Images of who writes: notes about the place of the writer
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33500 |
Resumo: | The dialogue between different arts is one of the marks of contemporary literary and cultural theory and criticism, interested in the interdisciplinary character of cultural phenomena and artistic objects. In this essay, I analyze some aspects of the relationship between image and word in the photobiographical work The place of the writer, by photographer Eder Chiodetto. From the reading of some photos and commentaries of the writers, I propose connections between the notions of punctum and biographeme, in the terms of Roland Barthes, that operate in close relation with the dissolution of rigid borders in contemporary aesthetics, whether in the scope of biographical criticism or iconographical. I conclude the discussion by highlighting impurity and ephemerality as the basic aspects of Chiodetto’s work, whose originality and beauty are separated from linearity, orthodox sequencing and objective attainment. Death – captured by camera flash – and life – reinvented in fragments of itself delivered by writers – are implicated in each other, doubly contaminated. |
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Images of who writes: notes about the place of the writerImagens de quem escreve: entrenotas sobre o lugar do escritorLiterature. Biographical criticism. Iconographical criticismo. Brazilian literature.Fotografia. Literatura. Crítica biográfica. Crítica iconográfica. Literatura brasileira.The dialogue between different arts is one of the marks of contemporary literary and cultural theory and criticism, interested in the interdisciplinary character of cultural phenomena and artistic objects. In this essay, I analyze some aspects of the relationship between image and word in the photobiographical work The place of the writer, by photographer Eder Chiodetto. From the reading of some photos and commentaries of the writers, I propose connections between the notions of punctum and biographeme, in the terms of Roland Barthes, that operate in close relation with the dissolution of rigid borders in contemporary aesthetics, whether in the scope of biographical criticism or iconographical. I conclude the discussion by highlighting impurity and ephemerality as the basic aspects of Chiodetto’s work, whose originality and beauty are separated from linearity, orthodox sequencing and objective attainment. Death – captured by camera flash – and life – reinvented in fragments of itself delivered by writers – are implicated in each other, doubly contaminated.O diálogo entre diferentes artes é uma das marcas da teoria e da crítica literária e cultural contemporânea, interessadas no caráter interdisciplinar dos fenômenos culturais e objetos artísticos. Nesse ensaio, analiso alguns aspectos da relação entre imagem e palavra na obra fotobiográfica O lugar do escritor, do fotógrafo Eder Chiodetto. A partir da leitura de algumas fotos e comentários dos escritores, proponho conexões entre as noções de punctum e biografema, nos termos de Roland Barthes, que operam em estreita relação com a dissolução de fronteiras rígidas na estética contemporânea, quer seja no âmbito da crítica biográfica ou iconográfica. Concluo a discussão realçando a impureza e efemeridade como aspectos basilares do trabalho de Chiodetto, cuja originalidade e beleza estão apartadas da linearidade, do sequenciamento ortodoxo e da consecução objetiva. A morte – captada pelo flash da câmera – e a vida – reinventada em fragmentos de si entregues pelos escritores – estão implicadas uma na outra, duplamente contaminadas.PALAVRAS-CHAVE: Fotografia e Literatura; Crítica biográfica; Crítica Iconográfica; Literatura Brasileira.Editora da PUCRS - ediPUCRS2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3350010.15448/1984-4301.2019.3.33500Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33500Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e335001984-430110.15448/1984-4301.2019.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33500/19247Copyright (c) 2019 Letrônicainfo:eu-repo/semantics/openAccessRibeiro de Melo, André Magri2019-12-17T17:28:45Zoai:ojs.revistaseletronicas.pucrs.br:article/33500Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2019-12-17T17:28:45letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Images of who writes: notes about the place of the writer Imagens de quem escreve: entrenotas sobre o lugar do escritor |
title |
Images of who writes: notes about the place of the writer |
spellingShingle |
Images of who writes: notes about the place of the writer Ribeiro de Melo, André Magri Literature. Biographical criticism. Iconographical criticismo. Brazilian literature. Fotografia. Literatura. Crítica biográfica. Crítica iconográfica. Literatura brasileira. |
title_short |
Images of who writes: notes about the place of the writer |
title_full |
Images of who writes: notes about the place of the writer |
title_fullStr |
Images of who writes: notes about the place of the writer |
title_full_unstemmed |
Images of who writes: notes about the place of the writer |
title_sort |
Images of who writes: notes about the place of the writer |
author |
Ribeiro de Melo, André Magri |
author_facet |
Ribeiro de Melo, André Magri |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ribeiro de Melo, André Magri |
dc.subject.por.fl_str_mv |
Literature. Biographical criticism. Iconographical criticismo. Brazilian literature. Fotografia. Literatura. Crítica biográfica. Crítica iconográfica. Literatura brasileira. |
topic |
Literature. Biographical criticism. Iconographical criticismo. Brazilian literature. Fotografia. Literatura. Crítica biográfica. Crítica iconográfica. Literatura brasileira. |
description |
The dialogue between different arts is one of the marks of contemporary literary and cultural theory and criticism, interested in the interdisciplinary character of cultural phenomena and artistic objects. In this essay, I analyze some aspects of the relationship between image and word in the photobiographical work The place of the writer, by photographer Eder Chiodetto. From the reading of some photos and commentaries of the writers, I propose connections between the notions of punctum and biographeme, in the terms of Roland Barthes, that operate in close relation with the dissolution of rigid borders in contemporary aesthetics, whether in the scope of biographical criticism or iconographical. I conclude the discussion by highlighting impurity and ephemerality as the basic aspects of Chiodetto’s work, whose originality and beauty are separated from linearity, orthodox sequencing and objective attainment. Death – captured by camera flash – and life – reinvented in fragments of itself delivered by writers – are implicated in each other, doubly contaminated. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33500 10.15448/1984-4301.2019.3.33500 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33500 |
identifier_str_mv |
10.15448/1984-4301.2019.3.33500 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33500/19247 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Letrônica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Letrônica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33500 Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e33500 1984-4301 10.15448/1984-4301.2019.3 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
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1799128599226220544 |