The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Hypnos |
Texto Completo: | https://hypnos.org.br/index.php/hypnos/article/view/86 |
Resumo: | In this paper I compare the erotic bond between the philosopherand his young beloved, as described in Phaedrus 249b-256b, with the rhetoricalrelationship established between the sophist and the people, as described inSophist 232b-236d and 265a-268d. I postulate that these are two structurallyanalogous cases of mimetic production. The first results in an ágalma (“holystatue”), while the second produces a phántasma (“simulation”). I identify thesimilarities and differences between the elements involved in each production,and conclude by questioning the supposed safety of philosophic erotics on theone hand and the alleged harmfulness of sophistic rhetoric on the other. |
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The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in PlatoErótica de las estatuas y retórica de los fantasmas. Una contraposición entre las producciones miméticas del filósofo y el sofista en PlatónPlatónÃgalmaPhántasmaMÃmesisPlatãoÃgalmaPhántasmaMÃmesisIn this paper I compare the erotic bond between the philosopherand his young beloved, as described in Phaedrus 249b-256b, with the rhetoricalrelationship established between the sophist and the people, as described inSophist 232b-236d and 265a-268d. I postulate that these are two structurallyanalogous cases of mimetic production. The first results in an ágalma (“holystatue”), while the second produces a phántasma (“simulation”). I identify thesimilarities and differences between the elements involved in each production,and conclude by questioning the supposed safety of philosophic erotics on theone hand and the alleged harmfulness of sophistic rhetoric on the other.En este trabajo comparo el vínculo erótico entre el filósofo y su joven amado, tal como es descripto en Fedro 249b-256b, con la relación retórica que el sofista establece con el pueblo, según Sofista 232b-236d y 265a-268d. Postulo que se trata de dos casos estructuralmente análogos de producciones miméticas. El primero da como resultado un ágalma, (“estatua sagrada”), mientras que el segundo genera un phántasma (“simulacro”). Identifico las semejanzas y diferencias entre los elementos que participan de cada producción, para concluir poniendo en cuestión la pretendida inocuidad de la erótica filosófica, así como la supuesta nocividad de la retórica sofística.Revista HypnosHypnos Journal2014-02-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://hypnos.org.br/index.php/hypnos/article/view/86Revista Hypnos; n. 33 (2014)Hypnos Journal; No. 33 (2014)2177-53461413-9138reponame:Hypnosinstname:Faculdade de São Bento (FSB)instacron:FSBporhttps://hypnos.org.br/index.php/hypnos/article/view/86/86Copyright (c) 2014 Martín Sebastián Forcinitiinfo:eu-repo/semantics/openAccessForciniti, Martín Sebastián2015-09-06T01:57:43Zoai:ojs.hypnos.org.br:article/86Revistahttps://hypnos.org.br/index.php/hypnosPRIhttps://hypnos.org.br/index.php/hypnos/oairachelgazolla@gmail.com2177-53461413-9138opendoar:2023-01-13T09:46:46.975946Hypnos - Faculdade de São Bento (FSB)false |
dc.title.none.fl_str_mv |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato Erótica de las estatuas y retórica de los fantasmas. Una contraposición entre las producciones miméticas del filósofo y el sofista en Platón |
title |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato |
spellingShingle |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato Forciniti, Martín Sebastián Platón Ãgalma Phántasma MÃmesis Platão Ãgalma Phántasma MÃmesis |
title_short |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato |
title_full |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato |
title_fullStr |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato |
title_full_unstemmed |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato |
title_sort |
The eroticism of statues and the rhetoricism of phantasms. A contrast between the mimetic productions of the philosopher and of the sophist in Plato |
author |
Forciniti, Martín Sebastián |
author_facet |
Forciniti, Martín Sebastián |
author_role |
author |
dc.contributor.author.fl_str_mv |
Forciniti, Martín Sebastián |
dc.subject.por.fl_str_mv |
Platón Ãgalma Phántasma MÃmesis Platão Ãgalma Phántasma MÃmesis |
topic |
Platón Ãgalma Phántasma MÃmesis Platão Ãgalma Phántasma MÃmesis |
description |
In this paper I compare the erotic bond between the philosopherand his young beloved, as described in Phaedrus 249b-256b, with the rhetoricalrelationship established between the sophist and the people, as described inSophist 232b-236d and 265a-268d. I postulate that these are two structurallyanalogous cases of mimetic production. The first results in an ágalma (“holystatue”), while the second produces a phántasma (“simulation”). I identify thesimilarities and differences between the elements involved in each production,and conclude by questioning the supposed safety of philosophic erotics on theone hand and the alleged harmfulness of sophistic rhetoric on the other. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-02-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hypnos.org.br/index.php/hypnos/article/view/86 |
url |
https://hypnos.org.br/index.php/hypnos/article/view/86 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://hypnos.org.br/index.php/hypnos/article/view/86/86 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Martín Sebastián Forciniti info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Martín Sebastián Forciniti |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Revista Hypnos Hypnos Journal |
publisher.none.fl_str_mv |
Revista Hypnos Hypnos Journal |
dc.source.none.fl_str_mv |
Revista Hypnos; n. 33 (2014) Hypnos Journal; No. 33 (2014) 2177-5346 1413-9138 reponame:Hypnos instname:Faculdade de São Bento (FSB) instacron:FSB |
instname_str |
Faculdade de São Bento (FSB) |
instacron_str |
FSB |
institution |
FSB |
reponame_str |
Hypnos |
collection |
Hypnos |
repository.name.fl_str_mv |
Hypnos - Faculdade de São Bento (FSB) |
repository.mail.fl_str_mv |
rachelgazolla@gmail.com |
_version_ |
1797051291989442560 |