WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28528 |
Resumo: | The present work aims to carry out an analysis of the chronicle “Without an arm in hell”, present in the book, A baggage of the traveler (2017), by the Portuguese author, José Saramago, through the use of the concept of irony as a recognition of impotence. of the subject for himself, coined by Gyorgy Lukács, in his work Theory of the novel (2009). Our intention, therefore, starts from the assumption of revealing how, the author, makes use of this figure of speech, to represent the discontent of the protagonist subject through the finite character of human life, making use of an allegorical margin of interpretation of the concept, in order to incorporate irony as a character in his fiction. |
id |
PUC_MINS-7_c8d5a6473163c1f5b495cca3f93e08af |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/28528 |
network_acronym_str |
PUC_MINS-7 |
network_name_str |
Cadernos CESPUC de Pesquisa |
repository_id_str |
|
spelling |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGOA escrita enquanto inferno: SubjectIronyEpicRomanceSujeitoIroniaÉpicaRomanceThe present work aims to carry out an analysis of the chronicle “Without an arm in hell”, present in the book, A baggage of the traveler (2017), by the Portuguese author, José Saramago, through the use of the concept of irony as a recognition of impotence. of the subject for himself, coined by Gyorgy Lukács, in his work Theory of the novel (2009). Our intention, therefore, starts from the assumption of revealing how, the author, makes use of this figure of speech, to represent the discontent of the protagonist subject through the finite character of human life, making use of an allegorical margin of interpretation of the concept, in order to incorporate irony as a character in his fiction. O presente trabalho, tem por objetivo, realizar uma análise da crônica “Sem um braço no inferno”, presente no livro, A bagagem do viajante (2017), do autor português, José Saramago, através do uso conceito de ironia enquanto reconhecimento da impotência do sujeito por si mesmo, cunhado por Gyorgy Lukács, em sua obra Teoria do Romance (2009). Nossa intenção, portanto, parte do pressuposto de revelar o como, o autor, faz o uso desta figura de linguagem, para representar o descontentamento do sujeito protagonista mediante ao caráter finito da vida humana, fazendo uso de uma margem alegórica de interpretação do conceito, de modo a incorporar a ironia enquanto personagem em sua ficção.Editora PUC Minas2022-09-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2852810.5752/P.2358-3231.2022n40p38-51Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 38-512358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28528/20049Copyright (c) 2022 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessPapke, Isabela Padilha2022-09-21T18:44:23Zoai:ojs.pkp.sfu.ca:article/28528Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2022-09-21T18:44:23Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO A escrita enquanto inferno: |
title |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO |
spellingShingle |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO Papke, Isabela Padilha Subject Irony Epic Romance Sujeito Ironia Épica Romance |
title_short |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO |
title_full |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO |
title_fullStr |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO |
title_full_unstemmed |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO |
title_sort |
WITHOUT AN ARM IN PARADISE? REFLECTIONS ON THE LUKÁCSIAN IRONY IN JOSÉ SARAMAGO |
author |
Papke, Isabela Padilha |
author_facet |
Papke, Isabela Padilha |
author_role |
author |
dc.contributor.author.fl_str_mv |
Papke, Isabela Padilha |
dc.subject.por.fl_str_mv |
Subject Irony Epic Romance Sujeito Ironia Épica Romance |
topic |
Subject Irony Epic Romance Sujeito Ironia Épica Romance |
description |
The present work aims to carry out an analysis of the chronicle “Without an arm in hell”, present in the book, A baggage of the traveler (2017), by the Portuguese author, José Saramago, through the use of the concept of irony as a recognition of impotence. of the subject for himself, coined by Gyorgy Lukács, in his work Theory of the novel (2009). Our intention, therefore, starts from the assumption of revealing how, the author, makes use of this figure of speech, to represent the discontent of the protagonist subject through the finite character of human life, making use of an allegorical margin of interpretation of the concept, in order to incorporate irony as a character in his fiction. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28528 10.5752/P.2358-3231.2022n40p38-51 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28528 |
identifier_str_mv |
10.5752/P.2358-3231.2022n40p38-51 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/28528/20049 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 40 (2022): Saramago: amor e engajamento; 38-51 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
_version_ |
1798329686745415680 |