O Quilombo de Candeia: um teto para todos os sambistas

Detalhes bibliográficos
Autor(a) principal: Cunha, Ana Cláudia
Data de Publicação: 2009
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional do FGV (FGV Repositório Digital)
Texto Completo: http://hdl.handle.net/10438/2696
Resumo: The aim of this study is to reflect on how the cultural initiatives can assert identities and bring new proposals and innovations to social and cultural projects. To achieve this goal I took as study object the Grêmio Recreativo Arte Negra Escola de Samba Quilombo (GRANES Quilombo). Analysing its creation, from 1975 to 1978, I observed how Quilombo represented itself, witch symbolic aspects were used in its words, what were the social relations between its participants, who built a large sociability network in Rio de Janeiro. Quilombo was connected to samba schools universe and to samba and its speeches talked about 'black art', 'Brazilian culture', samba, national identity and tradition.
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spelling Cunha, Ana CláudiaEscolas::CPDOCLustosa, IsabelOliveira, Lúcia LippiMotta, Marly Silva da2009-07-30T18:37:02Z2009-07-30T18:37:02Z2009-03CUNHA, Ana Cláudia. O Quilombo de Candeia: um teto para todos os sambistas. Dissertação (Mestrado Profissional em Bens Culturais e Projetos Sociais) - FGV - Fundação Getúlio Vargas, Rio de Janeiro, 2009.http://hdl.handle.net/10438/2696The aim of this study is to reflect on how the cultural initiatives can assert identities and bring new proposals and innovations to social and cultural projects. To achieve this goal I took as study object the Grêmio Recreativo Arte Negra Escola de Samba Quilombo (GRANES Quilombo). Analysing its creation, from 1975 to 1978, I observed how Quilombo represented itself, witch symbolic aspects were used in its words, what were the social relations between its participants, who built a large sociability network in Rio de Janeiro. Quilombo was connected to samba schools universe and to samba and its speeches talked about 'black art', 'Brazilian culture', samba, national identity and tradition.O objetivo desse estudo é refletir sobre como as iniciativas culturais afirmam suas identidades e podem trazer novas proposições e inovações para a área dos projetos culturais e sociais. Para tal, tomei como objeto de estudo o Grêmio Recreativo Arte Negra Escola de Samba Quilombo (GRANES Quilombo). Por meio da análise de como se constituiu a agremiação, no período entre 1975 e 1978, procurei observar como se representava o Quilombo e concluí que, sob os aspectos simbólicos, construiu seus discursos por meio das relações sociais dos seus participantes, que montaram uma ampla rede de sociabilidade na cidade do Rio de Janeiro. O Quilombo estava ligado ao universo das escolas de samba e do samba e operava com discursos que entrecruzavam concepções sobre 'arte negra', 'cultura brasileira', samba, identidade nacional e tradição.porTodo cuidado foi dispensado para respeitar os direitos autorais deste trabalho. Entretanto, caso esta obra aqui depositada seja protegida por direitos autorais externos a esta instituição, contamos com a compreensão do autor e solicitamos que o mesmo faça contato através do Fale Conosco para que possamos tomar as providências cabíveis.info:eu-repo/semantics/openAccessCulturaSambaPortelaQuilomboPatrimônioCiências sociaisGrêmio Recreativo Arte Negra Escola de Samba QuilomboEscolas de samba - Rio de Janeiro (RJ) - Estudo de casosO Quilombo de Candeia: um teto para todos os sambistasinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisreponame:Repositório Institucional do FGV (FGV Repositório Digital)instname:Fundação Getulio Vargas (FGV)instacron:FGVORIGINALCPDOC2009AnaClaudiadaCunha.pdfCPDOC2009AnaClaudiadaCunha.pdfapplication/pdf1724766https://repositorio.fgv.br/bitstreams/8889f506-9038-460c-8126-d2ee405963c2/downloade43b306f519fd23a6b67e95350f49f2fMD51LICENSElicense.txtlicense.txttext/plain; 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dc.title.por.fl_str_mv O Quilombo de Candeia: um teto para todos os sambistas
title O Quilombo de Candeia: um teto para todos os sambistas
spellingShingle O Quilombo de Candeia: um teto para todos os sambistas
Cunha, Ana Cláudia
Cultura
Samba
Portela
Quilombo
Patrimônio
Ciências sociais
Grêmio Recreativo Arte Negra Escola de Samba Quilombo
Escolas de samba - Rio de Janeiro (RJ) - Estudo de casos
title_short O Quilombo de Candeia: um teto para todos os sambistas
title_full O Quilombo de Candeia: um teto para todos os sambistas
title_fullStr O Quilombo de Candeia: um teto para todos os sambistas
title_full_unstemmed O Quilombo de Candeia: um teto para todos os sambistas
title_sort O Quilombo de Candeia: um teto para todos os sambistas
author Cunha, Ana Cláudia
author_facet Cunha, Ana Cláudia
author_role author
dc.contributor.unidadefgv.por.fl_str_mv Escolas::CPDOC
dc.contributor.member.none.fl_str_mv Lustosa, Isabel
Oliveira, Lúcia Lippi
dc.contributor.author.fl_str_mv Cunha, Ana Cláudia
dc.contributor.advisor1.fl_str_mv Motta, Marly Silva da
contributor_str_mv Motta, Marly Silva da
dc.subject.por.fl_str_mv Cultura
Samba
Portela
Quilombo
Patrimônio
topic Cultura
Samba
Portela
Quilombo
Patrimônio
Ciências sociais
Grêmio Recreativo Arte Negra Escola de Samba Quilombo
Escolas de samba - Rio de Janeiro (RJ) - Estudo de casos
dc.subject.area.por.fl_str_mv Ciências sociais
dc.subject.bibliodata.por.fl_str_mv Grêmio Recreativo Arte Negra Escola de Samba Quilombo
Escolas de samba - Rio de Janeiro (RJ) - Estudo de casos
description The aim of this study is to reflect on how the cultural initiatives can assert identities and bring new proposals and innovations to social and cultural projects. To achieve this goal I took as study object the Grêmio Recreativo Arte Negra Escola de Samba Quilombo (GRANES Quilombo). Analysing its creation, from 1975 to 1978, I observed how Quilombo represented itself, witch symbolic aspects were used in its words, what were the social relations between its participants, who built a large sociability network in Rio de Janeiro. Quilombo was connected to samba schools universe and to samba and its speeches talked about 'black art', 'Brazilian culture', samba, national identity and tradition.
publishDate 2009
dc.date.accessioned.fl_str_mv 2009-07-30T18:37:02Z
dc.date.available.fl_str_mv 2009-07-30T18:37:02Z
dc.date.issued.fl_str_mv 2009-03
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.citation.fl_str_mv CUNHA, Ana Cláudia. O Quilombo de Candeia: um teto para todos os sambistas. Dissertação (Mestrado Profissional em Bens Culturais e Projetos Sociais) - FGV - Fundação Getúlio Vargas, Rio de Janeiro, 2009.
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10438/2696
identifier_str_mv CUNHA, Ana Cláudia. O Quilombo de Candeia: um teto para todos os sambistas. Dissertação (Mestrado Profissional em Bens Culturais e Projetos Sociais) - FGV - Fundação Getúlio Vargas, Rio de Janeiro, 2009.
url http://hdl.handle.net/10438/2696
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.source.none.fl_str_mv reponame:Repositório Institucional do FGV (FGV Repositório Digital)
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