AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento

Detalhes bibliográficos
Autor(a) principal: BARBOSA, TAYNAH IBANEZ
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da METODISTA
Texto Completo: http://tede.metodista.br/jspui/handle/tede/1965
Resumo: The present study has as object the analysis of female imaginary’s representation transmitted by the fictional character Harley Quinn, originating from Batman: the animated series (1992), that expanded for the comics, games and cinema. With the character’s big popularity, and it’s considerably short time that enables an more punctual analysis, the intention of this dissertation is to find it’s many transformations since it’s origins until nowadays, considering it’s transmedia nature through the analysis of the principals and more significative medias that Harley Quinn was present. To achieve this goal, was studied the process of modifications of female characters’ representations of super-hero’s gender, identifying the socio-historical contexts that influenced those transformations, using mainly Madrid (2016) and Oliveira (2007). For the discussion about gender’s imaginary, the analysis sustains itself thanks to the studies of Durand (2002), referent to the concepts of Social Imaginary; Beauvoir (2016), that discuss about the woman’s image in many social, politc and cientific ambit; and Bourdieu (2002), about the elements of Male Domination. The method used is Peirce’s semiotics, considering the social elements represented in the medias as indexes. The results showed the big focus on the discussion about domestic violence, and the journey faced by women to get free from the abuses, what was happening with the social modifications while public’s mentality was changing, however, this representation of violence was always showed in a negative way by the characters creators. The character is narratively in a main triangle, wich transmits the interaction of victim with tree different representations of feminine and masculine, being them; The Joker while the dominator man that violents, The Batman whilw the dominator that represents the role of protective father, and Poison Ivy, with who did the role of woman who guides the character to total freedom through of the concept’s representation of sororidade
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spelling Passos, Mateus YuriChiachiri Filho , Antonio RobertoBoff , Elidiane de OliveiraBARBOSA, TAYNAH IBANEZ2019-12-12T19:43:28Z2019-09-23BARBOSA, TAYNAH IBANEZ. AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento. 2019. 166. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo.http://tede.metodista.br/jspui/handle/tede/1965The present study has as object the analysis of female imaginary’s representation transmitted by the fictional character Harley Quinn, originating from Batman: the animated series (1992), that expanded for the comics, games and cinema. With the character’s big popularity, and it’s considerably short time that enables an more punctual analysis, the intention of this dissertation is to find it’s many transformations since it’s origins until nowadays, considering it’s transmedia nature through the analysis of the principals and more significative medias that Harley Quinn was present. To achieve this goal, was studied the process of modifications of female characters’ representations of super-hero’s gender, identifying the socio-historical contexts that influenced those transformations, using mainly Madrid (2016) and Oliveira (2007). For the discussion about gender’s imaginary, the analysis sustains itself thanks to the studies of Durand (2002), referent to the concepts of Social Imaginary; Beauvoir (2016), that discuss about the woman’s image in many social, politc and cientific ambit; and Bourdieu (2002), about the elements of Male Domination. The method used is Peirce’s semiotics, considering the social elements represented in the medias as indexes. The results showed the big focus on the discussion about domestic violence, and the journey faced by women to get free from the abuses, what was happening with the social modifications while public’s mentality was changing, however, this representation of violence was always showed in a negative way by the characters creators. The character is narratively in a main triangle, wich transmits the interaction of victim with tree different representations of feminine and masculine, being them; The Joker while the dominator man that violents, The Batman whilw the dominator that represents the role of protective father, and Poison Ivy, with who did the role of woman who guides the character to total freedom through of the concept’s representation of sororidadeEsta dissertação de mestrado analisou a representação do imaginário feminino transmitido pela personagem fictícia Arlequina, originária da animação Batman: a série animada (1992), que se expandiu para os quadrinhos, jogos e cinema. Considerando o tempo de pesquisa e a relevância do objeto de estudo, o esforço se deu em observar suas diversas transformações desde sua origem até os dias atuais, considerando sua natureza transmídia, através da análise das principais e mais significativas mídias em que ela esteve presente. Para atingir tal objetivo, foi estudado o processo de modificações das representações das personagens femininas no gênero de super-heróis, identificando os contextos sócio-históricos que influenciaram essas transformações, utilizando principalmente Madrid (2016) e Oliveira (2007). Para a discussão voltada ao imaginário referente ao gênero, a análise se apoia principalmente nas obras de Durand (2002), referente aos conceitos de Imaginário Social; Beauvoir (2016), que discute sobre a imagem da mulher em vários âmbitos sociais, políticos e científicos; e Bourdieu (2002), sobre os elementos da Dominação Masculina. O método utilizado é a semiótica Peirceana, considerando os elementos sociais representados nas obras como índices. Os resultados mostraram grande foco na discussão em torno da violência doméstica, e a jornada enfrentada pela mulher para se libertar dos abusos, o que foi acontecendo com as modificações sociais conforme a mentalidade do público foi se transformando, no entanto, essa representação da violência sempre foi mostrada de forma crítica. A personagem está narrativamente em um triângulo principal, no qual transmite a interação da vítima com três representações diferentes do feminino e do masculino, sendo eles: O Coringa, enquanto o homem dominador que violenta; o Batman, enquanto o dominador que representa o papel protetor do pai, e Hera Venenosa, com quem faz o papel da mulher que guia a personagem para a total libertação através da representação do conceito de sororidade.Submitted by Noeme Timbo (noeme.timbo@metodista.br) on 2019-12-12T19:43:28Z No. of bitstreams: 1 Taynah Ibanez Barbosa2.pdf: 8314341 bytes, checksum: 5091c30e6564f6b6784e4eb14be9c59f (MD5)Made available in DSpace on 2019-12-12T19:43:28Z (GMT). No. of bitstreams: 1 Taynah Ibanez Barbosa2.pdf: 8314341 bytes, checksum: 5091c30e6564f6b6784e4eb14be9c59f (MD5) Previous issue date: 2019-09-23application/pdfporUniversidade Metodista de Sao PauloComunicacao SocialIMSBrasilComunicacao Social:Programa de Pos Graduacao em Comunicacao SocialImaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; SemióticaImaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; SemioticCIENCIAS SOCIAIS APLICADAS::COMUNICACAOAS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimentoOne Harley Quinn for Each Time: The female imaginary on the entertainment mediainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis4333470630449360357500500600-7662988059372876986-4056021055502874573info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da METODISTAinstname:Universidade Metodista de São Paulo (METODISTA)instacron:METODISTAORIGINALTaynah Ibanez Barbosa2.pdfTaynah Ibanez Barbosa2.pdfapplication/pdf8314341http://tede.metodista.br/jspui/bitstream/tede/1965/2/Taynah+Ibanez+Barbosa2.pdf5091c30e6564f6b6784e4eb14be9c59fMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede.metodista.br/jspui/bitstream/tede/1965/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/19652019-12-12 17:43:28.303oai:tahbit.umesp.edu.dti: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede.metodista.br/jspui/http://tede.metodista.br/oai/requestbiblioteca@metodista.br||erick.roberto@metodista.bropendoar:2019-12-12T19:43:28Biblioteca Digital de Teses e Dissertações da METODISTA - Universidade Metodista de São Paulo (METODISTA)false
dc.title.por.fl_str_mv AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
dc.title.alternative.eng.fl_str_mv One Harley Quinn for Each Time: The female imaginary on the entertainment media
title AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
spellingShingle AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
BARBOSA, TAYNAH IBANEZ
Imaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; Semiótica
Imaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; Semiotic
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
title_full AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
title_fullStr AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
title_full_unstemmed AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
title_sort AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento
author BARBOSA, TAYNAH IBANEZ
author_facet BARBOSA, TAYNAH IBANEZ
author_role author
dc.contributor.advisor1.fl_str_mv Passos, Mateus Yuri
dc.contributor.referee1.fl_str_mv Chiachiri Filho , Antonio Roberto
dc.contributor.referee2.fl_str_mv Boff , Elidiane de Oliveira
dc.contributor.author.fl_str_mv BARBOSA, TAYNAH IBANEZ
contributor_str_mv Passos, Mateus Yuri
Chiachiri Filho , Antonio Roberto
Boff , Elidiane de Oliveira
dc.subject.por.fl_str_mv Imaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; Semiótica
topic Imaginário. Transmídia. Feminilidade; Dominação Masculina; Quadrinhos; Arlequina; Mulher; Comunicação; Semiótica
Imaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; Semiotic
CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Imaginary. Transmedia; Femininity; Male Domination; Comics. Harley Quinn; Woman; Comunication; Semiotic
dc.subject.cnpq.fl_str_mv CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description The present study has as object the analysis of female imaginary’s representation transmitted by the fictional character Harley Quinn, originating from Batman: the animated series (1992), that expanded for the comics, games and cinema. With the character’s big popularity, and it’s considerably short time that enables an more punctual analysis, the intention of this dissertation is to find it’s many transformations since it’s origins until nowadays, considering it’s transmedia nature through the analysis of the principals and more significative medias that Harley Quinn was present. To achieve this goal, was studied the process of modifications of female characters’ representations of super-hero’s gender, identifying the socio-historical contexts that influenced those transformations, using mainly Madrid (2016) and Oliveira (2007). For the discussion about gender’s imaginary, the analysis sustains itself thanks to the studies of Durand (2002), referent to the concepts of Social Imaginary; Beauvoir (2016), that discuss about the woman’s image in many social, politc and cientific ambit; and Bourdieu (2002), about the elements of Male Domination. The method used is Peirce’s semiotics, considering the social elements represented in the medias as indexes. The results showed the big focus on the discussion about domestic violence, and the journey faced by women to get free from the abuses, what was happening with the social modifications while public’s mentality was changing, however, this representation of violence was always showed in a negative way by the characters creators. The character is narratively in a main triangle, wich transmits the interaction of victim with tree different representations of feminine and masculine, being them; The Joker while the dominator man that violents, The Batman whilw the dominator that represents the role of protective father, and Poison Ivy, with who did the role of woman who guides the character to total freedom through of the concept’s representation of sororidade
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-12-12T19:43:28Z
dc.date.issued.fl_str_mv 2019-09-23
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.citation.fl_str_mv BARBOSA, TAYNAH IBANEZ. AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento. 2019. 166. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo.
dc.identifier.uri.fl_str_mv http://tede.metodista.br/jspui/handle/tede/1965
identifier_str_mv BARBOSA, TAYNAH IBANEZ. AS TRANSFORMAÇÕES DE ARLEQUINA: As representações do feminino nas mídias de entretenimento. 2019. 166. Dissertação( Comunicacao Social) - Universidade Metodista de Sao Paulo, Sao Bernardo do Campo.
url http://tede.metodista.br/jspui/handle/tede/1965
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dc.publisher.none.fl_str_mv Universidade Metodista de Sao Paulo
dc.publisher.program.fl_str_mv Comunicacao Social
dc.publisher.initials.fl_str_mv IMS
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Comunicacao Social:Programa de Pos Graduacao em Comunicacao Social
publisher.none.fl_str_mv Universidade Metodista de Sao Paulo
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