Rock and imaginary: the imaging-sound relations in the present time
Autor(a) principal: | |
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Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista FAMECOS: Mídia cultura e tecnologia |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3166 |
Resumo: | The present paper describes the intense relations between imagery and sound in contemporary age, focusing on rock as the music style of post-modern culture. It also shows that music is wrapped up in two important elements: technology and aesthetics. Technology implies a change in the way we listen to music and aesthetics links up musicians and their fans into a tribalization process, as concived by the French author Maffesoli. The main cha-racteristics of rock nʼroll (fluidity, mixing of styles and genres and so on) are also stressed, in order to point out that they belong to the post-modern way of life and that it is also a cultural product as much as it produces a culture that can be enjoyed and interpreted by contemporary society. |
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Rock and imaginary: the imaging-sound relations in the present timeRock e imaginário: as relações imagético-sonoras na atualidadeCommunicationimaginaryrockCultureComunicaçãoimagináriorockCulturaThe present paper describes the intense relations between imagery and sound in contemporary age, focusing on rock as the music style of post-modern culture. It also shows that music is wrapped up in two important elements: technology and aesthetics. Technology implies a change in the way we listen to music and aesthetics links up musicians and their fans into a tribalization process, as concived by the French author Maffesoli. The main cha-racteristics of rock nʼroll (fluidity, mixing of styles and genres and so on) are also stressed, in order to point out that they belong to the post-modern way of life and that it is also a cultural product as much as it produces a culture that can be enjoyed and interpreted by contemporary society.Este artigo descreve as intensas relações entre imagem e som na época contemporânea, com um enfoque no rock como o estilo musical característico da cultura pós-moderna. Também apresenta dois elementos importantes que envolvem a música: a técnica e a estética. A tecnologia implica uma mudança na forma que escutamos música e a estética liga os músicos aos seus fãs, em um processo de tribalização, conforme o conceito de Maffesoli. As principais características do rock (fluidez, mistura de estilos e gêneros, etc) também são enfatizadas afim de apontar que ele pertence ao modo de vida pós-moderno. O rock é tanto um produto cultural quanto é produtor de uma cultura que pode ser desfrutada e interpretada pela sociedade contemporânea.Editora da PUCRS - ediPUCRS2008-04-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/316610.15448/1980-3729.2002.18.3166Revista FAMECOS; Vol. 9 No. 18 (2002); 34-43Revista FAMECOS; Vol. 9 Núm. 18 (2002); 34-43Revista FAMECOS; v. 9 n. 18 (2002); 34-431980-37291415-054910.15448/1980-3729.2002.18reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3166/2436Amaral, Adrianainfo:eu-repo/semantics/openAccess2021-08-04T19:09:01Zoai:ojs.revistaseletronicas.pucrs.br:article/3166Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2021-08-04T19:09:01Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Rock and imaginary: the imaging-sound relations in the present time Rock e imaginário: as relações imagético-sonoras na atualidade |
title |
Rock and imaginary: the imaging-sound relations in the present time |
spellingShingle |
Rock and imaginary: the imaging-sound relations in the present time Amaral, Adriana Communication imaginary rock Culture Comunicação imaginário rock Cultura |
title_short |
Rock and imaginary: the imaging-sound relations in the present time |
title_full |
Rock and imaginary: the imaging-sound relations in the present time |
title_fullStr |
Rock and imaginary: the imaging-sound relations in the present time |
title_full_unstemmed |
Rock and imaginary: the imaging-sound relations in the present time |
title_sort |
Rock and imaginary: the imaging-sound relations in the present time |
author |
Amaral, Adriana |
author_facet |
Amaral, Adriana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Amaral, Adriana |
dc.subject.por.fl_str_mv |
Communication imaginary rock Culture Comunicação imaginário rock Cultura |
topic |
Communication imaginary rock Culture Comunicação imaginário rock Cultura |
description |
The present paper describes the intense relations between imagery and sound in contemporary age, focusing on rock as the music style of post-modern culture. It also shows that music is wrapped up in two important elements: technology and aesthetics. Technology implies a change in the way we listen to music and aesthetics links up musicians and their fans into a tribalization process, as concived by the French author Maffesoli. The main cha-racteristics of rock nʼroll (fluidity, mixing of styles and genres and so on) are also stressed, in order to point out that they belong to the post-modern way of life and that it is also a cultural product as much as it produces a culture that can be enjoyed and interpreted by contemporary society. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-04-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3166 10.15448/1980-3729.2002.18.3166 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3166 |
identifier_str_mv |
10.15448/1980-3729.2002.18.3166 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/3166/2436 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Revista FAMECOS; Vol. 9 No. 18 (2002); 34-43 Revista FAMECOS; Vol. 9 Núm. 18 (2002); 34-43 Revista FAMECOS; v. 9 n. 18 (2002); 34-43 1980-3729 1415-0549 10.15448/1980-3729.2002.18 reponame:Revista FAMECOS: Mídia cultura e tecnologia instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Revista FAMECOS: Mídia cultura e tecnologia |
collection |
Revista FAMECOS: Mídia cultura e tecnologia |
repository.name.fl_str_mv |
Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistafamecos@gmail.com |
_version_ |
1799128659168067584 |