Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista FAMECOS: Mídia cultura e tecnologia |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20990 |
Resumo: | The devil has been, over the centuries, one of the favorite characters of figurative arts, including cinema - that has represented in various ways and in various genres. Their different appearances have been documented and examined in detail, but its sound counterpart has not received the same attention. It is the aim of this essay, therefore, to examine and discuss some of the most influential ways in which the devil has been depicted in movies in sonic terms. We will do this by analyzing the use of voice, music and sound effects in The Exorcist (William Friedkin, 1973). We choose this film due to the massive influence he had on Devil’s representation in horror cinema of the past five decades. |
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Sonic representations of the devil in films: multiple voices and minimal music in The ExorcistRepresentações sonoras do diabo no cinema: vozes múltiplas e músicas mínimas em O ExorcistaSound designPop cultureFilm analysisCinemaRepresentaciones sonoras del diablo en el cinevoces múltiples y músicas mínimas en El ExorcistaSound designCultura popmúsicahorrordiaboanálise fílmicaSound designThe devil has been, over the centuries, one of the favorite characters of figurative arts, including cinema - that has represented in various ways and in various genres. Their different appearances have been documented and examined in detail, but its sound counterpart has not received the same attention. It is the aim of this essay, therefore, to examine and discuss some of the most influential ways in which the devil has been depicted in movies in sonic terms. We will do this by analyzing the use of voice, music and sound effects in The Exorcist (William Friedkin, 1973). We choose this film due to the massive influence he had on Devil’s representation in horror cinema of the past five decades.O diabo tem sido, ao longo dos séculos, um dos personagens favoritos das artes figurativas, inclusive o cinema - que o tem representado de diversas maneiras e nos mais variados gêneros. Suas diferentes aparências vêm sendo documentadas e examinadas em detalhes, mas sua contraparte sonora não tem recebido a mesma atenção. É objetivo deste ensaio, portanto, examinar e discutir algumas das mais influentes maneiras como o diabo tem sido representado nos filmes, em termos sonoros. Faremos isso através da análise dos usos da voz, da música e dos efeitos sonoros em O Exorcista (William Friedkin, 1973). A escolha deste filme se deve à influência massiva que ele teve na representação do diabo no cinema de horror das últimas cinco décadas.Editora da PUCRS - ediPUCRS2015-09-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/2099010.15448/1980-3729.2015.4.20990Revista FAMECOS; Vol. 22 No. 4 (2015); 119-134Revista FAMECOS; Vol. 22 Núm. 4 (2015); 119-134Revista FAMECOS; v. 22 n. 4 (2015); 119-1341980-37291415-054910.15448/1980-3729.2015.4reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20990/13489Copyright (c) 2015 Revista FAMECOSinfo:eu-repo/semantics/openAccessCarreiro, RodrigoMiranda, Suzana Reck2017-07-09T23:09:17Zoai:ojs.revistaseletronicas.pucrs.br:article/20990Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2017-07-09T23:09:17Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist Representações sonoras do diabo no cinema: vozes múltiplas e músicas mínimas em O Exorcista |
title |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist |
spellingShingle |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist Carreiro, Rodrigo Sound design Pop culture Film analysis Cinema Representaciones sonoras del diablo en el cine voces múltiples y músicas mínimas en El Exorcista Sound design Cultura pop música horror diabo análise fílmica Sound design |
title_short |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist |
title_full |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist |
title_fullStr |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist |
title_full_unstemmed |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist |
title_sort |
Sonic representations of the devil in films: multiple voices and minimal music in The Exorcist |
author |
Carreiro, Rodrigo |
author_facet |
Carreiro, Rodrigo Miranda, Suzana Reck |
author_role |
author |
author2 |
Miranda, Suzana Reck |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Carreiro, Rodrigo Miranda, Suzana Reck |
dc.subject.por.fl_str_mv |
Sound design Pop culture Film analysis Cinema Representaciones sonoras del diablo en el cine voces múltiples y músicas mínimas en El Exorcista Sound design Cultura pop música horror diabo análise fílmica Sound design |
topic |
Sound design Pop culture Film analysis Cinema Representaciones sonoras del diablo en el cine voces múltiples y músicas mínimas en El Exorcista Sound design Cultura pop música horror diabo análise fílmica Sound design |
description |
The devil has been, over the centuries, one of the favorite characters of figurative arts, including cinema - that has represented in various ways and in various genres. Their different appearances have been documented and examined in detail, but its sound counterpart has not received the same attention. It is the aim of this essay, therefore, to examine and discuss some of the most influential ways in which the devil has been depicted in movies in sonic terms. We will do this by analyzing the use of voice, music and sound effects in The Exorcist (William Friedkin, 1973). We choose this film due to the massive influence he had on Devil’s representation in horror cinema of the past five decades. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-09-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20990 10.15448/1980-3729.2015.4.20990 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20990 |
identifier_str_mv |
10.15448/1980-3729.2015.4.20990 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/20990/13489 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Revista FAMECOS info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Revista FAMECOS |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Revista FAMECOS; Vol. 22 No. 4 (2015); 119-134 Revista FAMECOS; Vol. 22 Núm. 4 (2015); 119-134 Revista FAMECOS; v. 22 n. 4 (2015); 119-134 1980-3729 1415-0549 10.15448/1980-3729.2015.4 reponame:Revista FAMECOS: Mídia cultura e tecnologia instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Revista FAMECOS: Mídia cultura e tecnologia |
collection |
Revista FAMECOS: Mídia cultura e tecnologia |
repository.name.fl_str_mv |
Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistafamecos@gmail.com |
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