Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional do FGV (FGV Repositório Digital) |
Texto Completo: | http://hdl.handle.net/10438/24316 |
Resumo: | The text analyzes one of agents from the art market: the commercial gallery. It was a conscious choice to work with only one gallery and, through this, to understand its microcosms. Beginning with the review of the main authors that work with sociology of art, it was possible to delineate which agents belonged to the field of art and how its relations could happen. The first chapter summarize the theories used through the work, and brings the history of the commercial galleries in Rio de Janeiro. The next two chapters will concentrate in the object of this study: the story of the gallerist Laura Marsiaj and her experiences in the work of art galleries. The construction of these chapters was based in a vast research in newspaper archives, field research and interviews with some important elements from the art’s field that had different connections with Laura. The focus of this dissertation is to create a case study of an art gallery and, through it, see how the relations in the art market occur. |
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Pereira, Julia Baker VallsEscolas::CPDOCCampos, Marcelo Gustavo Lima deKornis, Mônica AlmeidaMaia, João Marcelo Ehlert2018-07-16T20:23:04Z2018-07-16T20:23:04Z2016-09-09http://hdl.handle.net/10438/24316The text analyzes one of agents from the art market: the commercial gallery. It was a conscious choice to work with only one gallery and, through this, to understand its microcosms. Beginning with the review of the main authors that work with sociology of art, it was possible to delineate which agents belonged to the field of art and how its relations could happen. The first chapter summarize the theories used through the work, and brings the history of the commercial galleries in Rio de Janeiro. The next two chapters will concentrate in the object of this study: the story of the gallerist Laura Marsiaj and her experiences in the work of art galleries. The construction of these chapters was based in a vast research in newspaper archives, field research and interviews with some important elements from the art’s field that had different connections with Laura. The focus of this dissertation is to create a case study of an art gallery and, through it, see how the relations in the art market occur.O trabalho analisa um dos agentes do mercado de artes: a galeria comercial. Foi uma escolha trabalhar apenas com uma galeria e entender seu microcosmos. Partindo de uma análise dos principais autores a tratar do tema de sociologia da arte, foi possível delimitar os agentes pertencentes ao campo das artes e como suas relações são traçadas. O primeiro capítulo sintetiza as teorias utilizadas assim como discorre sobre a história das galerias no Rio de Janeiro. Os dois seguintes capítulos se concentram no objeto de estudo dessa dissertação: a história da galerista Laura Marsiaj e de suas experiências como galerista no Rio de Janeiro. A construção dos capítulos se deu a partir de pesquisas em acervos de jornais, pesquisa de campo e entrevistas com sujeitos do campo das artes que possuíam ligações de diferentes âmbitos com Laura. O objetivo da dissertação é realizar um estudo de caso da galeria e, através dele, ver como ocorrem as relações na esfera do mercado de artes.porArt marketArtistic fieldArt sociologySociologia das artesArteArte e sociedadeMercado de obras de arteCampo artísticoArtes visuaisCiências sociaisArteMercado de obras de arteArte e sociedadeQuem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais cariocaO caso da Galeria Laura Marsiaj no mercado das artes visuais cariocainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional do FGV (FGV Repositório Digital)instname:Fundação Getulio Vargas (FGV)instacron:FGVinfo:eu-repo/semantics/openAccessTEXTDISSERTACAO_QUEM VAI FICAR COM LAURA.pdf.txtDISSERTACAO_QUEM VAI FICAR COM LAURA.pdf.txtExtracted texttext/plain102606https://repositorio.fgv.br/bitstreams/cc7fb339-165e-4669-871f-74912604ee56/download482dc6d08e23842202afaf968080da20MD55ORIGINALDISSERTACAO_QUEM VAI FICAR 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dc.title.por.fl_str_mv |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
dc.title.alternative.por.fl_str_mv |
O caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
title |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
spellingShingle |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca Pereira, Julia Baker Valls Art market Artistic field Art sociology Sociologia das artes Arte Arte e sociedade Mercado de obras de arte Campo artístico Artes visuais Ciências sociais Arte Mercado de obras de arte Arte e sociedade |
title_short |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
title_full |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
title_fullStr |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
title_full_unstemmed |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
title_sort |
Quem vai ficar com Laura?: o caso da Galeria Laura Marsiaj no mercado das artes visuais carioca |
author |
Pereira, Julia Baker Valls |
author_facet |
Pereira, Julia Baker Valls |
author_role |
author |
dc.contributor.unidadefgv.por.fl_str_mv |
Escolas::CPDOC |
dc.contributor.member.none.fl_str_mv |
Campos, Marcelo Gustavo Lima de Kornis, Mônica Almeida |
dc.contributor.author.fl_str_mv |
Pereira, Julia Baker Valls |
dc.contributor.advisor1.fl_str_mv |
Maia, João Marcelo Ehlert |
contributor_str_mv |
Maia, João Marcelo Ehlert |
dc.subject.eng.fl_str_mv |
Art market Artistic field Art sociology |
topic |
Art market Artistic field Art sociology Sociologia das artes Arte Arte e sociedade Mercado de obras de arte Campo artístico Artes visuais Ciências sociais Arte Mercado de obras de arte Arte e sociedade |
dc.subject.por.fl_str_mv |
Sociologia das artes Arte Arte e sociedade Mercado de obras de arte Campo artístico Artes visuais |
dc.subject.area.por.fl_str_mv |
Ciências sociais |
dc.subject.bibliodata.por.fl_str_mv |
Arte Mercado de obras de arte Arte e sociedade |
description |
The text analyzes one of agents from the art market: the commercial gallery. It was a conscious choice to work with only one gallery and, through this, to understand its microcosms. Beginning with the review of the main authors that work with sociology of art, it was possible to delineate which agents belonged to the field of art and how its relations could happen. The first chapter summarize the theories used through the work, and brings the history of the commercial galleries in Rio de Janeiro. The next two chapters will concentrate in the object of this study: the story of the gallerist Laura Marsiaj and her experiences in the work of art galleries. The construction of these chapters was based in a vast research in newspaper archives, field research and interviews with some important elements from the art’s field that had different connections with Laura. The focus of this dissertation is to create a case study of an art gallery and, through it, see how the relations in the art market occur. |
publishDate |
2016 |
dc.date.issued.fl_str_mv |
2016-09-09 |
dc.date.accessioned.fl_str_mv |
2018-07-16T20:23:04Z |
dc.date.available.fl_str_mv |
2018-07-16T20:23:04Z |
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