Bandeirantes on the ground
Autor(a) principal: | |
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Data de Publicação: | 2002 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos Históricos (Rio de Janeiro) |
Texto Completo: | https://periodicos.fgv.br/reh/article/view/2174 |
Resumo: | The memory of the pathfinders movement, built up mostly since the last decade of the nineteenth century, through the creation of Instituto Historico e Geografico de Sao Paulo (Historical and Geographical Institute of Sao Paulo), based itself upon the valorization of territorial conquest, creating a heroic image of adventures from Sao Paulo, and omitting the depopulation caused by them. At the beginning of this process, Henrique Bernadelli presents a less triumphal version in his painting 'The pathfinders' (1889), establishing a rich dialogue with art history. The painting incorporates a naturalistic preoccupation while trying to reconstruct the situation of the pathfinder facing nature. It constitutes as well a condemnatory metaphor of the violence practiced against the Indian. |
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Bandeirantes on the groundBandeirantes ao chãoThe memory of the pathfinders movement, built up mostly since the last decade of the nineteenth century, through the creation of Instituto Historico e Geografico de Sao Paulo (Historical and Geographical Institute of Sao Paulo), based itself upon the valorization of territorial conquest, creating a heroic image of adventures from Sao Paulo, and omitting the depopulation caused by them. At the beginning of this process, Henrique Bernadelli presents a less triumphal version in his painting 'The pathfinders' (1889), establishing a rich dialogue with art history. The painting incorporates a naturalistic preoccupation while trying to reconstruct the situation of the pathfinder facing nature. It constitutes as well a condemnatory metaphor of the violence practiced against the Indian.A memória do bandeirantismo, constituída principalmente a partir da década de noventa, no século XIX, com a criação do Instituto Histórico e Geográfico de São Paulo, pautava-se por valorizar a conquista territorial, criando uma imagem heróica para o aventureiro paulista, omitindo o despovoamento. Nos primórdios desse processo, Henrique Bernardelli apresenta em seu quadro ¿Os Bandeirantes¿, de 1889, uma versão menos triunfalista, estabelecendo um rico diálogo com a história da arte. A tela tanto incorpora uma preocupação naturalista, por tentar reconstituir as vicissitudes do bandeirante ante a natureza, quanto constitui-se em metáfora condenatória, face à violência praticada contra o indígena.Editora FGV2002-05-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/2174Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 33-55Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 33-552178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/2174/1313Christo, Maraliz de Castro Vieirainfo:eu-repo/semantics/openAccess2017-06-14T21:00:08Zoai:ojs.periodicos.fgv.br:article/2174Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:40.286879Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true |
dc.title.none.fl_str_mv |
Bandeirantes on the ground Bandeirantes ao chão |
title |
Bandeirantes on the ground |
spellingShingle |
Bandeirantes on the ground Christo, Maraliz de Castro Vieira |
title_short |
Bandeirantes on the ground |
title_full |
Bandeirantes on the ground |
title_fullStr |
Bandeirantes on the ground |
title_full_unstemmed |
Bandeirantes on the ground |
title_sort |
Bandeirantes on the ground |
author |
Christo, Maraliz de Castro Vieira |
author_facet |
Christo, Maraliz de Castro Vieira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Christo, Maraliz de Castro Vieira |
description |
The memory of the pathfinders movement, built up mostly since the last decade of the nineteenth century, through the creation of Instituto Historico e Geografico de Sao Paulo (Historical and Geographical Institute of Sao Paulo), based itself upon the valorization of territorial conquest, creating a heroic image of adventures from Sao Paulo, and omitting the depopulation caused by them. At the beginning of this process, Henrique Bernadelli presents a less triumphal version in his painting 'The pathfinders' (1889), establishing a rich dialogue with art history. The painting incorporates a naturalistic preoccupation while trying to reconstruct the situation of the pathfinder facing nature. It constitutes as well a condemnatory metaphor of the violence practiced against the Indian. |
publishDate |
2002 |
dc.date.none.fl_str_mv |
2002-05-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/2174 |
url |
https://periodicos.fgv.br/reh/article/view/2174 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/2174/1313 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora FGV |
publisher.none.fl_str_mv |
Editora FGV |
dc.source.none.fl_str_mv |
Revista Estudos Históricos; Vol. 2 No. 30 (2002): Art and History; 33-55 Revista Estudos Históricos; v. 2 n. 30 (2002): Arte e História; 33-55 2178-1494 0103-2186 reponame:Estudos Históricos (Rio de Janeiro) instname:Fundação Getulio Vargas (FGV) instacron:FGV |
instname_str |
Fundação Getulio Vargas (FGV) |
instacron_str |
FGV |
institution |
FGV |
reponame_str |
Estudos Históricos (Rio de Janeiro) |
collection |
Estudos Históricos (Rio de Janeiro) |
repository.name.fl_str_mv |
Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV) |
repository.mail.fl_str_mv |
||biblioteca.digital@fgv.br||eh@fgv.br |
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