THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Linguagens |
Texto Completo: | https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/174 |
Resumo: | The first book of Chico Buarque, Estorvo, is analyzed here in terms of its narratological structure, seeking to emphasize the peculiar use of a diegetic mechanism that suits the theme and the types of writing resources tht the author molds as a function of his filtering of the real. The distortion of the outside world, the fruit of the semi-marginal metropolitan life of the protagonist, who passes through various, different social layers, takes on material body in the form of a particular type of original narrative digression that we refer to as ‘flashforward’. This differs from the classical prolepses and from the cinemagraphic flashforward. The resource that Chico Barque uses is characterized by being integrated into several levels within the narration, giving it an active role in the change of events. Key Words: Narratology; Real; Novel; Chico Buarque. |
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THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUEO OLHAR DO HOMEM CÔNCAVO - ESTORVO DE CHICO BUARQUENarratologiaRealRomanceChico Buarque.The first book of Chico Buarque, Estorvo, is analyzed here in terms of its narratological structure, seeking to emphasize the peculiar use of a diegetic mechanism that suits the theme and the types of writing resources tht the author molds as a function of his filtering of the real. The distortion of the outside world, the fruit of the semi-marginal metropolitan life of the protagonist, who passes through various, different social layers, takes on material body in the form of a particular type of original narrative digression that we refer to as ‘flashforward’. This differs from the classical prolepses and from the cinemagraphic flashforward. The resource that Chico Barque uses is characterized by being integrated into several levels within the narration, giving it an active role in the change of events. Key Words: Narratology; Real; Novel; Chico Buarque.O primeiro livro de Chico Buarque, Estorvo, é aqui analisado na sua estrutura narratológica, visando realçar a peculiar utilização de um mecanismo diegético que condiz com o tema e o aparato de recursos de escrita que o autor molda em função de sua filtragem do real. A distorção do mundo exterior, fruto da vivência metropolitana semimarginal do protagonista – e que atravessa as mais diferentes camadas sociais -, toma materialmente corpo, num particular tipo de digressão narrativa inédita, que chamamos aqui de “flashforward”. Diferente da prolepse clássica e do “flashforward” cinematográfico, o recurso que Chico Buarque utiliza caracteriza-se por se integrar a vários níveis dentro da narração, cabendo a ele um papel ativo na mudança dos eventos. Palavras-chave: Narratologia; Real; Romance; Chico Buarque.Fundação Universidade Regional de Blumenau2007-04-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/17410.7867/1981-9943.2007v1n1p25-33Linguagens - Revista de Letras, Artes e Comunicação; v. 1 n. 1 (2007); 25-331981-9943reponame:Linguagensinstname:Universidade Regional de Blumenau (FURB)instacron:FURBporhttps://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/174/138Copyright (c) 2014 Linguagens - Revista de Letras, Artes e Comunicaçãoinfo:eu-repo/semantics/openAccessBertolazzi, Federico2010-02-18T17:32:53Zoai:ojs.bu.furb.br:article/174Revistahttp://proxy.furb.br/ojs/index.php/linguagensPUBhttp://proxy.furb.br/ojs/index.php/linguagens/oailinguagens@furb.br||linguagens.revista@gmail.com1981-99431981-9943opendoar:2010-02-18T17:32:53Linguagens - Universidade Regional de Blumenau (FURB)false |
dc.title.none.fl_str_mv |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE O OLHAR DO HOMEM CÔNCAVO - ESTORVO DE CHICO BUARQUE |
title |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE |
spellingShingle |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE Bertolazzi, Federico Narratologia Real Romance Chico Buarque. |
title_short |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE |
title_full |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE |
title_fullStr |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE |
title_full_unstemmed |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE |
title_sort |
THE POINT OF VIEW OF THE CONCAVE MAN - ESTORVO BY CHICO BUARQUE |
author |
Bertolazzi, Federico |
author_facet |
Bertolazzi, Federico |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bertolazzi, Federico |
dc.subject.por.fl_str_mv |
Narratologia Real Romance Chico Buarque. |
topic |
Narratologia Real Romance Chico Buarque. |
description |
The first book of Chico Buarque, Estorvo, is analyzed here in terms of its narratological structure, seeking to emphasize the peculiar use of a diegetic mechanism that suits the theme and the types of writing resources tht the author molds as a function of his filtering of the real. The distortion of the outside world, the fruit of the semi-marginal metropolitan life of the protagonist, who passes through various, different social layers, takes on material body in the form of a particular type of original narrative digression that we refer to as ‘flashforward’. This differs from the classical prolepses and from the cinemagraphic flashforward. The resource that Chico Barque uses is characterized by being integrated into several levels within the narration, giving it an active role in the change of events. Key Words: Narratology; Real; Novel; Chico Buarque. |
publishDate |
2007 |
dc.date.none.fl_str_mv |
2007-04-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/174 10.7867/1981-9943.2007v1n1p25-33 |
url |
https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/174 |
identifier_str_mv |
10.7867/1981-9943.2007v1n1p25-33 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojsrevista.furb.br/ojs/index.php/linguagens/article/view/174/138 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2014 Linguagens - Revista de Letras, Artes e Comunicação info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2014 Linguagens - Revista de Letras, Artes e Comunicação |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Fundação Universidade Regional de Blumenau |
publisher.none.fl_str_mv |
Fundação Universidade Regional de Blumenau |
dc.source.none.fl_str_mv |
Linguagens - Revista de Letras, Artes e Comunicação; v. 1 n. 1 (2007); 25-33 1981-9943 reponame:Linguagens instname:Universidade Regional de Blumenau (FURB) instacron:FURB |
instname_str |
Universidade Regional de Blumenau (FURB) |
instacron_str |
FURB |
institution |
FURB |
reponame_str |
Linguagens |
collection |
Linguagens |
repository.name.fl_str_mv |
Linguagens - Universidade Regional de Blumenau (FURB) |
repository.mail.fl_str_mv |
linguagens@furb.br||linguagens.revista@gmail.com |
_version_ |
1798945198315667456 |