To stroll and reread Curitiba: the scoffer look of Dalton Trevisan

Detalhes bibliográficos
Autor(a) principal: Prates, Jailton Gonçalves
Data de Publicação: 2014
Outros Autores: Teixeira, Níncia Cecília Ribas Borges
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/16623
Resumo: This paper discusses relevant issues to urban space, specifically the city of Curitiba, its disposal (urban mapping) , its symbols and images that emerge from the official discourse to ratify the popular ideas concepts like “model city” , “capital development”, “rare jewel” and “capital of sustainability”. These concepts will be challenged through the narratives of Dalton Trevisan, who has presented a Curitiba with no pine, no flowers and no monuments, because it is not his intention to present this beautiful city, but a marginal Curitiba and dystopian, populated by the poor, vagrants, prostitutes, crazy people, finally, for real men, marked by inequalities, hunger, pain and anguish. Dalton Trevisan includes the suburbs and misery of man, presenting the fragmented hopelessly marginal and exploited. These ideas are arranged in the work - synthesis of Dalton Trevisan. “Em busca de Curitiba perdida” (1992), published on the occasion of the commemoration of the 300th anniversary of the Curitiba foundation, in a way of protest to show that the city has two sides: the center and margin and that from this margin echoes the song of mourning its Curitiba of yore. In order to corroborate the ideas presented and defended, this article presents an analysis of the short story “Cemitário de Elefantes”, which allows the visualization of a shameless urban space, in ruins and in continuous transformation.
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spelling To stroll and reread Curitiba: the scoffer look of Dalton TrevisanFlanar e reler Curitiba: o olhar derrisor de Dalton TrevisanDalton TrevisanCuritibaCityFlanêurReadingThis paper discusses relevant issues to urban space, specifically the city of Curitiba, its disposal (urban mapping) , its symbols and images that emerge from the official discourse to ratify the popular ideas concepts like “model city” , “capital development”, “rare jewel” and “capital of sustainability”. These concepts will be challenged through the narratives of Dalton Trevisan, who has presented a Curitiba with no pine, no flowers and no monuments, because it is not his intention to present this beautiful city, but a marginal Curitiba and dystopian, populated by the poor, vagrants, prostitutes, crazy people, finally, for real men, marked by inequalities, hunger, pain and anguish. Dalton Trevisan includes the suburbs and misery of man, presenting the fragmented hopelessly marginal and exploited. These ideas are arranged in the work - synthesis of Dalton Trevisan. “Em busca de Curitiba perdida” (1992), published on the occasion of the commemoration of the 300th anniversary of the Curitiba foundation, in a way of protest to show that the city has two sides: the center and margin and that from this margin echoes the song of mourning its Curitiba of yore. In order to corroborate the ideas presented and defended, this article presents an analysis of the short story “Cemitário de Elefantes”, which allows the visualization of a shameless urban space, in ruins and in continuous transformation.O presente artigo discute questões pertinentes ao espaço urbano, de maneira específica a cidade de Curitiba, sua disposição (cartografia urbana), seus símbolos e as imagens que emergem a partir do discurso oficial para ratificar no ideário popular conceitos como “cidade modelo”, “capital de desenvolvimento”, “joia rara” e “capital da sustentabilidade”. Esses conceitos serão contestados por meio das narrativas de Dalton Trevisan, que apresentam uma Curitiba sem pinheiros, sem flores e sem monumentos, pois não é sua intenção apresentar essa cidade linda, mas sim uma Curitiba marginal e distópica, povoada por pobres, andarilhos, prostitutas, loucos, enfim, por homens reais, marcados pelas desigualdades, pela fome, dor e angústia. Dalton Trevisan contempla o subúrbio e a miséria do homem, apresentando-o fragmentado, sem esperanças, marginal e explorado. Essas ideias estão dispostas na obra-síntese de Dalton Trevisan, Em busca de Curitiba perdida (1992), publicada por ocasião da comemoração dos 300 anos de fundação de Curitiba, como forma de protesto e para mostrar que a cidade possui dois lados: o centro e a margem e que desta margem ecoa o canto de lamentação da sua Curitiba de antanho. A fim de corroborar as ideias apresentadas e defendidas, este artigo apresenta a análise do conto “Cemitério de Elefantes”, que possibilita a visualização de um espaço urbano despudorado, em ruínas e em transformação ininterrupta.Editora da PUCRS - ediPUCRS2014-08-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/1662310.15448/1984-4301.2014.1.16623Letrônica; Vol. 7 No. 1 (2014): Psicolinguística & Escritas migrantes na literatura contemporânea; 385-400Letrônica; v. 7 n. 1 (2014): Psicolinguística & Escritas migrantes na literatura contemporânea; 385-4001984-430110.15448/1984-4301.2014.1reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/16623/11668Prates, Jailton GonçalvesTeixeira, Níncia Cecília Ribas Borgesinfo:eu-repo/semantics/openAccess2017-02-22T21:51:21Zoai:ojs.revistaseletronicas.pucrs.br:article/16623Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2017-02-22T21:51:21letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
Flanar e reler Curitiba: o olhar derrisor de Dalton Trevisan
title To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
spellingShingle To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
Prates, Jailton Gonçalves
Dalton Trevisan
Curitiba
City
Flanêur
Reading
title_short To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
title_full To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
title_fullStr To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
title_full_unstemmed To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
title_sort To stroll and reread Curitiba: the scoffer look of Dalton Trevisan
author Prates, Jailton Gonçalves
author_facet Prates, Jailton Gonçalves
Teixeira, Níncia Cecília Ribas Borges
author_role author
author2 Teixeira, Níncia Cecília Ribas Borges
author2_role author
dc.contributor.author.fl_str_mv Prates, Jailton Gonçalves
Teixeira, Níncia Cecília Ribas Borges
dc.subject.por.fl_str_mv Dalton Trevisan
Curitiba
City
Flanêur
Reading
topic Dalton Trevisan
Curitiba
City
Flanêur
Reading
description This paper discusses relevant issues to urban space, specifically the city of Curitiba, its disposal (urban mapping) , its symbols and images that emerge from the official discourse to ratify the popular ideas concepts like “model city” , “capital development”, “rare jewel” and “capital of sustainability”. These concepts will be challenged through the narratives of Dalton Trevisan, who has presented a Curitiba with no pine, no flowers and no monuments, because it is not his intention to present this beautiful city, but a marginal Curitiba and dystopian, populated by the poor, vagrants, prostitutes, crazy people, finally, for real men, marked by inequalities, hunger, pain and anguish. Dalton Trevisan includes the suburbs and misery of man, presenting the fragmented hopelessly marginal and exploited. These ideas are arranged in the work - synthesis of Dalton Trevisan. “Em busca de Curitiba perdida” (1992), published on the occasion of the commemoration of the 300th anniversary of the Curitiba foundation, in a way of protest to show that the city has two sides: the center and margin and that from this margin echoes the song of mourning its Curitiba of yore. In order to corroborate the ideas presented and defended, this article presents an analysis of the short story “Cemitário de Elefantes”, which allows the visualization of a shameless urban space, in ruins and in continuous transformation.
publishDate 2014
dc.date.none.fl_str_mv 2014-08-04
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dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/16623
10.15448/1984-4301.2014.1.16623
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/16623
identifier_str_mv 10.15448/1984-4301.2014.1.16623
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/16623/11668
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 7 No. 1 (2014): Psicolinguística & Escritas migrantes na literatura contemporânea; 385-400
Letrônica; v. 7 n. 1 (2014): Psicolinguística & Escritas migrantes na literatura contemporânea; 385-400
1984-4301
10.15448/1984-4301.2014.1
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