroes in the 20th century. Thus, the paper develops a network of relations between historical reality and literary historicity of this marketing production. The paper focused on the most significant production, which went beyond the purely local market and achieved more scope, to study black superheroes and their relationships with the same historical, cultural, social and political time the African-American community has experienced. With the methodological emphasis on some products, characters, such as Black Panther, Storm, Luke Cage and others, the article understands the importance of these characters as socio-cultural constructions of each observed age. Through the passage of time and the changes observed we perceive changes and permits that the mental structures exercised in the grounds of the super-beings with the phenotype of African and African-American origin. Através de uma básica construção cronológica da produção e da edição de quadrinhos norte-americanos dos anos 1960 em diante, o artigo fundamenta a análise sobre os super-heróis negros no século XX. Para tanto, o artigo elabora uma rede de relações entre a realidade histórica e a historicidade literária dessa produção mercadológica. O artigo buscou na produção mais significativa, a que extrapolou o mercado meramente local e alcançou mais abrangência, para estudar super-heróis negros e as relações dos mesmos com o momento histórico, cultural, social e político que a comunidade afro-descendente norte-americana vivenciou. Com o destaque metodológico sobre alguns produtos, personagens, como Pantera Negra, Tempestade, Luke Cage e outros, o artigo compreende a importância desses personagens como construções sócio-culturais de cada época observada. Através da passagem do tempo e das mudanças observadas, percebe-se as alterações e permissões que as estruturas mentais exerceram na fundamentação e na apropriação dos super-seres de fenótipo de origem africana e afro-americana.Faculdades ESTLima, Sávio Queiroz2013-04-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.est.edu.br/index.php/identidade/article/view/618identidade!; v. 18, n. 1 (2013): Dossiê: identidade e representatividade negra nas histórias em quadrinhos; 90-1022178-437Xreponame:Identidade!instname:Faculdades ESTinstacron:ESTporhttp://periodicos.est.edu.br/index.php/identidade/article/view/618/685info:eu-repo/semantics/openAccess2013-06-23T08:46:39Zoai:www.est.edu.br/periodicos:article/618Revistahttp://periodicos.est.edu.br/index.php/identidade/indexONGhttp://periodicos.est.edu.br/index.php/identidade/oai||selenir@est.edu.br|| reblin@est.edu.br2178-437X1676-9570opendoar:2013-06-23T08:46:39Identidade! - Faculdades ESTfalse
dc.title.none.fl_str_mv Panther Claw: blacks in the U.S. superhero comics
Garra de Pantera: os negros nos quadrinhos de super-herói dos EUA
title Panther Claw: blacks in the U.S. superhero comics
spellingShingle Panther Claw: blacks in the U.S. superhero comics
Lima, Sávio Queiroz
History; Comics; Politics; Ideology
História
História; História em Quadrinhos; Consciência Negra; ideologia
title_short Panther Claw: blacks in the U.S. superhero comics
title_full Panther Claw: blacks in the U.S. superhero comics
title_fullStr Panther Claw: blacks in the U.S. superhero comics
title_full_unstemmed Panther Claw: blacks in the U.S. superhero comics
title_sort Panther Claw: blacks in the U.S. superhero comics
author Lima, Sávio Queiroz
author_facet Lima, Sávio Queiroz
author_role author
dc.contributor.none.fl_str_mv

dc.contributor.author.fl_str_mv Lima, Sávio Queiroz
dc.subject.none.fl_str_mv
dc.subject.por.fl_str_mv History; Comics; Politics; Ideology
História
História; História em Quadrinhos; Consciência Negra; ideologia
topic History; Comics; Politics; Ideology
História
História; História em Quadrinhos; Consciência Negra; ideologia
description Through a basic chronological construction of the production and editing of American comics of the 1960s and forward, the article studies black superheroes in the 20th century. Thus, the paper develops a network of relations between historical reality and literary historicity of this marketing production. The paper focused on the most significant production, which went beyond the purely local market and achieved more scope, to study black superheroes and their relationships with the same historical, cultural, social and political time the African-American community has experienced. With the methodological emphasis on some products, characters, such as Black Panther, Storm, Luke Cage and others, the article understands the importance of these characters as socio-cultural constructions of each observed age. Through the passage of time and the changes observed we perceive changes and permits that the mental structures exercised in the grounds of the super-beings with the phenotype of African and African-American origin. 
publishDate 2013
dc.date.none.fl_str_mv 2013-04-06
dc.type.none.fl_str_mv

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dc.identifier.uri.fl_str_mv http://periodicos.est.edu.br/index.php/identidade/article/view/618
url http://periodicos.est.edu.br/index.php/identidade/article/view/618
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv http://periodicos.est.edu.br/index.php/identidade/article/view/618/685
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Faculdades EST
publisher.none.fl_str_mv Faculdades EST
dc.source.none.fl_str_mv identidade!; v. 18, n. 1 (2013): Dossiê: identidade e representatividade negra nas histórias em quadrinhos; 90-102
2178-437X
reponame:Identidade!
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repository.name.fl_str_mv Identidade! - Faculdades EST
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