Reading, Writing, Living, and Feeling:
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Scripta |
Texto Completo: | http://periodicos.pucminas.br/index.php/scripta/article/view/28241 |
Resumo: | This article presents a discussion of the literary fragment and introduces the work of Olivia Dresher, an American anthologist, musician, and diarist, who has adopted Twitter as support for her intimate writings as of 2009. This preamble works as background to the exclusive interview with the writer reproduced here, through which we learn about Dresher’s formative years, her thoughts about the fragment, and the implications of writing on social media. The article highlights the relationship between fragmentary writing and modernity, and addresses the challenges underlying the analysis of fragments, which includes the very flexibility of these texts (which may take on a variety of forms), as well as the question of autobiography, as these productions are often of a personal, intimate nature. Olivia Dresher’s writings and anthologies – A silence of words (2019), In pieces: an anthology of fragmentary writing (2006), and Darkness and light: private writing as art (2000) – as well as works by theorists and critics such as Gerald L. Bruns, Philip Beitchman, and Leonor Arfuch have provided support for this study and for the presentation of Olivia’s thoughts in the interview. |
id |
PUC_MINS-6_aa02f9b320bfacdd9f49ac1efedb713e |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/28241 |
network_acronym_str |
PUC_MINS-6 |
network_name_str |
Revista Scripta |
repository_id_str |
|
spelling |
Reading, Writing, Living, and Feeling:Ler, escrever, viver e sentir: uma entrevista com Olivia Dresher sobre o fragmento literárioLer, escrever, viver e sentir: uma entrevista com Olivia Dresher sobre o fragmento literárioReading, Writing, Living, and Feeling: an Interview With Olivia Dresher on the Literary FragmentFragmento literárioOlívia DresherEntrevistaModernidadeliterary fragmentOlivia Dresherinterviewmodernityprivate writingThis article presents a discussion of the literary fragment and introduces the work of Olivia Dresher, an American anthologist, musician, and diarist, who has adopted Twitter as support for her intimate writings as of 2009. This preamble works as background to the exclusive interview with the writer reproduced here, through which we learn about Dresher’s formative years, her thoughts about the fragment, and the implications of writing on social media. The article highlights the relationship between fragmentary writing and modernity, and addresses the challenges underlying the analysis of fragments, which includes the very flexibility of these texts (which may take on a variety of forms), as well as the question of autobiography, as these productions are often of a personal, intimate nature. Olivia Dresher’s writings and anthologies – A silence of words (2019), In pieces: an anthology of fragmentary writing (2006), and Darkness and light: private writing as art (2000) – as well as works by theorists and critics such as Gerald L. Bruns, Philip Beitchman, and Leonor Arfuch have provided support for this study and for the presentation of Olivia’s thoughts in the interview.Este artigo apresenta uma discussão sobre o fragmento literário e introduz a obra de Oliva Dresher, antologista, musicista e diarista norte-americana, que adotou o Twitter como suporte para seus escrítos íntimos a partir de 2009. Esse preâmbulo funciona como pano de fundo para a entrevista inédita com a escritora reproduzida aqui, por meio da qual aprendemos sobre seus anos de formação, seus pensamentos sobre o fragmento e as implicações de se escrever em mídias socias. O artigo destaca a relação entre a escrita fragmentária e a modernidade e aborda os desafios subjacentes à análise de fragmentos, o que inclui a própria flexibilidade desses textos (que podem assumir diversas formas), e a questão da autobiografia, uma vez que essas produções são frequentemente de natureza íntima e pessoal. As antologias de Olivia Dresher – A silence of words (2019); In pieces: an anthology of fragmentary writing (2006), and Darkness and light: private writing as art (2000) – além de trabalhos de teóricos e críticos como Gerald L. Bruns, Philip Beitchman e Leonor Arfuch forneceram o suporte para a pesquisa realizada e para a apresentação dos pensamentos de Olivia na entrevista.PUC Minas2022-11-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresAvaliado pelos paresAvaliado pelos paresAvaliado pelos paresapplication/pdfhttp://periodicos.pucminas.br/index.php/scripta/article/view/2824110.5752/P.2358-3428.2022v26n56p102-112Scripta; Vol 26 No 56 (2022): Leituras, releituras e desleituras; 102-112Scripta; v. 26 n. 56 (2022): Leituras, releituras e desleituras; 102-1122358-34281516-4039reponame:Revista Scriptainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/scripta/article/view/28241/20232Copyright (c) 2022 Editora PUC Minashttp://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessCáffaro, GeraldoCorrea, LeonardoLee, Henrique de Oliveira2022-11-29T09:50:17Zoai:ojs.pkp.sfu.ca:article/28241Revistahttp://periodicos.pucminas.br/index.php/scripta/userhttp://periodicos.pucminas.br/index.php/scripta/oai||cespuc@pucminas.br2358-34281516-4039opendoar:2022-11-29T09:50:17Revista Scripta - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
Reading, Writing, Living, and Feeling: Ler, escrever, viver e sentir: uma entrevista com Olivia Dresher sobre o fragmento literário Ler, escrever, viver e sentir: uma entrevista com Olivia Dresher sobre o fragmento literário Reading, Writing, Living, and Feeling: an Interview With Olivia Dresher on the Literary Fragment |
title |
Reading, Writing, Living, and Feeling: |
spellingShingle |
Reading, Writing, Living, and Feeling: Cáffaro, Geraldo Fragmento literário Olívia Dresher Entrevista Modernidade literary fragment Olivia Dresher interview modernity private writing |
title_short |
Reading, Writing, Living, and Feeling: |
title_full |
Reading, Writing, Living, and Feeling: |
title_fullStr |
Reading, Writing, Living, and Feeling: |
title_full_unstemmed |
Reading, Writing, Living, and Feeling: |
title_sort |
Reading, Writing, Living, and Feeling: |
author |
Cáffaro, Geraldo |
author_facet |
Cáffaro, Geraldo Correa, Leonardo Lee, Henrique de Oliveira |
author_role |
author |
author2 |
Correa, Leonardo Lee, Henrique de Oliveira |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Cáffaro, Geraldo Correa, Leonardo Lee, Henrique de Oliveira |
dc.subject.por.fl_str_mv |
Fragmento literário Olívia Dresher Entrevista Modernidade literary fragment Olivia Dresher interview modernity private writing |
topic |
Fragmento literário Olívia Dresher Entrevista Modernidade literary fragment Olivia Dresher interview modernity private writing |
description |
This article presents a discussion of the literary fragment and introduces the work of Olivia Dresher, an American anthologist, musician, and diarist, who has adopted Twitter as support for her intimate writings as of 2009. This preamble works as background to the exclusive interview with the writer reproduced here, through which we learn about Dresher’s formative years, her thoughts about the fragment, and the implications of writing on social media. The article highlights the relationship between fragmentary writing and modernity, and addresses the challenges underlying the analysis of fragments, which includes the very flexibility of these texts (which may take on a variety of forms), as well as the question of autobiography, as these productions are often of a personal, intimate nature. Olivia Dresher’s writings and anthologies – A silence of words (2019), In pieces: an anthology of fragmentary writing (2006), and Darkness and light: private writing as art (2000) – as well as works by theorists and critics such as Gerald L. Bruns, Philip Beitchman, and Leonor Arfuch have provided support for this study and for the presentation of Olivia’s thoughts in the interview. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares Avaliado pelos pares Avaliado pelos pares Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/scripta/article/view/28241 10.5752/P.2358-3428.2022v26n56p102-112 |
url |
http://periodicos.pucminas.br/index.php/scripta/article/view/28241 |
identifier_str_mv |
10.5752/P.2358-3428.2022v26n56p102-112 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/scripta/article/view/28241/20232 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Editora PUC Minas http://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Editora PUC Minas http://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
PUC Minas |
publisher.none.fl_str_mv |
PUC Minas |
dc.source.none.fl_str_mv |
Scripta; Vol 26 No 56 (2022): Leituras, releituras e desleituras; 102-112 Scripta; v. 26 n. 56 (2022): Leituras, releituras e desleituras; 102-112 2358-3428 1516-4039 reponame:Revista Scripta instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Revista Scripta |
collection |
Revista Scripta |
repository.name.fl_str_mv |
Revista Scripta - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
||cespuc@pucminas.br |
_version_ |
1798329532215721984 |