AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da METODISTA |
Texto Completo: | http://tede.metodista.br/jspui/handle/tede/1965 |
Resumo: | The present study has as object the analysis of female imaginary’s representation transmitted by the fictional character Harley Quinn, originating from Batman: the animated series (1992), that expanded for the comics, games and cinema. With the character’s big popularity, and it’s considerably short time that enables an more punctual analysis, the intention of this dissertation is to find it’s many transformations since it’s origins until nowadays, considering it’s transmedia nature through the analysis of the principals and more significative medias that Harley Quinn was present. To achieve this goal, was studied the process of modifications of female characters’ representations of super-hero’s gender, identifying the socio-historical contexts that influenced those transformations, using mainly Madrid (2016) and Oliveira (2007). For the discussion about gender’s imaginary, the analysis sustains itself thanks to the studies of Durand (2002), referent to the concepts of Social Imaginary; Beauvoir (2016), that discuss about the woman’s image in many social, politc and cientific ambit; and Bourdieu (2002), about the elements of Male Domination. The method used is Peirce’s semiotics, considering the social elements represented in the medias as indexes. The results showed the big focus on the discussion about domestic violence, and the journey faced by women to get free from the abuses, what was happening with the social modifications while public’s mentality was changing, however, this representation of violence was always showed in a negative way by the characters creators. The character is narratively in a main triangle, wich transmits the interaction of victim with tree different representations of feminine and masculine, being them; The Joker while the dominator man that violents, The Batman whilw the dominator that represents the role of protective father, and Poison Ivy, with who did the role of woman who guides the character to total freedom through of the concept’s representation of sororidade |
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Passos, Mateus YuriChiachiri Filho , Antonio RobertoBoff , Elidiane de OliveiraBARBOSA, TAYNAH IBANEZ2019-12-12T19:43:28Z2019-09-23BARBOSA, TAYNAH IBANEZ. AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento. 2019. 166. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo.http://tede.metodista.br/jspui/handle/tede/1965The present study has as object the analysis of female imaginary’s representation transmitted by the fictional character Harley Quinn, originating from Batman: the animated series (1992), that expanded for the comics, games and cinema. With the character’s big popularity, and it’s considerably short time that enables an more punctual analysis, the intention of this dissertation is to find it’s many transformations since it’s origins until nowadays, considering it’s transmedia nature through the analysis of the principals and more significative medias that Harley Quinn was present. To achieve this goal, was studied the process of modifications of female characters’ representations of super-hero’s gender, identifying the socio-historical contexts that influenced those transformations, using mainly Madrid (2016) and Oliveira (2007). For the discussion about gender’s imaginary, the analysis sustains itself thanks to the studies of Durand (2002), referent to the concepts of Social Imaginary; Beauvoir (2016), that discuss about the woman’s image in many social, politc and cientific ambit; and Bourdieu (2002), about the elements of Male Domination. The method used is Peirce’s semiotics, considering the social elements represented in the medias as indexes. The results showed the big focus on the discussion about domestic violence, and the journey faced by women to get free from the abuses, what was happening with the social modifications while public’s mentality was changing, however, this representation of violence was always showed in a negative way by the characters creators. The character is narratively in a main triangle, wich transmits the interaction of victim with tree different representations of feminine and masculine, being them; The Joker while the dominator man that violents, The Batman whilw the dominator that represents the role of protective father, and Poison Ivy, with who did the role of woman who guides the character to total freedom through of the concept’s representation of sororidadeEsta dissertação de mestrado analisou a representação do imaginário feminino transmitido pela personagem fictícia Arlequina, originária da animação Batman: a série animada (1992), que se expandiu para os quadrinhos, jogos e cinema. Considerando o tempo de pesquisa e a relevância do objeto de estudo, o esforço se deu em observar suas diversas transformações desde sua origem até os dias atuais, considerando sua natureza transmídia, através da análise das principais e mais significativas mídias em que ela esteve presente. Para atingir tal objetivo, foi estudado o processo de modificações das representações das personagens femininas no gênero de super-heróis, identificando os contextos sócio-históricos que influenciaram essas transformações, utilizando principalmente Madrid (2016) e Oliveira (2007). Para a discussão voltada ao imaginário referente ao gênero, a análise se apoia principalmente nas obras de Durand (2002), referente aos conceitos de Imaginário Social; Beauvoir (2016), que discute sobre a imagem da mulher em vários âmbitos sociais, políticos e científicos; e Bourdieu (2002), sobre os elementos da Dominação Masculina. O método utilizado é a semiótica Peirceana, considerando os elementos sociais representados nas obras como índices. Os resultados mostraram grande foco na discussão em torno da violência doméstica, e a jornada enfrentada pela mulher para se libertar dos abusos, o que foi acontecendo com as modificações sociais conforme a mentalidade do público foi se transformando, no entanto, essa representação da violência sempre foi mostrada de forma crítica. A personagem está narrativamente em um triângulo principal, no qual transmite a interação da vítima com três representações diferentes do feminino e do masculino, sendo eles: O Coringa, enquanto o homem dominador que violenta; o Batman, enquanto o dominador que representa o papel protetor do pai, e Hera Venenosa, com quem faz o papel da mulher que guia a personagem para a total libertação através da representação do conceito de sororidade.Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2019-12-12T19:43:28Z No. of bitstreams: 1 Taynah Ibanez Barbosa2.pdf: 8314341 bytes, checksum: 5091c30e6564f6b6784e4eb14be9c59f (MD5)Made available in DSpace on 2019-12-12T19:43:28Z (GMT). No. of bitstreams: 1 Taynah Ibanez Barbosa2.pdf: 8314341 bytes, checksum: 5091c30e6564f6b6784e4eb14be9c59f (MD5) Previous issue date: 2019-09-23application/pdfporUniversidade Metodista de Sao PauloComunicacao SocialIMSBrasilComunicacao Social:Programa de Pos Graduacao em Comunicacao SocialImaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; SemióticaImaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; SemioticCIENCIAS SOCIAIS APLICADAS::COMUNICACAOAS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimentoOne Harley Quinn for Each Time: The female imaginary on the entertainment mediainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis4333470630449360357500500600-7662988059372876986-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da METODISTAinstname:Universidade Metodista de São Paulo (METODISTA)instacron:METODISTAORIGINALTaynah Ibanez Barbosa2.pdfTaynah Ibanez Barbosa2.pdfapplication/pdf8314341http://tede.metodista.br/jspui/bitstream/tede/1965/2/Taynah+Ibanez+Barbosa2.pdf5091c30e6564f6b6784e4eb14be9c59fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.metodista.br/jspui/bitstream/tede/1965/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/19652019-12-12 17:43:28.303oai:tahbit.umesp.edu.dti: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.metodista.br/jspui/http://tede.metodista.br/oai/requestbiblioteca@metodista.br||erick.roberto@metodista.bropendoar:2019-12-12T19:43:28Biblioteca Digital de Teses e Dissertações da METODISTA - Universidade Metodista de São Paulo (METODISTA)false |
dc.title.por.fl_str_mv |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
dc.title.alternative.eng.fl_str_mv |
One Harley Quinn for Each Time: The female imaginary on the entertainment media |
title |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
spellingShingle |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento BARBOSA, TAYNAH IBANEZ Imaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; Semiótica Imaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; Semiotic CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
title_full |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
title_fullStr |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
title_full_unstemmed |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
title_sort |
AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento |
author |
BARBOSA, TAYNAH IBANEZ |
author_facet |
BARBOSA, TAYNAH IBANEZ |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Passos, Mateus Yuri |
dc.contributor.referee1.fl_str_mv |
Chiachiri Filho , Antonio Roberto |
dc.contributor.referee2.fl_str_mv |
Boff , Elidiane de Oliveira |
dc.contributor.author.fl_str_mv |
BARBOSA, TAYNAH IBANEZ |
contributor_str_mv |
Passos, Mateus Yuri Chiachiri Filho , Antonio Roberto Boff , Elidiane de Oliveira |
dc.subject.por.fl_str_mv |
Imaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; Semiótica |
topic |
Imaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; Semiótica Imaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; Semiotic CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Imaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; Semiotic |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
The present study has as object the analysis of female imaginary’s representation transmitted by the fictional character Harley Quinn, originating from Batman: the animated series (1992), that expanded for the comics, games and cinema. With the character’s big popularity, and it’s considerably short time that enables an more punctual analysis, the intention of this dissertation is to find it’s many transformations since it’s origins until nowadays, considering it’s transmedia nature through the analysis of the principals and more significative medias that Harley Quinn was present. To achieve this goal, was studied the process of modifications of female characters’ representations of super-hero’s gender, identifying the socio-historical contexts that influenced those transformations, using mainly Madrid (2016) and Oliveira (2007). For the discussion about gender’s imaginary, the analysis sustains itself thanks to the studies of Durand (2002), referent to the concepts of Social Imaginary; Beauvoir (2016), that discuss about the woman’s image in many social, politc and cientific ambit; and Bourdieu (2002), about the elements of Male Domination. The method used is Peirce’s semiotics, considering the social elements represented in the medias as indexes. The results showed the big focus on the discussion about domestic violence, and the journey faced by women to get free from the abuses, what was happening with the social modifications while public’s mentality was changing, however, this representation of violence was always showed in a negative way by the characters creators. The character is narratively in a main triangle, wich transmits the interaction of victim with tree different representations of feminine and masculine, being them; The Joker while the dominator man that violents, The Batman whilw the dominator that represents the role of protective father, and Poison Ivy, with who did the role of woman who guides the character to total freedom through of the concept’s representation of sororidade |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-12-12T19:43:28Z |
dc.date.issued.fl_str_mv |
2019-09-23 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
BARBOSA, TAYNAH IBANEZ. AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento. 2019. 166. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo. |
dc.identifier.uri.fl_str_mv |
http://tede.metodista.br/jspui/handle/tede/1965 |
identifier_str_mv |
BARBOSA, TAYNAH IBANEZ. AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento. 2019. 166. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo. |
url |
http://tede.metodista.br/jspui/handle/tede/1965 |
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por |
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por |
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4333470630449360357 |
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500 500 600 |
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-4056021055502874573 |
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openAccess |
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Universidade Metodista de Sao Paulo |
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IMS |
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Brasil |
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Universidade Metodista de Sao Paulo |
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