THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..."
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , , , , , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Amadeus International Multidisciplinary Journal |
Texto Completo: | https://amadeusjournal.emnuvens.com.br/amadeus/article/view/65 |
Resumo: | Every pain result from a process of rupturing a hemostasis. After this fragmentation, the “I” enters a waiting process, followed, consequently, by an eminent psychic pain. The pain process differs from conventional pain because it depends of an organic pathological mechanism, generating pain that can’t be located, qualified or timed. This way, Florbela Espanca in her sonnet “I…” reveals indications that she suffers of psychic pain. We seek to analyze the descriptions about the suffering of Florbela Espanca in her sonnet "I ...", associating to the psychosocial representation of women in her work and in the Portuguese society of the twentieth century. This article followed a method of documentary analysis, using, in addition to the masterpiece of Florbela Espanca, bibliographic studies related to the theme. Moreover, we include a brief background and theoretical foundation on psychic pain and the work under analysis. We highlight as a latent difficulty the reduced number of researches in this methodological line that could contribute to the inferences about the Florbela Espanca’s literary work. The sonnet "I ..." indicates that the poet faced "pathological grief ". A process of pain occasioned by the rupture of the death. In the authors’ life, runs in many scenarios, physically, through the death of her beloved ones, and through the death of her lost loves. |
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Amadeus International Multidisciplinary Journal |
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THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..."Every pain result from a process of rupturing a hemostasis. After this fragmentation, the “I” enters a waiting process, followed, consequently, by an eminent psychic pain. The pain process differs from conventional pain because it depends of an organic pathological mechanism, generating pain that can’t be located, qualified or timed. This way, Florbela Espanca in her sonnet “I…” reveals indications that she suffers of psychic pain. We seek to analyze the descriptions about the suffering of Florbela Espanca in her sonnet "I ...", associating to the psychosocial representation of women in her work and in the Portuguese society of the twentieth century. This article followed a method of documentary analysis, using, in addition to the masterpiece of Florbela Espanca, bibliographic studies related to the theme. Moreover, we include a brief background and theoretical foundation on psychic pain and the work under analysis. We highlight as a latent difficulty the reduced number of researches in this methodological line that could contribute to the inferences about the Florbela Espanca’s literary work. The sonnet "I ..." indicates that the poet faced "pathological grief ". A process of pain occasioned by the rupture of the death. In the authors’ life, runs in many scenarios, physically, through the death of her beloved ones, and through the death of her lost loves. Instituto Persona de Educação Superior2019-04-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://amadeusjournal.emnuvens.com.br/amadeus/article/view/6510.14295/aimj.v3i6.65Amadeus International Multidisciplinary Journal; Vol. 3 No. 6 (2019); 26-30Amadeus International Multidisciplinary Journal; v. 3 n. 6 (2019); 26-302525-8281reponame:Amadeus International Multidisciplinary Journalinstname:Instituto Persona de Educação Superiorinstacron:IPESenghttps://amadeusjournal.emnuvens.com.br/amadeus/article/view/65/132Copyright (c) 2019 Amadeus International Multidisciplinary Journalinfo:eu-repo/semantics/openAccessFeitosa, Pedro Walisson GomesMaia, Maria Andrezza GomesAragão, Mariana OliveiraCunha, Pedro Lourenzo OliveiraCaracas, Caracas FernandesOliveira, Fabio Gomes deBrito, Eulina Alves SousaRolim Neto, Modesto Leite2019-06-05T23:32:10Zoai:ojs.emnuvens.com.br:article/65Revistahttps://amadeusjournal.emnuvens.com.br/amadeus/indexPRIhttps://amadeusjournal.emnuvens.com.br/amadeus/oaiamadeusjournal@gmail.com2525-82812525-8281opendoar:2023-01-12T16:39:18.029028Amadeus International Multidisciplinary Journal - Instituto Persona de Educação Superiorfalse |
dc.title.none.fl_str_mv |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
title |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
spellingShingle |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." Feitosa, Pedro Walisson Gomes |
title_short |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
title_full |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
title_fullStr |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
title_full_unstemmed |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
title_sort |
THE PAIN OF BEING FLORBELA ESPANCA: CONSIDERATIONS ABOUT THE EMOTIONAL ORDEAL IN THE SONNET "I ..." |
author |
Feitosa, Pedro Walisson Gomes |
author_facet |
Feitosa, Pedro Walisson Gomes Maia, Maria Andrezza Gomes Aragão, Mariana Oliveira Cunha, Pedro Lourenzo Oliveira Caracas, Caracas Fernandes Oliveira, Fabio Gomes de Brito, Eulina Alves Sousa Rolim Neto, Modesto Leite |
author_role |
author |
author2 |
Maia, Maria Andrezza Gomes Aragão, Mariana Oliveira Cunha, Pedro Lourenzo Oliveira Caracas, Caracas Fernandes Oliveira, Fabio Gomes de Brito, Eulina Alves Sousa Rolim Neto, Modesto Leite |
author2_role |
author author author author author author author |
dc.contributor.author.fl_str_mv |
Feitosa, Pedro Walisson Gomes Maia, Maria Andrezza Gomes Aragão, Mariana Oliveira Cunha, Pedro Lourenzo Oliveira Caracas, Caracas Fernandes Oliveira, Fabio Gomes de Brito, Eulina Alves Sousa Rolim Neto, Modesto Leite |
description |
Every pain result from a process of rupturing a hemostasis. After this fragmentation, the “I” enters a waiting process, followed, consequently, by an eminent psychic pain. The pain process differs from conventional pain because it depends of an organic pathological mechanism, generating pain that can’t be located, qualified or timed. This way, Florbela Espanca in her sonnet “I…” reveals indications that she suffers of psychic pain. We seek to analyze the descriptions about the suffering of Florbela Espanca in her sonnet "I ...", associating to the psychosocial representation of women in her work and in the Portuguese society of the twentieth century. This article followed a method of documentary analysis, using, in addition to the masterpiece of Florbela Espanca, bibliographic studies related to the theme. Moreover, we include a brief background and theoretical foundation on psychic pain and the work under analysis. We highlight as a latent difficulty the reduced number of researches in this methodological line that could contribute to the inferences about the Florbela Espanca’s literary work. The sonnet "I ..." indicates that the poet faced "pathological grief ". A process of pain occasioned by the rupture of the death. In the authors’ life, runs in many scenarios, physically, through the death of her beloved ones, and through the death of her lost loves. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-04-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://amadeusjournal.emnuvens.com.br/amadeus/article/view/65 10.14295/aimj.v3i6.65 |
url |
https://amadeusjournal.emnuvens.com.br/amadeus/article/view/65 |
identifier_str_mv |
10.14295/aimj.v3i6.65 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://amadeusjournal.emnuvens.com.br/amadeus/article/view/65/132 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Amadeus International Multidisciplinary Journal info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Amadeus International Multidisciplinary Journal |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Instituto Persona de Educação Superior |
publisher.none.fl_str_mv |
Instituto Persona de Educação Superior |
dc.source.none.fl_str_mv |
Amadeus International Multidisciplinary Journal; Vol. 3 No. 6 (2019); 26-30 Amadeus International Multidisciplinary Journal; v. 3 n. 6 (2019); 26-30 2525-8281 reponame:Amadeus International Multidisciplinary Journal instname:Instituto Persona de Educação Superior instacron:IPES |
instname_str |
Instituto Persona de Educação Superior |
instacron_str |
IPES |
institution |
IPES |
reponame_str |
Amadeus International Multidisciplinary Journal |
collection |
Amadeus International Multidisciplinary Journal |
repository.name.fl_str_mv |
Amadeus International Multidisciplinary Journal - Instituto Persona de Educação Superior |
repository.mail.fl_str_mv |
amadeusjournal@gmail.com |
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1797051333826576384 |