Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB

Detalhes bibliográficos
Autor(a) principal: Ferreira, Dieison Gross
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Tear Online
Texto Completo: http://periodicos.est.edu.br/index.php/tear/article/view/2359
Resumo: This article approached concept hypermodern in connection with songs sung in worship, on the assumption the contemporary songs sung in communities IECLB, has suffered great influency of individualism, selfishness and self-satisfaction typical of this today's time. Through a literature exploration, the text presents the central aspects of the concept of hypermodern, music and Christian lyrics. The text focuses on an analysis of intentional and creative ability of human beings  as well as important concepts for a theologically coherent definition of music. The article concludes that all songs have a certain theology and, for this reason, those who have the "power" to choose them also has the responsibility of organizing their choices form to teach a coherent Cristian theology.
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spelling Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLBTeologia-musical: uma análise da influência da hipermodernidade nas canções entoadas na IECLBHypermodern; Musical theology; IECLB; Creativity; MusicTeologia; Teologia Prática.Hipermodernidade; Teologia-musical; IECLB; Criatividade; MúsicaThis article approached concept hypermodern in connection with songs sung in worship, on the assumption the contemporary songs sung in communities IECLB, has suffered great influency of individualism, selfishness and self-satisfaction typical of this today's time. Through a literature exploration, the text presents the central aspects of the concept of hypermodern, music and Christian lyrics. The text focuses on an analysis of intentional and creative ability of human beings  as well as important concepts for a theologically coherent definition of music. The article concludes that all songs have a certain theology and, for this reason, those who have the "power" to choose them also has the responsibility of organizing their choices form to teach a coherent Cristian theology.Este artigo aborda conceitos da hipermodernidade em conexão com as músicas entoadas nos cultos, partindo do pressuposto de que as músicas contemporâneas, cantadas nas comunidades da IECLB, tem sofrido grande influência do individualismo, egoísmo e satisfação própria característicos deste tempo hodierno. Por meio de uma exploração bibliográfica, o texto apresenta os aspectos centrais dos conceitos de hipermodernidade, música, e letra cristã. O texto se concentra em uma análise da capacidade criativa e intencional do ser humano bem como conceitos importantes para uma definição de música teologicamente coerente. O artigo conclui que todas as canções têm uma determinada teologia e, por esta razão, aqueles que têm o "poder" de escolhê-las tem também a responsabilidade de organizar suas escolhas de forma a ensinar uma teologia coerentemente cristã.TEAR ONLINECNPqFerreira, Dieison Gross2014-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.est.edu.br/index.php/tear/article/view/2359TEAR ONLINE; v. 3, n. 2 (2014): Dossiê: Culto e pregação no contexto latino-americano; 16-292238-8516reponame:Tear Onlineinstname:Escola Superior de Teologia (EST)instacron:ESTporhttp://periodicos.est.edu.br/index.php/tear/article/view/2359/2266info:eu-repo/semantics/openAccess2015-01-06T11:41:37Zoai:www.est.edu.br/periodicos:article/2359Revistahttp://periodicos.est.edu.br/index.php/tearPRIhttp://periodicos.est.edu.br/index.php/tear/oai||julio3@est.edu.br|| reblin@est.edu.br2238-85162238-8516opendoar:2015-01-06T11:41:37Tear Online - Escola Superior de Teologia (EST)false
dc.title.none.fl_str_mv Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
Teologia-musical: uma análise da influência da hipermodernidade nas canções entoadas na IECLB
title Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
spellingShingle Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
Ferreira, Dieison Gross
Hypermodern; Musical theology; IECLB; Creativity; Music
Teologia; Teologia Prática.
Hipermodernidade; Teologia-musical; IECLB; Criatividade; Música
title_short Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
title_full Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
title_fullStr Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
title_full_unstemmed Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
title_sort Musical-theology: an analysis of the influence of the hypermodern in songs in the IECLB
author Ferreira, Dieison Gross
author_facet Ferreira, Dieison Gross
author_role author
dc.contributor.none.fl_str_mv
CNPq
dc.contributor.author.fl_str_mv Ferreira, Dieison Gross
dc.subject.none.fl_str_mv
dc.subject.por.fl_str_mv Hypermodern; Musical theology; IECLB; Creativity; Music
Teologia; Teologia Prática.
Hipermodernidade; Teologia-musical; IECLB; Criatividade; Música
topic Hypermodern; Musical theology; IECLB; Creativity; Music
Teologia; Teologia Prática.
Hipermodernidade; Teologia-musical; IECLB; Criatividade; Música
description This article approached concept hypermodern in connection with songs sung in worship, on the assumption the contemporary songs sung in communities IECLB, has suffered great influency of individualism, selfishness and self-satisfaction typical of this today's time. Through a literature exploration, the text presents the central aspects of the concept of hypermodern, music and Christian lyrics. The text focuses on an analysis of intentional and creative ability of human beings  as well as important concepts for a theologically coherent definition of music. The article concludes that all songs have a certain theology and, for this reason, those who have the "power" to choose them also has the responsibility of organizing their choices form to teach a coherent Cristian theology.
publishDate 2014
dc.date.none.fl_str_mv 2014-12-04
dc.type.none.fl_str_mv
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.est.edu.br/index.php/tear/article/view/2359
url http://periodicos.est.edu.br/index.php/tear/article/view/2359
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.est.edu.br/index.php/tear/article/view/2359/2266
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv TEAR ONLINE
publisher.none.fl_str_mv TEAR ONLINE
dc.source.none.fl_str_mv TEAR ONLINE; v. 3, n. 2 (2014): Dossiê: Culto e pregação no contexto latino-americano; 16-29
2238-8516
reponame:Tear Online
instname:Escola Superior de Teologia (EST)
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reponame_str Tear Online
collection Tear Online
repository.name.fl_str_mv Tear Online - Escola Superior de Teologia (EST)
repository.mail.fl_str_mv ||julio3@est.edu.br|| reblin@est.edu.br
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