From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos de História (Belo Horizonte. Online) |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoshistoria/article/view/P.2237-8871.2017v18n29p629 |
Resumo: | This article discusses several issues concerning the importance of memory in the plastic works of the Brazilian artist Iberê Camargo, more specifically in the Spools series. For this, the text will be based on Joël Candau (2014) and his allusive concepts to memory and identity, as well as Halbwachs (2006), Gagnebin (2006) and Nora (1993); in addition to the authors that contemplate the theme “art” (Goodman, 1978) and “Iberê Camargo” such as Massi (2009), Pasta (2003), Smith (2009) and texts by Joël Candau himself (1987; 2009; 2012a; 2012b). In this brief study, there is an attempt to place some artistic moments of the artistic life of Iberê and demonstrate, for example, how “memory itself or high-level memory” and “metamemory” of the artist integrated his plastic production. The writing will begin with a concise conceptualization of the memory modes of Candau, followed by a very brief account of his life. Then, an introduction of the issues relevant to the topic of memory will be given, explained from the trajectory of the artist, memory presence itself (memories and recollections) as a motto for the graphic, pictorial and textual production, and metamemory (representations made in his memory). |
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From the memory and identity conceptions of Candau to the representation of the spools of Iberê CamargoDas concepções de memória e identidade de Candau à representação dos carretéis de Iberê CamargoMemoryMetamemoryCultural representationIberê CamargoSpools.MemóriaMetamemóriaRepresentação culturalIberê CamargoCarretéis.This article discusses several issues concerning the importance of memory in the plastic works of the Brazilian artist Iberê Camargo, more specifically in the Spools series. For this, the text will be based on Joël Candau (2014) and his allusive concepts to memory and identity, as well as Halbwachs (2006), Gagnebin (2006) and Nora (1993); in addition to the authors that contemplate the theme “art” (Goodman, 1978) and “Iberê Camargo” such as Massi (2009), Pasta (2003), Smith (2009) and texts by Joël Candau himself (1987; 2009; 2012a; 2012b). In this brief study, there is an attempt to place some artistic moments of the artistic life of Iberê and demonstrate, for example, how “memory itself or high-level memory” and “metamemory” of the artist integrated his plastic production. The writing will begin with a concise conceptualization of the memory modes of Candau, followed by a very brief account of his life. Then, an introduction of the issues relevant to the topic of memory will be given, explained from the trajectory of the artist, memory presence itself (memories and recollections) as a motto for the graphic, pictorial and textual production, and metamemory (representations made in his memory).O presente artigo abordará algumas questões referentes à relevância da memória no fazer plástico do artista gaúcho Iberê Camargo, mais especificamente na série Carretéis. Para isso, o texto será balizado em Joël Candau (2005-2014) e suas concepções alusivas à memória e identidade, assim como em Halbwachs (2006), Gagnebin (2006) e Nora (1993); além de autores que contemplam a temática “arte” (Goodman, 1978) e “Iberê Camargo”, como Massi (2009), Pasta (2003), Siqueira (2009) e textos do próprio artista (1987; 2009; 2012a; 2012b). Há neste breve estudo uma tentativa de situar alguns momentos da vida artística de Iberê e demonstrar, por exemplo, como a “memória propriamente dita ou memória de alto nível” e a “metamemória” do artista integraram sua produção plástica. O escrito terá início com uma breve conceituação dos modos de memória de Candau, seguido por um brevíssimo relato sobre a vida do artista. A seguir, serão introduzidas as questões relevantes ao tema memória, explanando a partir da trajetória do artista, a presença da memória propriamente dita (recordações e lembranças) como mote para a produção gráfica, pictórica e textual, e a metamemória (representações que fazia de sua memória).Editora PUC Minas2017-11-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoshistoria/article/view/P.2237-8871.2017v18n29p62910.5752/P.2237-8871.2017v18n29p629Cadernos de História; v. 18 n. 29 (2017): Temática Livre; 629-6442237-88711679-5636reponame:Cadernos de História (Belo Horizonte. Online)instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoshistoria/article/view/P.2237-8871.2017v18n29p629/12669Copyright (c) 2017 Cadernos de Históriahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessFinger, Mirian Martins2021-03-28T17:59:53Zoai:ojs.pkp.sfu.ca:article/16707Revistahttp://periodicos.pucminas.br/index.php/cadernoshistoria/indexPRIhttp://periodicos.pucminas.br/index.php/cadernoshistoria/oaicadernosdehistoria@pucminas.br||cadernosdehistoria@pucminas.br2237-88711679-5636opendoar:2021-03-28T17:59:53Cadernos de História (Belo Horizonte. Online) - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo Das concepções de memória e identidade de Candau à representação dos carretéis de Iberê Camargo |
title |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo |
spellingShingle |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo Finger, Mirian Martins Memory Metamemory Cultural representation Iberê Camargo Spools. Memória Metamemória Representação cultural Iberê Camargo Carretéis. |
title_short |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo |
title_full |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo |
title_fullStr |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo |
title_full_unstemmed |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo |
title_sort |
From the memory and identity conceptions of Candau to the representation of the spools of Iberê Camargo |
author |
Finger, Mirian Martins |
author_facet |
Finger, Mirian Martins |
author_role |
author |
dc.contributor.author.fl_str_mv |
Finger, Mirian Martins |
dc.subject.por.fl_str_mv |
Memory Metamemory Cultural representation Iberê Camargo Spools. Memória Metamemória Representação cultural Iberê Camargo Carretéis. |
topic |
Memory Metamemory Cultural representation Iberê Camargo Spools. Memória Metamemória Representação cultural Iberê Camargo Carretéis. |
description |
This article discusses several issues concerning the importance of memory in the plastic works of the Brazilian artist Iberê Camargo, more specifically in the Spools series. For this, the text will be based on Joël Candau (2014) and his allusive concepts to memory and identity, as well as Halbwachs (2006), Gagnebin (2006) and Nora (1993); in addition to the authors that contemplate the theme “art” (Goodman, 1978) and “Iberê Camargo” such as Massi (2009), Pasta (2003), Smith (2009) and texts by Joël Candau himself (1987; 2009; 2012a; 2012b). In this brief study, there is an attempt to place some artistic moments of the artistic life of Iberê and demonstrate, for example, how “memory itself or high-level memory” and “metamemory” of the artist integrated his plastic production. The writing will begin with a concise conceptualization of the memory modes of Candau, followed by a very brief account of his life. Then, an introduction of the issues relevant to the topic of memory will be given, explained from the trajectory of the artist, memory presence itself (memories and recollections) as a motto for the graphic, pictorial and textual production, and metamemory (representations made in his memory). |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-11-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoshistoria/article/view/P.2237-8871.2017v18n29p629 10.5752/P.2237-8871.2017v18n29p629 |
url |
http://periodicos.pucminas.br/index.php/cadernoshistoria/article/view/P.2237-8871.2017v18n29p629 |
identifier_str_mv |
10.5752/P.2237-8871.2017v18n29p629 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoshistoria/article/view/P.2237-8871.2017v18n29p629/12669 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Cadernos de História https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Cadernos de História https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos de História; v. 18 n. 29 (2017): Temática Livre; 629-644 2237-8871 1679-5636 reponame:Cadernos de História (Belo Horizonte. Online) instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos de História (Belo Horizonte. Online) |
collection |
Cadernos de História (Belo Horizonte. Online) |
repository.name.fl_str_mv |
Cadernos de História (Belo Horizonte. Online) - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cadernosdehistoria@pucminas.br||cadernosdehistoria@pucminas.br |
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1798321097805922304 |