A criatividade do amor criante de Deus : uma vivência de cura na criação artística
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do EST |
Texto Completo: | http://dspace.est.edu.br:8080/xmlui/handle/BR-SlFE/40 |
Resumo: | This thesis is about the creativity of God s creating love as basis for the creativity of human being and its cure process at the living experience of artistic creation. In an interdisciplinary methodology, supported by a phenomenological hermeneutic, it has been built a theoretical skeleton for the comprehension of a practical living experience in the creation of the work of art entitled Caso R., which occurred in the art atelier Maria Glória Dittrich , in the city of Brusque, state of Santa Catarina, Brazil. The first part, called Living Experience, shows in its three boards an approach on the researcher s life story and her discovery on the subject of research. It describes Caso R. as a creation living experience in art, marked by the love and by the desire of helping human being and in it there occurs a cure process. At last, it shows the methodology of research of the theoretical-practical type, in a phenomenological hermeneutic. The second part, named The Comprehension, is organized in three boards. The first shows the basis of creativity of the creating body. It explains that the creativity grows from self-organization of the creating body and its basis is vital love. On the second, it shows the conception of creating body as a multidimensional whole, maintained, in its creativity, by an ultimate basis God creating, spiritual love, which gives courage to human being to face finiteness and infiniteness of life. The second discusses about the work of art as a revelation of the creativity of God s creating love and its relation to human creativity under life s motion. It points out the profound reason as an instance capable of developing the work of art and give it a meaning. It shows the work of art from the concept of revelation as mystery, as ecstasy and miracle.At last, the work of art is shown as revelation of creativity of God s creating love for the discovery of meaning for living. The third shows a conception if spiritual cure as living experience of creativity of God s creating love in human being in the presence of life ambiguities. It reputes faith as feeling possessed by a spiritual, creative force. This force causes impacts on the structure and organization of the creating body, implying a creative process for the cure. Spiritual cure is creating love manifestation of God Spirit in human spirit. This manifestation is a faith process in the motion of the three dimensions in life. The third part, entitled The Testimony, is the hermeneutic about Caso R. This part is organized in three boards. The first shows the discovery of Maria Glória about the ultimate basis of human creativity in relations of artistic creation. It confirms that this discovery led to the conscience take about the force of creativity power of God s creating love, for the human being to discover a new meaning of life through creation in art. In the second, revelation of creativity of God s creating love happens to Maria Glória and R., in an unsusual faith experience that has become embodied word, signalizing a cure process. At last, it shows confirmation of spiritual cure of R., as a creative living experience in process, maintained by creativity of God s creating love in the human creating body and its self-affirmation in the world by its creativity. |
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2016-07-25T15:38:30Z2009-04-282016-07-25T15:38:30Z2008-08-29DITTRICH, Maria Glória. A criatividade do amor criante de Deus : uma vivência de cura na criação artística. 2008. 261 f. Tese (Doutorado em Teologia) - Faculdades EST, São Leopoldo, 2008.http://dspace.est.edu.br:8080/xmlui/handle/BR-SlFE/40This thesis is about the creativity of God s creating love as basis for the creativity of human being and its cure process at the living experience of artistic creation. In an interdisciplinary methodology, supported by a phenomenological hermeneutic, it has been built a theoretical skeleton for the comprehension of a practical living experience in the creation of the work of art entitled Caso R., which occurred in the art atelier Maria Glória Dittrich , in the city of Brusque, state of Santa Catarina, Brazil. The first part, called Living Experience, shows in its three boards an approach on the researcher s life story and her discovery on the subject of research. It describes Caso R. as a creation living experience in art, marked by the love and by the desire of helping human being and in it there occurs a cure process. At last, it shows the methodology of research of the theoretical-practical type, in a phenomenological hermeneutic. The second part, named The Comprehension, is organized in three boards. The first shows the basis of creativity of the creating body. It explains that the creativity grows from self-organization of the creating body and its basis is vital love. On the second, it shows the conception of creating body as a multidimensional whole, maintained, in its creativity, by an ultimate basis God creating, spiritual love, which gives courage to human being to face finiteness and infiniteness of life. The second discusses about the work of art as a revelation of the creativity of God s creating love and its relation to human creativity under life s motion. It points out the profound reason as an instance capable of developing the work of art and give it a meaning. It shows the work of art from the concept of revelation as mystery, as ecstasy and miracle.At last, the work of art is shown as revelation of creativity of God s creating love for the discovery of meaning for living. The third shows a conception if spiritual cure as living experience of creativity of God s creating love in human being in the presence of life ambiguities. It reputes faith as feeling possessed by a spiritual, creative force. This force causes impacts on the structure and organization of the creating body, implying a creative process for the cure. Spiritual cure is creating love manifestation of God Spirit in human spirit. This manifestation is a faith process in the motion of the three dimensions in life. The third part, entitled The Testimony, is the hermeneutic about Caso R. This part is organized in three boards. The first shows the discovery of Maria Glória about the ultimate basis of human creativity in relations of artistic creation. It confirms that this discovery led to the conscience take about the force of creativity power of God s creating love, for the human being to discover a new meaning of life through creation in art. In the second, revelation of creativity of God s creating love happens to Maria Glória and R., in an unsusual faith experience that has become embodied word, signalizing a cure process. At last, it shows confirmation of spiritual cure of R., as a creative living experience in process, maintained by creativity of God s creating love in the human creating body and its self-affirmation in the world by its creativity.Esta tese trata sobre a criatividade do amor criante de Deus, como fundamento para a criatividade do ser humano e seu processo de cura na vivência da criação artística. Dentro de uma metodologia interdisciplinar, apoiada numa hermenêutica fenomenológica, se construiu um arcabouço teórico para a compreensão de uma vivência prática na criação da obra de arte, intitulada Caso R., que ocorreu no Atelier de Arte Maria Glória Dittrich, na cidade de Brusque, Estado de Santa Catarina, Brasil. A primeira parte, chamada Vivência, apresenta nos seus três quadros uma abordagem sobre a história de vida da pesquisadora e sua descoberta do tema de pesquisa. Descreve o Caso R. como uma vivência de criação na arte, marcada pelo amor e pelo desejo de ajudar o ser humano e nela ocorre um processo de cura. Por último, apresenta a metodologia da pesquisa do tipo teórico-prático, dentro de uma hermenêutica fenomenológica. A segunda parte, chamada A Compreensão, se organiza em três quadros. O primeiro, mostra os fundamentos da criatividade do corpo-criante. Explica que a criatividade nasce na auto-organização do corpo-criante e sua base é o amor vital. No segundo, apresenta a concepção de corpo-criante como um todo multidimensional sustentado, na sua criatividade, por um fundamento último Deus - amor criante, espiritual, que dá coragem para o ser humano enfrentar a finitude e a infinitude da vida. O segundo, discute sobre a obra de arte como revelação da criatividade do amor criante de Deus e sua relação com a criatividade humana sob o movimento da vida. Aponta a razão profunda como instância capaz de desenvolver a obra de arte e dar sentido a ela. Mostra a obra de arte desde o conceito de revelação como mistério, como êxtase e milagre. Por último, a obra de arte é apresentada como revelação da criatividade do amor criante de Deus para a descoberta de sentido para o viver. O terceiro, mostra uma concepção de cura espiritual como vivência da criatividade do amor criante de Deus no ser humano diante das ambigüidades da vida. Conceitualiza a fé como um sentir-se possuído por uma força espiritual, criadora. Essa força causa impactos na estrutura e organização do corpo-criante, implicando um processo criativo para a cura. A cura espiritual é a manifestação do amor criante do Espírito de Deus, no espírito humano. Essa manifestação é processo de fé no movimento das três dimensões da vida. A terceira parte, intitulada O Testemunho, é a hermenêutica sobre o Caso R. Esta parte está organizada em três quadros. O primeiro, apresenta a descoberta da Maria Glória sobre o fundamento último da criatividade humana nas relações de criação na criação artística. Confirma que essa descoberta levou à tomada de consciência sobre a força do poder da criatividade do amor criante de Deus, para o ser humano descobrir um novo sentido de vida através da criação na arte. No segundo, a revelação da criatividade do amor criante de Deus acontece para Maria Glória e R., dentro de uma experiência inusitada de fé que se tornou palavra encarnada, sinalizando um processo de cura. Por último, apresenta a confirmação da cura espiritual do R., como uma vivência criativa em processo, sustentada pela criatividade do amor criante de Deus no corpo-criante humano e sua auto-afirmação no mundo pela sua criatividade.Made available in DSpace on 2016-07-25T15:38:30Z (GMT). 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dc.title.por.fl_str_mv |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
title |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
spellingShingle |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística Dittrich, Maria Glória Fundamento último Amor criante Criatividade Cura Corpo-criante Obra de arte TEOLOGIA PRÁTICA Ultimate basis Spiritual love Creativity Cure Creating body Work of art CNPQ::CIENCIAS HUMANAS::TEOLOGIA |
title_short |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
title_full |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
title_fullStr |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
title_full_unstemmed |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
title_sort |
A criatividade do amor criante de Deus : uma vivência de cura na criação artística |
author |
Dittrich, Maria Glória |
author_facet |
Dittrich, Maria Glória |
author_role |
author |
dc.contributor.referee1.fl_str_mv |
Hoch, Lothar Carlos |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/3839198682581414 |
dc.contributor.referee2.fl_str_mv |
Klein, Remi |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/6363213953832880 |
dc.contributor.referee3.fl_str_mv |
Knechtel, Maria do Rosario |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/1366195518923115 |
dc.contributor.referee4.fl_str_mv |
Ulrich, Claudete Beise |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/9944681145159594 |
dc.contributor.advisor1.fl_str_mv |
Mueller, Enio Ronald |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6361241956155769 |
dc.contributor.advisor1ID.fl_str_mv |
CPF:26565390053 |
dc.contributor.referee1ID.fl_str_mv |
CPF:06743846953 |
dc.contributor.referee2ID.fl_str_mv |
CPF:17559820035 |
dc.contributor.referee3ID.fl_str_mv |
CPF:00261130900 |
dc.contributor.referee4ID.fl_str_mv |
CPF:32417691000 |
dc.contributor.authorID.fl_str_mv |
CPF:78516714934 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/6918960379569138 |
dc.contributor.author.fl_str_mv |
Dittrich, Maria Glória |
contributor_str_mv |
Hoch, Lothar Carlos Klein, Remi Knechtel, Maria do Rosario Ulrich, Claudete Beise Mueller, Enio Ronald |
dc.subject.por.fl_str_mv |
Fundamento último Amor criante Criatividade Cura Corpo-criante Obra de arte TEOLOGIA PRÁTICA |
topic |
Fundamento último Amor criante Criatividade Cura Corpo-criante Obra de arte TEOLOGIA PRÁTICA Ultimate basis Spiritual love Creativity Cure Creating body Work of art CNPQ::CIENCIAS HUMANAS::TEOLOGIA |
dc.subject.eng.fl_str_mv |
Ultimate basis Spiritual love Creativity Cure Creating body Work of art |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::TEOLOGIA |
description |
This thesis is about the creativity of God s creating love as basis for the creativity of human being and its cure process at the living experience of artistic creation. In an interdisciplinary methodology, supported by a phenomenological hermeneutic, it has been built a theoretical skeleton for the comprehension of a practical living experience in the creation of the work of art entitled Caso R., which occurred in the art atelier Maria Glória Dittrich , in the city of Brusque, state of Santa Catarina, Brazil. The first part, called Living Experience, shows in its three boards an approach on the researcher s life story and her discovery on the subject of research. It describes Caso R. as a creation living experience in art, marked by the love and by the desire of helping human being and in it there occurs a cure process. At last, it shows the methodology of research of the theoretical-practical type, in a phenomenological hermeneutic. The second part, named The Comprehension, is organized in three boards. The first shows the basis of creativity of the creating body. It explains that the creativity grows from self-organization of the creating body and its basis is vital love. On the second, it shows the conception of creating body as a multidimensional whole, maintained, in its creativity, by an ultimate basis God creating, spiritual love, which gives courage to human being to face finiteness and infiniteness of life. The second discusses about the work of art as a revelation of the creativity of God s creating love and its relation to human creativity under life s motion. It points out the profound reason as an instance capable of developing the work of art and give it a meaning. It shows the work of art from the concept of revelation as mystery, as ecstasy and miracle.At last, the work of art is shown as revelation of creativity of God s creating love for the discovery of meaning for living. The third shows a conception if spiritual cure as living experience of creativity of God s creating love in human being in the presence of life ambiguities. It reputes faith as feeling possessed by a spiritual, creative force. This force causes impacts on the structure and organization of the creating body, implying a creative process for the cure. Spiritual cure is creating love manifestation of God Spirit in human spirit. This manifestation is a faith process in the motion of the three dimensions in life. The third part, entitled The Testimony, is the hermeneutic about Caso R. This part is organized in three boards. The first shows the discovery of Maria Glória about the ultimate basis of human creativity in relations of artistic creation. It confirms that this discovery led to the conscience take about the force of creativity power of God s creating love, for the human being to discover a new meaning of life through creation in art. In the second, revelation of creativity of God s creating love happens to Maria Glória and R., in an unsusual faith experience that has become embodied word, signalizing a cure process. At last, it shows confirmation of spiritual cure of R., as a creative living experience in process, maintained by creativity of God s creating love in the human creating body and its self-affirmation in the world by its creativity. |
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2008 |
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2008-08-29 |
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2009-04-28 2016-07-25T15:38:30Z |
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DITTRICH, Maria Glória. A criatividade do amor criante de Deus : uma vivência de cura na criação artística. 2008. 261 f. Tese (Doutorado em Teologia) - Faculdades EST, São Leopoldo, 2008. |
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http://dspace.est.edu.br:8080/xmlui/handle/BR-SlFE/40 |
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DITTRICH, Maria Glória. A criatividade do amor criante de Deus : uma vivência de cura na criação artística. 2008. 261 f. Tese (Doutorado em Teologia) - Faculdades EST, São Leopoldo, 2008. |
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