Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Estudos Históricos (Rio de Janeiro) |
Texto Completo: | https://periodicos.fgv.br/reh/article/view/3756 |
Resumo: | Social theater and engaged theater are denominations that took shape in the midst of a hot debate that took place throughout the end of the 19th century and was consolidated in the 20th century. Their novelty rested on the relationship they have established between theater and politics or even between theater and propaganda. This article approaches the meanings of resistance and political-cultural contestation of the groups Opinião and Teatro Moderno de Lisboa while taking into account the discourses produced on their collective processes of creation, theoretical research and social intervention. |
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Estudos Históricos (Rio de Janeiro) |
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Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960sCruzando os mares: os grupos Opinião e Teatro Moderno de Liboa – resistência e contestação político-cultural na década de 1960Grupo OpiniãoTeatro Moderno de Lisboaengaged theaterartGrupo OpiniãoTeatro Moderno de Lisboateatro engajadoarteSocial theater and engaged theater are denominations that took shape in the midst of a hot debate that took place throughout the end of the 19th century and was consolidated in the 20th century. Their novelty rested on the relationship they have established between theater and politics or even between theater and propaganda. This article approaches the meanings of resistance and political-cultural contestation of the groups Opinião and Teatro Moderno de Lisboa while taking into account the discourses produced on their collective processes of creation, theoretical research and social intervention.Teatro social e teatro engajado são denominações que ganharam corpo em meio a um vivo debate que atravessou o final do século XIX e se consolidou no século XX. Seu ponto de inflexão estava na tessitura das relações entre teatro e política ou mesmo entre teatro e propaganda. Este artigo aborda os sentidos de resistência e contestação político-cultural dos grupos Opinião, do Rio de Janeiro, e Teatro Moderno de Lisboa, levando em consideração os discursos produzidos sobre seus processos coletivos de criação, pesquisa teórica e intervenção social.Editora FGV2012-07-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fgv.br/reh/article/view/3756Revista Estudos Históricos; Vol. 25 No. 49 (2012): 1960s; 31-49Revista Estudos Históricos; v. 25 n. 49 (2012): Anos 1960; 31-492178-14940103-2186reponame:Estudos Históricos (Rio de Janeiro)instname:Fundação Getulio Vargas (FGV)instacron:FGVporhttps://periodicos.fgv.br/reh/article/view/3756/2830Paranhos, Kátia Rodriguesinfo:eu-repo/semantics/openAccess2017-06-14T20:55:26Zoai:ojs.periodicos.fgv.br:article/3756Revistahttps://periodicos.fgv.br/rehONGhttps://periodicos.fgv.br/reh/oai||biblioteca.digital@fgv.br||eh@fgv.br2178-14940103-2186opendoar:2024-03-06T13:01:53.720505Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV)true |
dc.title.none.fl_str_mv |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s Cruzando os mares: os grupos Opinião e Teatro Moderno de Liboa – resistência e contestação político-cultural na década de 1960 |
title |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s |
spellingShingle |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s Paranhos, Kátia Rodrigues Grupo Opinião Teatro Moderno de Lisboa engaged theater art Grupo Opinião Teatro Moderno de Lisboa teatro engajado arte |
title_short |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s |
title_full |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s |
title_fullStr |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s |
title_full_unstemmed |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s |
title_sort |
Crossing the ocean: Opinião and Teatro Moderno de Lisboa – resistance and political-cultural contestation in the 1960s |
author |
Paranhos, Kátia Rodrigues |
author_facet |
Paranhos, Kátia Rodrigues |
author_role |
author |
dc.contributor.author.fl_str_mv |
Paranhos, Kátia Rodrigues |
dc.subject.por.fl_str_mv |
Grupo Opinião Teatro Moderno de Lisboa engaged theater art Grupo Opinião Teatro Moderno de Lisboa teatro engajado arte |
topic |
Grupo Opinião Teatro Moderno de Lisboa engaged theater art Grupo Opinião Teatro Moderno de Lisboa teatro engajado arte |
description |
Social theater and engaged theater are denominations that took shape in the midst of a hot debate that took place throughout the end of the 19th century and was consolidated in the 20th century. Their novelty rested on the relationship they have established between theater and politics or even between theater and propaganda. This article approaches the meanings of resistance and political-cultural contestation of the groups Opinião and Teatro Moderno de Lisboa while taking into account the discourses produced on their collective processes of creation, theoretical research and social intervention. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-07-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/3756 |
url |
https://periodicos.fgv.br/reh/article/view/3756 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fgv.br/reh/article/view/3756/2830 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora FGV |
publisher.none.fl_str_mv |
Editora FGV |
dc.source.none.fl_str_mv |
Revista Estudos Históricos; Vol. 25 No. 49 (2012): 1960s; 31-49 Revista Estudos Históricos; v. 25 n. 49 (2012): Anos 1960; 31-49 2178-1494 0103-2186 reponame:Estudos Históricos (Rio de Janeiro) instname:Fundação Getulio Vargas (FGV) instacron:FGV |
instname_str |
Fundação Getulio Vargas (FGV) |
instacron_str |
FGV |
institution |
FGV |
reponame_str |
Estudos Históricos (Rio de Janeiro) |
collection |
Estudos Históricos (Rio de Janeiro) |
repository.name.fl_str_mv |
Estudos Históricos (Rio de Janeiro) - Fundação Getulio Vargas (FGV) |
repository.mail.fl_str_mv |
||biblioteca.digital@fgv.br||eh@fgv.br |
_version_ |
1798942526935138304 |