Pentecostalismo e arte: uma análise no contexto brasileiro

Detalhes bibliográficos
Autor(a) principal: Souza, Mateus Lima de
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do EST
Texto Completo: http://dspace.est.edu.br:8080/xmlui/handle/BR-SlFE/585
Resumo: The work analyzes the use of art in Brazilian Pentecostalism, dealing specifically with the visual arts and architecture, considering this use in worship spaces and in religious education. One begins with the idea that the relation of the Pentecostal faith with the arts is predominantly marked by rejection, revealing a preference for iconoclasm, therefore one seeks to understand the motives for such a rejection and what space and role this same art encounters in the bosom of Pentecostal religiosity. At the same time it is believed that the use of iconography in religious education is an exception to the iconoclastic posture. The first part of the work studied the development of Christian iconographic art and the main movements of iconoclasty in the Byzantine Empire and from the Protestant Reformation. The second part outlines a history of Brazilian Pentecostalism, from its origins in foreign lands, telling of the emergence and implantation of the main Pentecostal denominations of the country, outlining their profiles, as well as listing a serious of characteristics shared by the majority of the groups of the segment in question. The third part occupies itself with the main goal of the work, discussing the relation of Pentecostalism with the arts, focusing, at first, on the worship spaces. For this it explains the historic evolution of the Christian temples, taking into account artistic and theological aspects, and presents observations of the same nature about Pentecostal temples. Some theological, socio-economic and historical motives are presented which hypothetically contributed to Pentecostalism adopting an iconoclastic posture, which, in its less radical version, excludes in its worship spaces certain artistic manifestations, such as sculptures, or those with certain themes, such as the reproduction of the human image. There is a discussion of the use of figurative art in the literature directed to religious education, where one does not see the same limitations detected in the case of the temples. The posture of Brazilian Pentecostalism suggests a break with the western religious artistic tradition, the inexistence of a sacred art that is characteristic of it and an iconoclasm restricted to the worship houses, since religious education opens itself to didactic applications of iconographic art.
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spelling 2016-07-25T15:16:32Z2015-11-052016-07-25T15:16:32Z2014-08-08SOUZA, Mateus Lima de. Pentecostalismo e arte: uma análise no contexto brasileiro. 2014. 107 f. Dissertação (Mestrado em Teologia) - Faculdades EST, São Leopoldo, 2014.http://dspace.est.edu.br:8080/xmlui/handle/BR-SlFE/585The work analyzes the use of art in Brazilian Pentecostalism, dealing specifically with the visual arts and architecture, considering this use in worship spaces and in religious education. One begins with the idea that the relation of the Pentecostal faith with the arts is predominantly marked by rejection, revealing a preference for iconoclasm, therefore one seeks to understand the motives for such a rejection and what space and role this same art encounters in the bosom of Pentecostal religiosity. At the same time it is believed that the use of iconography in religious education is an exception to the iconoclastic posture. The first part of the work studied the development of Christian iconographic art and the main movements of iconoclasty in the Byzantine Empire and from the Protestant Reformation. The second part outlines a history of Brazilian Pentecostalism, from its origins in foreign lands, telling of the emergence and implantation of the main Pentecostal denominations of the country, outlining their profiles, as well as listing a serious of characteristics shared by the majority of the groups of the segment in question. The third part occupies itself with the main goal of the work, discussing the relation of Pentecostalism with the arts, focusing, at first, on the worship spaces. For this it explains the historic evolution of the Christian temples, taking into account artistic and theological aspects, and presents observations of the same nature about Pentecostal temples. Some theological, socio-economic and historical motives are presented which hypothetically contributed to Pentecostalism adopting an iconoclastic posture, which, in its less radical version, excludes in its worship spaces certain artistic manifestations, such as sculptures, or those with certain themes, such as the reproduction of the human image. There is a discussion of the use of figurative art in the literature directed to religious education, where one does not see the same limitations detected in the case of the temples. The posture of Brazilian Pentecostalism suggests a break with the western religious artistic tradition, the inexistence of a sacred art that is characteristic of it and an iconoclasm restricted to the worship houses, since religious education opens itself to didactic applications of iconographic art.O trabalho analisa o uso da arte no pentecostalismo brasileiro, abordando especificamente as artes visuais e a arquitetura, considerando esse uso nos espaços de culto e no ensino religioso. Parte-se da ideia de que a relação da fé pentecostal com as artes é marcada predominantemente pela rejeição, revelando uma preferência pelo iconoclasmo, pelo que se busca entender os motivos de tal rejeição e qual o espaço e o papel que essa mesma arte encontra no seio da religiosidade pentecostal. Ao mesmo tempo, acredita-se que o uso de iconografia no ensino religioso é uma exceção à postura iconoclástica. A primeira parte do trabalho estuda o desenvolvimento da arte iconográfica cristã e os principais movimentos de iconoclastia no Império Bizantino e a partir da Reforma protestante. A segunda parte traça um histórico do pentecostalismo brasileiro, desde suas origens em terras estrangeiras, relatando o surgimento e implantação das principais denominações pentecostais do País, cujos perfis são traçados, bem como arrolando uma série de características compartilhadas pela maioria dos grupos do segmento em questão. A terceira parte ocupa-se com o objetivo principal do trabalho, discutindo a relação do pentecostalismo com as artes, focando-se, primeiramente, nos espaços de culto. Para tanto, explica a evolução histórica dos templos cristãos, levando em conta aspectos artísticos e teológicos, e apresenta observações de mesma natureza sobre os templos pentecostais. São apresentados alguns motivos, teológicos, socioeconômicos e históricos que, hipoteticamente, contribuem para que o pentecostalismo adote uma postura iconoclástica, que, em sua versão menos radical, exclui de seus espaços de culto certas manifestações artísticas, como a escultura, ou com determinadas temáticas, como a reprodução da imagem humana. Discorre-se sobre o uso de arte figurativa na literatura voltada à educação religiosa, onde não se veem as mesmas limitações detectadas no caso dos templos. A postura do pentecostalismo brasileiro sugere rompimento com a tradição artística religiosa ocidental, a inexistência de uma arte sacra que lhe seja característica e um iconoclasmo resumido às casas de culto, uma vez que a educação religiosa abre-se para aplicações didáticas da arte iconográfica.Made available in DSpace on 2016-07-25T15:16:32Z (GMT). No. of bitstreams: 1 souza_ml_tm283.pdf: 2039203 bytes, checksum: 5f6e03f25ed4c0d6bb0ece5051bb1964 (MD5) Previous issue date: 2014-08-08application/pdfporFaculdades ESTPrograma de TeologiaESTBRTeologiaPentecostalismoArte religiosaEducação religiosaRELIGIÃO E EDUCAÇÃOPentecostalismReligious artReligious EducationCNPQ::CIENCIAS HUMANAS::TEOLOGIAPentecostalismo e arte: uma análise no contexto brasileiroinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisKlein, Remihttp://lattes.cnpq.br/6363213953832880Lopes, José Rogériohttp://lattes.cnpq.br/5121360004451480Westhelle, Vitorhttp://lattes.cnpq.br/0135089529042475CPF:08534292000CPF:17559820035CPF:02619969832CPF:90581679504http://lattes.cnpq.br/6262352160109018Souza, Mateus Lima deinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ESTinstname:Faculdades ESTinstacron:ESTTEXTsouza_ml_tm283.pdf.txtsouza_ml_tm283.pdf.txtExtracted texttext/plain229250http://dspace.est.edu.br:8080/xmlui/bitstream/BR-SlFE/585/2/souza_ml_tm283.pdf.txta63044fb8f7b3aa4e59ed522b0e6d747MD52ORIGINALsouza_ml_tm283.pdfapplication/pdf2039203http://dspace.est.edu.br:8080/xmlui/bitstream/BR-SlFE/585/1/souza_ml_tm283.pdf5f6e03f25ed4c0d6bb0ece5051bb1964MD51BR-SlFE/5852016-07-25 13:43:23.79oai:dspace.est.edu.br:BR-SlFE/585Biblioteca Digital de Teses e Dissertaçõeshttp://dspace.est.edu.br:8080/jspui/http://tede.est.edu.br/tede/tde_oai/oai3.phpbiblioteca@est.edu.br||opendoar:2016-07-25T16:43:23Biblioteca Digital de Teses e Dissertações do EST - Faculdades ESTfalse
dc.title.por.fl_str_mv Pentecostalismo e arte: uma análise no contexto brasileiro
title Pentecostalismo e arte: uma análise no contexto brasileiro
spellingShingle Pentecostalismo e arte: uma análise no contexto brasileiro
Souza, Mateus Lima de
Pentecostalismo
Arte religiosa
Educação religiosa
RELIGIÃO E EDUCAÇÃO
Pentecostalism
Religious art
Religious Education
CNPQ::CIENCIAS HUMANAS::TEOLOGIA
title_short Pentecostalismo e arte: uma análise no contexto brasileiro
title_full Pentecostalismo e arte: uma análise no contexto brasileiro
title_fullStr Pentecostalismo e arte: uma análise no contexto brasileiro
title_full_unstemmed Pentecostalismo e arte: uma análise no contexto brasileiro
title_sort Pentecostalismo e arte: uma análise no contexto brasileiro
author Souza, Mateus Lima de
author_facet Souza, Mateus Lima de
author_role author
dc.contributor.referee1.fl_str_mv Klein, Remi
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/6363213953832880
dc.contributor.referee2.fl_str_mv Lopes, José Rogério
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/5121360004451480
dc.contributor.advisor1.fl_str_mv Westhelle, Vitor
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/0135089529042475
dc.contributor.advisor1ID.fl_str_mv CPF:08534292000
dc.contributor.referee1ID.fl_str_mv CPF:17559820035
dc.contributor.referee2ID.fl_str_mv CPF:02619969832
dc.contributor.authorID.fl_str_mv CPF:90581679504
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6262352160109018
dc.contributor.author.fl_str_mv Souza, Mateus Lima de
contributor_str_mv Klein, Remi
Lopes, José Rogério
Westhelle, Vitor
dc.subject.por.fl_str_mv Pentecostalismo
Arte religiosa
Educação religiosa
RELIGIÃO E EDUCAÇÃO
topic Pentecostalismo
Arte religiosa
Educação religiosa
RELIGIÃO E EDUCAÇÃO
Pentecostalism
Religious art
Religious Education
CNPQ::CIENCIAS HUMANAS::TEOLOGIA
dc.subject.eng.fl_str_mv Pentecostalism
Religious art
Religious Education
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS HUMANAS::TEOLOGIA
description The work analyzes the use of art in Brazilian Pentecostalism, dealing specifically with the visual arts and architecture, considering this use in worship spaces and in religious education. One begins with the idea that the relation of the Pentecostal faith with the arts is predominantly marked by rejection, revealing a preference for iconoclasm, therefore one seeks to understand the motives for such a rejection and what space and role this same art encounters in the bosom of Pentecostal religiosity. At the same time it is believed that the use of iconography in religious education is an exception to the iconoclastic posture. The first part of the work studied the development of Christian iconographic art and the main movements of iconoclasty in the Byzantine Empire and from the Protestant Reformation. The second part outlines a history of Brazilian Pentecostalism, from its origins in foreign lands, telling of the emergence and implantation of the main Pentecostal denominations of the country, outlining their profiles, as well as listing a serious of characteristics shared by the majority of the groups of the segment in question. The third part occupies itself with the main goal of the work, discussing the relation of Pentecostalism with the arts, focusing, at first, on the worship spaces. For this it explains the historic evolution of the Christian temples, taking into account artistic and theological aspects, and presents observations of the same nature about Pentecostal temples. Some theological, socio-economic and historical motives are presented which hypothetically contributed to Pentecostalism adopting an iconoclastic posture, which, in its less radical version, excludes in its worship spaces certain artistic manifestations, such as sculptures, or those with certain themes, such as the reproduction of the human image. There is a discussion of the use of figurative art in the literature directed to religious education, where one does not see the same limitations detected in the case of the temples. The posture of Brazilian Pentecostalism suggests a break with the western religious artistic tradition, the inexistence of a sacred art that is characteristic of it and an iconoclasm restricted to the worship houses, since religious education opens itself to didactic applications of iconographic art.
publishDate 2014
dc.date.issued.fl_str_mv 2014-08-08
dc.date.available.fl_str_mv 2015-11-05
2016-07-25T15:16:32Z
dc.date.accessioned.fl_str_mv 2016-07-25T15:16:32Z
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dc.identifier.uri.fl_str_mv http://dspace.est.edu.br:8080/xmlui/handle/BR-SlFE/585
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