The social dimension of musical genres: why commercial and non-commercial classification systems vary

Detalhes bibliográficos
Autor(a) principal: Rose Marie SANTINI
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Transinformação (Online)
Texto Completo: https://periodicos.puc-campinas.edu.br/transinfo/article/view/10444
Resumo: The aim of the paper was to analyze the col/aborative development of classification systems in the fie/d of popular music and discuss how they may differ from those established and guided by the music •ndustry so far. Therefore, we compare the collaborative classification of mus;c that emerges on the Internet with that used by the Phono9raphic lndustry based on the data collected at two websites: Last.fm and AIIMJsic. Through this comparison we found differences between the c/assification cnteria used by users and the commercia/ principies of c/assification found in the catalogues of record labels and music publishers. The results indica te adisuepancy between the uiteria used by the industry to classify artists who belong to the some musical genre and/or market segment, and those associated by the users ,md actual/y perceived, appreciated and consumed by this public.
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spelling The social dimension of musical genres: why commercial and non-commercial classification systems vary As dimensões sociais dos gêneros musicais: porque os sistemas de classificação comercial e não comercial variamCollaborative classificationPhonographic industryPopular musicClassification systemsClassificação colaborativaIndústria fonográficaMúsica popular Sistemas de classificaçãoThe aim of the paper was to analyze the col/aborative development of classification systems in the fie/d of popular music and discuss how they may differ from those established and guided by the music •ndustry so far. Therefore, we compare the collaborative classification of mus;c that emerges on the Internet with that used by the Phono9raphic lndustry based on the data collected at two websites: Last.fm and AIIMJsic. Through this comparison we found differences between the c/assification cnteria used by users and the commercia/ principies of c/assification found in the catalogues of record labels and music publishers. The results indica te adisuepancy between the uiteria used by the industry to classify artists who belong to the some musical genre and/or market segment, and those associated by the users ,md actual/y perceived, appreciated and consumed by this public.O objetivo do artigo é analisar a construção colaborativa de sistemas de classificação no campo da música popular e discutir de que forma podem diferir daqueles enunciados e orientados pela indústria da música até então. Portanto, comparou-se a classificação colaborativa da música popular que emerge na Internet com aquela utilizada pela Indústria Fonográfica, a partir de dados coletados em dois websites: Last.fm e Al!Music. A partir dessa comparação, verificou-se as diferenças existentes entre os critérios de classificação utilizados pelos usuários e os prircípios comerciais de classificação encontrados nos ca:álogos das gravadoras e editores musicais. Os resultados encontrados apontam para uma discrepância entre os critérios utilizados pela Indústria para classificar artistas pertencentes a um mesmo gênero musical e/ou segmento de mercado e aqueles associados pelos usuários e realmente percebidos, apreciados e consumidos por um mesmo público.Núcleo de Editoração - PUC-Campinas2013-05-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtículo revisado por paresAvaliado pelos Paresapplication/pdfhttps://periodicos.puc-campinas.edu.br/transinfo/article/view/10444Transinformação; Vol. 25 No. 2 (2013)Transinformação; Vol. 25 Núm. 2 (2013)Transinformação; v. 25 n. 2 (2013)2318-08890103-3786reponame:Transinformação (Online)instname:Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)instacron:PUC_CAMPporhttps://periodicos.puc-campinas.edu.br/transinfo/article/view/10444/7813Copyright (c) 2023 Transinformaçãohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRose Marie SANTINI2024-04-01T14:19:43Zoai:ojs.periodicos.puc-campinas.edu.br:article/10444Revistahttp://periodicos.puc-campinas.edu.br/seer/index.php/transinfo/indexPRIhttps://old.scielo.br/oai/scielo-oai.phpsbi.nucleodeeditoracao@puc-campinas.edu.br2318-08890103-3786opendoar:2024-04-01T14:19:43Transinformação (Online) - Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)false
dc.title.none.fl_str_mv The social dimension of musical genres: why commercial and non-commercial classification systems vary
As dimensões sociais dos gêneros musicais: porque os sistemas de classificação comercial e não comercial variam
title The social dimension of musical genres: why commercial and non-commercial classification systems vary
spellingShingle The social dimension of musical genres: why commercial and non-commercial classification systems vary
Rose Marie SANTINI
Collaborative classification
Phonographic industry
Popular music
Classification systems
Classificação colaborativa
Indústria fonográfica
Música popular
Sistemas de classificação
title_short The social dimension of musical genres: why commercial and non-commercial classification systems vary
title_full The social dimension of musical genres: why commercial and non-commercial classification systems vary
title_fullStr The social dimension of musical genres: why commercial and non-commercial classification systems vary
title_full_unstemmed The social dimension of musical genres: why commercial and non-commercial classification systems vary
title_sort The social dimension of musical genres: why commercial and non-commercial classification systems vary
author Rose Marie SANTINI
author_facet Rose Marie SANTINI
author_role author
dc.contributor.author.fl_str_mv Rose Marie SANTINI
dc.subject.por.fl_str_mv Collaborative classification
Phonographic industry
Popular music
Classification systems
Classificação colaborativa
Indústria fonográfica
Música popular
Sistemas de classificação
topic Collaborative classification
Phonographic industry
Popular music
Classification systems
Classificação colaborativa
Indústria fonográfica
Música popular
Sistemas de classificação
description The aim of the paper was to analyze the col/aborative development of classification systems in the fie/d of popular music and discuss how they may differ from those established and guided by the music •ndustry so far. Therefore, we compare the collaborative classification of mus;c that emerges on the Internet with that used by the Phono9raphic lndustry based on the data collected at two websites: Last.fm and AIIMJsic. Through this comparison we found differences between the c/assification cnteria used by users and the commercia/ principies of c/assification found in the catalogues of record labels and music publishers. The results indica te adisuepancy between the uiteria used by the industry to classify artists who belong to the some musical genre and/or market segment, and those associated by the users ,md actual/y perceived, appreciated and consumed by this public.
publishDate 2013
dc.date.none.fl_str_mv 2013-05-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
Artículo revisado por pares
Avaliado pelos Pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.puc-campinas.edu.br/transinfo/article/view/10444
url https://periodicos.puc-campinas.edu.br/transinfo/article/view/10444
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.puc-campinas.edu.br/transinfo/article/view/10444/7813
dc.rights.driver.fl_str_mv Copyright (c) 2023 Transinformação
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Transinformação
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Núcleo de Editoração - PUC-Campinas
publisher.none.fl_str_mv Núcleo de Editoração - PUC-Campinas
dc.source.none.fl_str_mv Transinformação; Vol. 25 No. 2 (2013)
Transinformação; Vol. 25 Núm. 2 (2013)
Transinformação; v. 25 n. 2 (2013)
2318-0889
0103-3786
reponame:Transinformação (Online)
instname:Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)
instacron:PUC_CAMP
instname_str Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)
instacron_str PUC_CAMP
institution PUC_CAMP
reponame_str Transinformação (Online)
collection Transinformação (Online)
repository.name.fl_str_mv Transinformação (Online) - Pontifícia Universidade Católica de Campinas (PUC-CAMPINAS)
repository.mail.fl_str_mv sbi.nucleodeeditoracao@puc-campinas.edu.br
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