Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28521 |
Resumo: | This article aims to analyze the novel "O homem duplicado", by José Saramago, and its film adaptation, entitled "Enemy", by Denis Villeneuve, and the different conceptions of love present in both novel and film. The article follows a line of reasoning that understands novel and film with isonomy, without creating a hierarchical relationship between the original work and the adaptation. Thus, the film director is understood with the same authorial power as a literary author, with the freedom to alter the source material as he finds it necessary so his worldview is present in the final product. |
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Love and adaptation in “O homem duplicado, by Denis Villeneuve and José SaramagoAmor e adaptação em “O homem duplicado”, de Denis Villeneuve e José SaramagoAdaptation. Literature. Cinema. Love. Saramago.AdaptationLiteraturaCinemaLoveSaramagoAdaptaçãoLiteraturaCinemaAmorSaramagoThis article aims to analyze the novel "O homem duplicado", by José Saramago, and its film adaptation, entitled "Enemy", by Denis Villeneuve, and the different conceptions of love present in both novel and film. The article follows a line of reasoning that understands novel and film with isonomy, without creating a hierarchical relationship between the original work and the adaptation. Thus, the film director is understood with the same authorial power as a literary author, with the freedom to alter the source material as he finds it necessary so his worldview is present in the final product.O presente artigo tem o intuito de analisar a obra “O homem duplicado”, de José Saramago, e sua adaptação para o cinema, intitulada “Enemy”, de Denis Villeneuve, e as diferentes concepções de amor presentes nas obras. O trabalho segue uma linha de raciocínio que entende a obra romanesca e fílmica com isonomia sem que se construa uma relação hierárquica entre obra de origem e adaptação. Desse modo, entende-se o diretor de cinema no mesmo patamar autoral de um autor literário, com a liberdade de alterar o material de origem conforme julgar necessário para que sua visão de mundo esteja presente na obra.Editora PUC Minas2022-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2852110.5752/P.2358-3231.2022n40p86-106Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 86-1062358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28521/20052Copyright (c) 2022 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessTeixeira, Frederico2022-09-21T18:44:15Zoai:ojs.pkp.sfu.ca:article/28521Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2022-09-21T18:44:15Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago Amor e adaptação em “O homem duplicado”, de Denis Villeneuve e José Saramago |
title |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago |
spellingShingle |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago Teixeira, Frederico Adaptation. Literature. Cinema. Love. Saramago. Adaptation Literatura Cinema Love Saramago Adaptação Literatura Cinema Amor Saramago |
title_short |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago |
title_full |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago |
title_fullStr |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago |
title_full_unstemmed |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago |
title_sort |
Love and adaptation in “O homem duplicado, by Denis Villeneuve and José Saramago |
author |
Teixeira, Frederico |
author_facet |
Teixeira, Frederico |
author_role |
author |
dc.contributor.author.fl_str_mv |
Teixeira, Frederico |
dc.subject.por.fl_str_mv |
Adaptation. Literature. Cinema. Love. Saramago. Adaptation Literatura Cinema Love Saramago Adaptação Literatura Cinema Amor Saramago |
topic |
Adaptation. Literature. Cinema. Love. Saramago. Adaptation Literatura Cinema Love Saramago Adaptação Literatura Cinema Amor Saramago |
description |
This article aims to analyze the novel "O homem duplicado", by José Saramago, and its film adaptation, entitled "Enemy", by Denis Villeneuve, and the different conceptions of love present in both novel and film. The article follows a line of reasoning that understands novel and film with isonomy, without creating a hierarchical relationship between the original work and the adaptation. Thus, the film director is understood with the same authorial power as a literary author, with the freedom to alter the source material as he finds it necessary so his worldview is present in the final product. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28521 10.5752/P.2358-3231.2022n40p86-106 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28521 |
identifier_str_mv |
10.5752/P.2358-3231.2022n40p86-106 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28521/20052 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 86-106 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
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1798329686739124224 |