The promise of interactive audiovisual
Autor(a) principal: | |
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Data de Publicação: | 2007 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Transinformação (Online) |
Texto Completo: | https://periodicos.puc-campinas.edu.br/transinfo/article/view/6287 |
Resumo: | The productive chain of audiovisual uses the cultural capital, especially the creativity, as its main source of resources, inaugurating what is being called creative economy. This chain of value manufactures the inventivety as raw material, transforming ideas into objects of consumption of wide scale. The television industry is inserted in a bigger conglomerate of industries, such as fashion, arts, music, etc. This gigantic technological park congregates the activities that hold the creation as a value, its production in scale as a means, and the increment of the intellectual property as an end in itself. Little by little the industrialization of the creativity is modifying the theoretical body regarding what's thought about work relations, the tools and, above all, the concept of properties as product of intelligence. |
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The promise of interactive audiovisualA promessa do audiovisual interativocreative industriesdigital audiovisualinteractive televisionproductive chainindústrias criativasaudiovisual digitaltelevisão interativacadeia produtivaThe productive chain of audiovisual uses the cultural capital, especially the creativity, as its main source of resources, inaugurating what is being called creative economy. This chain of value manufactures the inventivety as raw material, transforming ideas into objects of consumption of wide scale. The television industry is inserted in a bigger conglomerate of industries, such as fashion, arts, music, etc. This gigantic technological park congregates the activities that hold the creation as a value, its production in scale as a means, and the increment of the intellectual property as an end in itself. Little by little the industrialization of the creativity is modifying the theoretical body regarding what's thought about work relations, the tools and, above all, the concept of properties as product of intelligence.A cadeia produtiva do audiovisual utiliza o capital cultural, especialmente a criatividade, como sua principal fonte de recursos, inaugurando o que se vem chamando de economia criativa. Essa cadeia de valor manufatura a inventividade como matéria-prima, transformado idéias em objetos de consumo de larga escala. A indústria da televisão está inserida num conglomerado maior de indústrias, como a da moda, das artes, da música etc. Esse gigantesco parque tecnológico reúne as atividades que têm a criação como valor, sua produção em escala como meio e o incremento da propriedade intelectual como fim em si mesmo. A industrialização da criatividade, aos poucos, está alterando o corpo teórico acerca do que se pensa sobre as relações de trabalho, as ferramentas e, acima de tudo, o conceito de bens como produto da inteligência.Núcleo de Editoração - PUC-Campinas2007-11-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.puc-campinas.edu.br/transinfo/article/view/6287Transinformação; Vol. 19 No. 3 (2007)Transinformação; Vol. 19 Núm. 3 (2007)Transinformação; v. 19 n. 3 (2007)2318-08890103-3786reponame:Transinformação (Online)instname:Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)instacron:PUC_CAMPporhttps://periodicos.puc-campinas.edu.br/transinfo/article/view/6287/3986Copyright (c) 2022 Transinformaçãohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBaptista Winck, João 2024-04-01T12:20:06Zoai:ojs.periodicos.puc-campinas.edu.br:article/6287Revistahttp://periodicos.puc-campinas.edu.br/seer/index.php/transinfo/indexPRIhttps://old.scielo.br/oai/scielo-oai.phpsbi.nucleodeeditoracao@puc-campinas.edu.br2318-08890103-3786opendoar:2024-04-01T12:20:06Transinformação (Online) - Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)false |
dc.title.none.fl_str_mv |
The promise of interactive audiovisual A promessa do audiovisual interativo |
title |
The promise of interactive audiovisual |
spellingShingle |
The promise of interactive audiovisual Baptista Winck, João creative industries digital audiovisual interactive television productive chain indústrias criativas audiovisual digital televisão interativa cadeia produtiva |
title_short |
The promise of interactive audiovisual |
title_full |
The promise of interactive audiovisual |
title_fullStr |
The promise of interactive audiovisual |
title_full_unstemmed |
The promise of interactive audiovisual |
title_sort |
The promise of interactive audiovisual |
author |
Baptista Winck, João |
author_facet |
Baptista Winck, João |
author_role |
author |
dc.contributor.author.fl_str_mv |
Baptista Winck, João |
dc.subject.por.fl_str_mv |
creative industries digital audiovisual interactive television productive chain indústrias criativas audiovisual digital televisão interativa cadeia produtiva |
topic |
creative industries digital audiovisual interactive television productive chain indústrias criativas audiovisual digital televisão interativa cadeia produtiva |
description |
The productive chain of audiovisual uses the cultural capital, especially the creativity, as its main source of resources, inaugurating what is being called creative economy. This chain of value manufactures the inventivety as raw material, transforming ideas into objects of consumption of wide scale. The television industry is inserted in a bigger conglomerate of industries, such as fashion, arts, music, etc. This gigantic technological park congregates the activities that hold the creation as a value, its production in scale as a means, and the increment of the intellectual property as an end in itself. Little by little the industrialization of the creativity is modifying the theoretical body regarding what's thought about work relations, the tools and, above all, the concept of properties as product of intelligence. |
publishDate |
2007 |
dc.date.none.fl_str_mv |
2007-11-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.puc-campinas.edu.br/transinfo/article/view/6287 |
url |
https://periodicos.puc-campinas.edu.br/transinfo/article/view/6287 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.puc-campinas.edu.br/transinfo/article/view/6287/3986 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Transinformação https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Transinformação https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Núcleo de Editoração - PUC-Campinas |
publisher.none.fl_str_mv |
Núcleo de Editoração - PUC-Campinas |
dc.source.none.fl_str_mv |
Transinformação; Vol. 19 No. 3 (2007) Transinformação; Vol. 19 Núm. 3 (2007) Transinformação; v. 19 n. 3 (2007) 2318-0889 0103-3786 reponame:Transinformação (Online) instname:Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) instacron:PUC_CAMP |
instname_str |
Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) |
instacron_str |
PUC_CAMP |
institution |
PUC_CAMP |
reponame_str |
Transinformação (Online) |
collection |
Transinformação (Online) |
repository.name.fl_str_mv |
Transinformação (Online) - Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS) |
repository.mail.fl_str_mv |
sbi.nucleodeeditoracao@puc-campinas.edu.br |
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1799125986106671104 |