The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por eng |
Título da fonte: | Cadernos EBAPE.BR |
Texto Completo: | https://periodicos.fgv.br/cadernosebape/article/view/72746 |
Resumo: | The theoretical object of this study is the theoretical construction of the vicarious leisure of Veblen (1989), having Veblenian concepts as previous factors. The empirical object of this study is the Brazilian film The Second Mother by Brazilian writer and director Anna Muylaert (QUE HORAS, 2015), who won the Sundance Film Festival and the Berlin International Film Festival in 2015. In order to match Thorstein Veblen's interdisciplinary methodological proposal (1857-1929), this film was analyzed in a historicist perspective advocated by Kornis (1992). Using the categories "class division and its functions", "woman and property", "wealth and status", "work", "ceremony of honor", "conspicuous idleness and social distinction", "heredity and noble blood," "vicarious idleness," and "Brazilian sociocultural-cultural context," it is possible to see that the concepts of Veblen present an adherence to the current division of classes that could be more used to understand contemporary Brazilian phenomena. The issue of vicarious leisure and housework is a relevant economic and social issue and is a recent social debate, as seen in the discussion on the regulation of activity by the State. As the central point of Veblenian work, the transformations of the status quo of the form of consumption permeate the concept of conspicuous consumption for the distinction of status and honor of the Brazilian economic and social classes. |
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The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomenaEl concepto del ocio vicario en la película “Una Segunda Madre”: Revisitando a Thorstein Veblen en una perspectiva de los fenómenos socioeconómicosO conceito do ócio vicário no filme “Que Horas Ela Volta?”: revisitando Thorstein Veblen em uma perspectiva dos fenômenos socioeconômicosVicarious leisure. Film analysis. Thorstein Veblen. Economic Institutionalism.Ocio vicario. Análisis de películas. Thorstein Veblen. Institucionalismo económico.Ócio vicário. Análise fílmica. Thorstein Veblen. Institucionalismo econômico.The theoretical object of this study is the theoretical construction of the vicarious leisure of Veblen (1989), having Veblenian concepts as previous factors. The empirical object of this study is the Brazilian film The Second Mother by Brazilian writer and director Anna Muylaert (QUE HORAS, 2015), who won the Sundance Film Festival and the Berlin International Film Festival in 2015. In order to match Thorstein Veblen's interdisciplinary methodological proposal (1857-1929), this film was analyzed in a historicist perspective advocated by Kornis (1992). Using the categories "class division and its functions", "woman and property", "wealth and status", "work", "ceremony of honor", "conspicuous idleness and social distinction", "heredity and noble blood," "vicarious idleness," and "Brazilian sociocultural-cultural context," it is possible to see that the concepts of Veblen present an adherence to the current division of classes that could be more used to understand contemporary Brazilian phenomena. The issue of vicarious leisure and housework is a relevant economic and social issue and is a recent social debate, as seen in the discussion on the regulation of activity by the State. As the central point of Veblenian work, the transformations of the status quo of the form of consumption permeate the concept of conspicuous consumption for the distinction of status and honor of the Brazilian economic and social classes.El objeto teórico de este estudio es la construcción teórica del ocio vicario de Veblen (1989), con conceptos veblenianos como factores precedentes. El objeto empírico de este estudio es la película brasileña Una Segunda Madre, de la guionista y directora brasileña Anna Muylaert (QUE HORAS, 2015), que fue premiada en el Sundance Film Festival y en el Festival Internacional de Cine de Berlín, ambos de 2015. Para confluir con la propuesta metodológica interdisciplinaria de Thorstein Veblen (1857-1929) la película es analizada en una perspectiva historicista defendida por Kornis (1992). Al utilizar las categorías división de clase y sus funciones; la mujer y la propiedad; riqueza y status; trabajo; la ceremonia signo de honor; ocio conspicuo y distinción social; herencia y sangre noble; ocio vicario; y contexto socio-histórico-cultural brasileño, se obtiene como resultado que los conceptos vebleniamos presentan una adhesión a la actual división de clases que podría ser más utilizada para comprender los fenómenos contemporáneos brasileños. La cuestión del ocio vicario y del trabajo doméstico constituye un tema relevante económica y socialmente y ha tenido un debate social reciente, como se expuso en la discusión sobre la regulación de la actividad por parte del Estado. Como punto central del trabajo vebleniano, las transformaciones del status quo de la forma de consumo impregnan el concepto de consumo conspicuo para la distinción de status y honor de las clases económicas y sociales brasileñas.O objeto teórico deste estudo é a construção teórica do ócio vicário de Veblen (1989), tendo conceitos veblenianos como fatores precedentes. Já o objeto empírico deste estudo é o filme brasileiro Que Horas Ela Volta? da roteirista e diretora brasileira Anna Muylaert (QUE HORAS, 2015), que foi premiado no Sundance Film Festival e no Film Festival Internacional de Berlim, ambos de 2015. Para confluir com a proposta metodológica interdisciplinar de Thorstein Veblen (1857-1929), esse filme é analisado em uma perspectiva historicista defendida por Kornis (1992). Utilizando as categorias “divisão de classe e suas funções”, “a mulher e a propriedade”, “riqueza e status”, “o trabalho”, “a cerimônia signo de honra”, “ócio conspícuo e distinção social”, “hereditariedade e sangue nobre”, “ócio vicário” e “contexto sócio-histórico-cultural brasileiro”, tem-se como resultado que os conceitos vebleniamos apresentam uma aderência à atual divisão de classes que poderia ser mais utilizada para compreender os fenômenos contemporâneos brasileiros. A questão do ócio vicário e do trabalho doméstico constitui tema relevante econômica e socialmente e teve um debate social recente, como exposto na discussão sobre a regulação da atividade pelo Estado. Como ponto central do trabalho vebleniano, as transformações do status quo da forma de consumo permeia o conceito de consumo conspícuo para a distinção de status e honra das classes econômicas e sociais brasileiras.Escola Brasileira de Administração Pública e de Empresas da Fundação Getulio Vargas2019-02-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://periodicos.fgv.br/cadernosebape/article/view/72746Cadernos EBAPE.BR; Vol. 17 No. 2 (2019); 305-323Cadernos EBAPE.BR; Vol. 17 Núm. 2 (2019); 305-323Cadernos EBAPE.BR; v. 17 n. 2 (2019); 305-3231679-3951reponame:Cadernos EBAPE.BRinstname:Fundação Getulio Vargas (FGV)instacron:FGVporenghttps://periodicos.fgv.br/cadernosebape/article/view/72746/75139https://periodicos.fgv.br/cadernosebape/article/view/72746/75143Copyright (c) 2019 Cadernos EBAPE.BRinfo:eu-repo/semantics/openAccessFerreira, Rui Fernando CorreiaMuniz, Reynaldo MaiaAlmada, Livia2019-07-18T19:55:10Zoai:ojs.periodicos.fgv.br:article/72746Revistahttps://periodicos.fgv.br/cadernosebapehttps://periodicos.fgv.br/cadernosebape/oaicadernosebape@fgv.br||cadernosebape@fgv.br1679-39511679-3951opendoar:2024-05-13T10:00:06.515671Cadernos EBAPE.BR - Fundação Getulio Vargas (FGV)true |
dc.title.none.fl_str_mv |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena El concepto del ocio vicario en la película “Una Segunda Madre”: Revisitando a Thorstein Veblen en una perspectiva de los fenómenos socioeconómicos O conceito do ócio vicário no filme “Que Horas Ela Volta?”: revisitando Thorstein Veblen em uma perspectiva dos fenômenos socioeconômicos |
title |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena |
spellingShingle |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena Ferreira, Rui Fernando Correia Vicarious leisure. Film analysis. Thorstein Veblen. Economic Institutionalism. Ocio vicario. Análisis de películas. Thorstein Veblen. Institucionalismo económico. Ócio vicário. Análise fílmica. Thorstein Veblen. Institucionalismo econômico. |
title_short |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena |
title_full |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena |
title_fullStr |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena |
title_full_unstemmed |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena |
title_sort |
The concept of vicarious leisure in the film “The Second Mother”: Revisiting Thorstein Veblen in a perspective of socioeconomic phenomena |
author |
Ferreira, Rui Fernando Correia |
author_facet |
Ferreira, Rui Fernando Correia Muniz, Reynaldo Maia Almada, Livia |
author_role |
author |
author2 |
Muniz, Reynaldo Maia Almada, Livia |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Ferreira, Rui Fernando Correia Muniz, Reynaldo Maia Almada, Livia |
dc.subject.por.fl_str_mv |
Vicarious leisure. Film analysis. Thorstein Veblen. Economic Institutionalism. Ocio vicario. Análisis de películas. Thorstein Veblen. Institucionalismo económico. Ócio vicário. Análise fílmica. Thorstein Veblen. Institucionalismo econômico. |
topic |
Vicarious leisure. Film analysis. Thorstein Veblen. Economic Institutionalism. Ocio vicario. Análisis de películas. Thorstein Veblen. Institucionalismo económico. Ócio vicário. Análise fílmica. Thorstein Veblen. Institucionalismo econômico. |
description |
The theoretical object of this study is the theoretical construction of the vicarious leisure of Veblen (1989), having Veblenian concepts as previous factors. The empirical object of this study is the Brazilian film The Second Mother by Brazilian writer and director Anna Muylaert (QUE HORAS, 2015), who won the Sundance Film Festival and the Berlin International Film Festival in 2015. In order to match Thorstein Veblen's interdisciplinary methodological proposal (1857-1929), this film was analyzed in a historicist perspective advocated by Kornis (1992). Using the categories "class division and its functions", "woman and property", "wealth and status", "work", "ceremony of honor", "conspicuous idleness and social distinction", "heredity and noble blood," "vicarious idleness," and "Brazilian sociocultural-cultural context," it is possible to see that the concepts of Veblen present an adherence to the current division of classes that could be more used to understand contemporary Brazilian phenomena. The issue of vicarious leisure and housework is a relevant economic and social issue and is a recent social debate, as seen in the discussion on the regulation of activity by the State. As the central point of Veblenian work, the transformations of the status quo of the form of consumption permeate the concept of conspicuous consumption for the distinction of status and honor of the Brazilian economic and social classes. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-02-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fgv.br/cadernosebape/article/view/72746 |
url |
https://periodicos.fgv.br/cadernosebape/article/view/72746 |
dc.language.iso.fl_str_mv |
por eng |
language |
por eng |
dc.relation.none.fl_str_mv |
https://periodicos.fgv.br/cadernosebape/article/view/72746/75139 https://periodicos.fgv.br/cadernosebape/article/view/72746/75143 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Cadernos EBAPE.BR info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Cadernos EBAPE.BR |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Escola Brasileira de Administração Pública e de Empresas da Fundação Getulio Vargas |
publisher.none.fl_str_mv |
Escola Brasileira de Administração Pública e de Empresas da Fundação Getulio Vargas |
dc.source.none.fl_str_mv |
Cadernos EBAPE.BR; Vol. 17 No. 2 (2019); 305-323 Cadernos EBAPE.BR; Vol. 17 Núm. 2 (2019); 305-323 Cadernos EBAPE.BR; v. 17 n. 2 (2019); 305-323 1679-3951 reponame:Cadernos EBAPE.BR instname:Fundação Getulio Vargas (FGV) instacron:FGV |
instname_str |
Fundação Getulio Vargas (FGV) |
instacron_str |
FGV |
institution |
FGV |
reponame_str |
Cadernos EBAPE.BR |
collection |
Cadernos EBAPE.BR |
repository.name.fl_str_mv |
Cadernos EBAPE.BR - Fundação Getulio Vargas (FGV) |
repository.mail.fl_str_mv |
cadernosebape@fgv.br||cadernosebape@fgv.br |
_version_ |
1798943211715035136 |