Ethos e vozeamentos

Detalhes bibliográficos
Autor(a) principal: Gomes, Fernanda Santana
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos CESPUC de Pesquisa
Texto Completo: http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/24164
Resumo: The study consists of a discursive analysis of the song Letter to Mother Africa, by Genival Oliveira Gonçalves. With a prominent social criticism, the discourse refers to the racism of yesterday and today and to the slavery of the black population that happened in the past of our country, but which at present still shows its marks of oppression and violation of human rights. The main objective is to examine how the discursive ethos of the enunciator is constituted. It seeks to capture the linguistic-discursive aspects of the text such as interdiscursivity, processes of metaphorization, antithetical and semiotic games, discursive responsiveness, construction, mobilization and projection of the discursive ethos. The study is based mainly on Bakhtin's (2002, 2003, 2014) theoretical conceptions about dialogism and polyphony and on the notions of ethos coined by Aristotle (2015) and Maingueneau (2008a, 2008b). Proceeding to the analysis, it became possible to perceive the discursive activity of the enunciator, to observe how he positions him enunciatively, establishing and articulating dialogical movements, in order to mobilize the audience and to legitimize his discourse. Thus, it was possible to perceive how the construction and projection of his discursive ethos takes place.
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spelling Ethos e vozeamentosEthos e vozeamentosEthosDialogismPolyphonyAlterityDiscursive responsivenessEthosDialogismoPolifoniaAlteridadeResponsividade discursivaThe study consists of a discursive analysis of the song Letter to Mother Africa, by Genival Oliveira Gonçalves. With a prominent social criticism, the discourse refers to the racism of yesterday and today and to the slavery of the black population that happened in the past of our country, but which at present still shows its marks of oppression and violation of human rights. The main objective is to examine how the discursive ethos of the enunciator is constituted. It seeks to capture the linguistic-discursive aspects of the text such as interdiscursivity, processes of metaphorization, antithetical and semiotic games, discursive responsiveness, construction, mobilization and projection of the discursive ethos. The study is based mainly on Bakhtin's (2002, 2003, 2014) theoretical conceptions about dialogism and polyphony and on the notions of ethos coined by Aristotle (2015) and Maingueneau (2008a, 2008b). Proceeding to the analysis, it became possible to perceive the discursive activity of the enunciator, to observe how he positions him enunciatively, establishing and articulating dialogical movements, in order to mobilize the audience and to legitimize his discourse. Thus, it was possible to perceive how the construction and projection of his discursive ethos takes place.O estudo consiste em uma análise discursiva da música Carta à mãe África, de Genival Oliveira Gonçalves. Com proeminente teor crítico social, o discurso remete ao racismo, de ontem e hoje, e à escravidão do negro ocorrida no passado de nosso país, mas que no presente ainda deixa transparecer marcas de opressão e violação dos direitos humanos. O principal objetivo é examinar como se constitui o ethos discursivo do enunciador. Dessa forma, busca flagrar os aspectos linguístico-discursivos do texto como interdiscursividade, processos de metaforização, jogos antitéticos e semióticos, responsividade discursiva, ativação de auditórios e construção, mobilização e projeção do ethos discursivo. O estudo baseia-se, principalmente, nas concepções teóricas de Bakhtin (2002, 2003, 2014) sobre dialogismo e polifonia e nas noções de ethos cunhadas por Aristóteles (2015) e Maingueneau (2008a, 2008b). Procedendo à análise, tornou-se possível perceber a atividade discursiva do enunciador, observar como se posiciona enunciativamente, instaurando e articulando movimentos dialógicos, a fim de mobilizar o auditório e legitimar o seu discurso. Sendo assim, foi possível perceber como se dá a construção e projeção do seu ethos discursivo.Editora PUC Minas2020-12-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2416410.5752/P.2358-3231.2020n37p45-65Cadernos CESPUC de Pesquisa Série Ensaios; n. 37 (2020): Dialogicidade e heterogeneidade das e nas práticas da linguagem; 45-652358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/24164/17547Copyright (c) 2020 Cadernos CESPUC de Pesquisa Série Ensaioshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessGomes, Fernanda Santana2021-01-08T10:49:45Zoai:ojs.pkp.sfu.ca:article/24164Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2021-01-08T10:49:45Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false
dc.title.none.fl_str_mv Ethos e vozeamentos
Ethos e vozeamentos
title Ethos e vozeamentos
spellingShingle Ethos e vozeamentos
Gomes, Fernanda Santana
Ethos
Dialogism
Polyphony
Alterity
Discursive responsiveness
Ethos
Dialogismo
Polifonia
Alteridade
Responsividade discursiva
title_short Ethos e vozeamentos
title_full Ethos e vozeamentos
title_fullStr Ethos e vozeamentos
title_full_unstemmed Ethos e vozeamentos
title_sort Ethos e vozeamentos
author Gomes, Fernanda Santana
author_facet Gomes, Fernanda Santana
author_role author
dc.contributor.author.fl_str_mv Gomes, Fernanda Santana
dc.subject.por.fl_str_mv Ethos
Dialogism
Polyphony
Alterity
Discursive responsiveness
Ethos
Dialogismo
Polifonia
Alteridade
Responsividade discursiva
topic Ethos
Dialogism
Polyphony
Alterity
Discursive responsiveness
Ethos
Dialogismo
Polifonia
Alteridade
Responsividade discursiva
description The study consists of a discursive analysis of the song Letter to Mother Africa, by Genival Oliveira Gonçalves. With a prominent social criticism, the discourse refers to the racism of yesterday and today and to the slavery of the black population that happened in the past of our country, but which at present still shows its marks of oppression and violation of human rights. The main objective is to examine how the discursive ethos of the enunciator is constituted. It seeks to capture the linguistic-discursive aspects of the text such as interdiscursivity, processes of metaphorization, antithetical and semiotic games, discursive responsiveness, construction, mobilization and projection of the discursive ethos. The study is based mainly on Bakhtin's (2002, 2003, 2014) theoretical conceptions about dialogism and polyphony and on the notions of ethos coined by Aristotle (2015) and Maingueneau (2008a, 2008b). Proceeding to the analysis, it became possible to perceive the discursive activity of the enunciator, to observe how he positions him enunciatively, establishing and articulating dialogical movements, in order to mobilize the audience and to legitimize his discourse. Thus, it was possible to perceive how the construction and projection of his discursive ethos takes place.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
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dc.identifier.uri.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/24164
10.5752/P.2358-3231.2020n37p45-65
url http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/24164
identifier_str_mv 10.5752/P.2358-3231.2020n37p45-65
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/24164/17547
dc.rights.driver.fl_str_mv Copyright (c) 2020 Cadernos CESPUC de Pesquisa Série Ensaios
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Cadernos CESPUC de Pesquisa Série Ensaios
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora PUC Minas
publisher.none.fl_str_mv Editora PUC Minas
dc.source.none.fl_str_mv Cadernos CESPUC de Pesquisa Série Ensaios; n. 37 (2020): Dialogicidade e heterogeneidade das e nas práticas da linguagem; 45-65
2358-3231
reponame:Cadernos CESPUC de Pesquisa
instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
instacron:PUC_MINS
instname_str Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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reponame_str Cadernos CESPUC de Pesquisa
collection Cadernos CESPUC de Pesquisa
repository.name.fl_str_mv Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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