Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970

Detalhes bibliográficos
Autor(a) principal: Kirschbaum, Charles
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do INSPER
Texto Completo: https://repositorio.insper.edu.br/handle/11224/4258
Resumo: Recent research in institutional process has evoked the role of power and interests. Through discourse, actors reproduce domination. Throughout this paper, I analyse the web of discursive justifications deployed by Down Beat editors to justify its critics's poll, along the period from 1953 to 1970. I argue that DB attempted to mimic a democratic forum, but faced fierce condemnation to its poll from critics and artistis. I characterize Down Beat's rhetoric under the frame of symbolic violence proposed by Bourdieu. I conclude this article on a discussion on a symbolic appropriation and collusion, which might occur in tandem with institutional effort.
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spelling Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970Organizational fieldcreative industriesBourdieuinstitutionalismjustificationRecent research in institutional process has evoked the role of power and interests. Through discourse, actors reproduce domination. Throughout this paper, I analyse the web of discursive justifications deployed by Down Beat editors to justify its critics's poll, along the period from 1953 to 1970. I argue that DB attempted to mimic a democratic forum, but faced fierce condemnation to its poll from critics and artistis. I characterize Down Beat's rhetoric under the frame of symbolic violence proposed by Bourdieu. I conclude this article on a discussion on a symbolic appropriation and collusion, which might occur in tandem with institutional effort.Texto completo. Data conforme controle interno.2022-10-11T23:38:57Z2022-10-11T23:38:57Z2008info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleFísicoapplication/pdfhttps://repositorio.insper.edu.br/handle/11224/425815541Não Informados.l.O INSPER E ESTE REPOSITÓRIO NÃO DETÊM OS DIREITOS DE USO E REPRODUÇÃO DOS CONTEÚDOS AQUI REGISTRADOS. É RESPONSABILIDADE DOS USUÁRIOS INDIVIDUAIS VERIFICAR OS USOS PERMITIDOS NA FONTE ORIGINAL, RESPEITANDO-SE OS DIREITOS DE AUTOR OU EDITORinfo:eu-repo/semantics/openAccessKirschbaum, CharlesKirschbaum, Charlesporreponame:Biblioteca Digital de Teses e Dissertações do INSPERinstname:Instituição de Ensino Superior e de Pesquisa (INSPER)instacron:INSPER2024-04-01T12:15:21Zoai:repositorio.insper.edu.br:11224/4258Biblioteca Digital de Teses e Dissertaçõeshttps://www.insper.edu.br/biblioteca-telles/PRIhttps://repositorio.insper.edu.br/oai/requestbiblioteca@insper.edu.br ||opendoar:2024-04-01T12:15:21Biblioteca Digital de Teses e Dissertações do INSPER - Instituição de Ensino Superior e de Pesquisa (INSPER)false
dc.title.none.fl_str_mv Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
title Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
spellingShingle Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
Kirschbaum, Charles
Organizational field
creative industries
Bourdieu
institutionalism
justification
title_short Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
title_full Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
title_fullStr Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
title_full_unstemmed Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
title_sort Mimicking a public sphere: down beat and jazz critic’s polls, 1953-1970
author Kirschbaum, Charles
author_facet Kirschbaum, Charles
author_role author
dc.contributor.author.fl_str_mv Kirschbaum, Charles
Kirschbaum, Charles
dc.subject.por.fl_str_mv Organizational field
creative industries
Bourdieu
institutionalism
justification
topic Organizational field
creative industries
Bourdieu
institutionalism
justification
description Recent research in institutional process has evoked the role of power and interests. Through discourse, actors reproduce domination. Throughout this paper, I analyse the web of discursive justifications deployed by Down Beat editors to justify its critics's poll, along the period from 1953 to 1970. I argue that DB attempted to mimic a democratic forum, but faced fierce condemnation to its poll from critics and artistis. I characterize Down Beat's rhetoric under the frame of symbolic violence proposed by Bourdieu. I conclude this article on a discussion on a symbolic appropriation and collusion, which might occur in tandem with institutional effort.
publishDate 2008
dc.date.none.fl_str_mv 2008
2022-10-11T23:38:57Z
2022-10-11T23:38:57Z
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dc.format.none.fl_str_mv Físico
application/pdf
dc.coverage.none.fl_str_mv Não Informado
s.l.
dc.source.none.fl_str_mv reponame:Biblioteca Digital de Teses e Dissertações do INSPER
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repository.mail.fl_str_mv biblioteca@insper.edu.br ||
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