Photography as fiction-image in Alice in Wonderland, by Suzy Lee

Detalhes bibliográficos
Autor(a) principal: Girão, Luis Carlos
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33357
Resumo: The present paper aims to reflect on the choice of photography as a constitutive and potential element of Suzy Lee’s Alice in Wonderland (2002) pictorial narrative. In her first picture-book, the South Korean book artist uses photographic visual language to structure and record some revelation/ forgery games in images that flash incessantly representifications to Lewis Carroll’s classic title of Children’s Literature. Reflecting on this process of imaginary fictionalization, we take the recent writings of Philippe Dubois (2016, 2017) on the concept of fiction-image, an exponential aspect in the field of contemporary art photography. And to help us out thinking about the sensible repositioning of the look proposed by Suzy Lee’s hybrid book – among the literary, plastic, photographic arts –, we’ve looked for Georges Didi-Huberman’s writings (2010, 2013, 2015, 2017) on the double distance comprehension and the montage as thresholds that erupt before the reader, child, young adult, or adult, producing defamiliarization to his experience with the work of art’s aura.
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spelling Photography as fiction-image in Alice in Wonderland, by Suzy LeeA fotografia como imagem-ficção em Alice in Wonderland, de Suzy LeeFiction-image. Montage. Photography. Pictorial narrative. Suzy Lee.FotografiaImagem-FicçãoMontagemNarrativa PictóricaSuzy LeeThe present paper aims to reflect on the choice of photography as a constitutive and potential element of Suzy Lee’s Alice in Wonderland (2002) pictorial narrative. In her first picture-book, the South Korean book artist uses photographic visual language to structure and record some revelation/ forgery games in images that flash incessantly representifications to Lewis Carroll’s classic title of Children’s Literature. Reflecting on this process of imaginary fictionalization, we take the recent writings of Philippe Dubois (2016, 2017) on the concept of fiction-image, an exponential aspect in the field of contemporary art photography. And to help us out thinking about the sensible repositioning of the look proposed by Suzy Lee’s hybrid book – among the literary, plastic, photographic arts –, we’ve looked for Georges Didi-Huberman’s writings (2010, 2013, 2015, 2017) on the double distance comprehension and the montage as thresholds that erupt before the reader, child, young adult, or adult, producing defamiliarization to his experience with the work of art’s aura.O presente escrito visa refletir sobre a escolha da fotografia como elemento constitutivo e potencial da narrativa pictórica em Alice in Wonderland (2002), de Suzy Lee. Em seu primeiro livro-imagem, a book artist sul-coreana utiliza-se da linguagem visual fotográfica para estruturar e registrar jogos de revelação/falsificação em imagens que lampejam incessantes re-presentificações ao clássico da Literatura Infantil escrito por Lewis Carroll. Para refletirmos sobre esse processo de ficcionalização imagético, tomaremos as reflexões de Philippe Dubois (2016, 2017) sobre o conceito de imagem-ficção, vertente esta exponencial no campo da arte-fotografia contemporânea. E para nos auxiliar a pensar sobre o re-posicionamento sensível do olhar proposto por Suzy Lee em seu livro híbrido – entre o literário, plástico, fotográfico –, buscamos em Georges Didi-Huberman (2010, 2013, 2015, 2017) as compreensões de dupla distância e de montagem como limiares que irrompem diante do leitor, criança ou jovem, produzindo estranhamentos ao seu experienciar a aura da obra de arte.Editora da PUCRS - ediPUCRS2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3335710.15448/1984-4301.2019.3.33357Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33357Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e333571984-430110.15448/1984-4301.2019.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33357/19238Copyright (c) 2019 Letrônicainfo:eu-repo/semantics/openAccessGirão, Luis Carlos2019-12-17T17:27:25Zoai:ojs.revistaseletronicas.pucrs.br:article/33357Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2019-12-17T17:27:25letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Photography as fiction-image in Alice in Wonderland, by Suzy Lee
A fotografia como imagem-ficção em Alice in Wonderland, de Suzy Lee
title Photography as fiction-image in Alice in Wonderland, by Suzy Lee
spellingShingle Photography as fiction-image in Alice in Wonderland, by Suzy Lee
Girão, Luis Carlos
Fiction-image. Montage. Photography. Pictorial narrative. Suzy Lee.
Fotografia
Imagem-Ficção
Montagem
Narrativa Pictórica
Suzy Lee
title_short Photography as fiction-image in Alice in Wonderland, by Suzy Lee
title_full Photography as fiction-image in Alice in Wonderland, by Suzy Lee
title_fullStr Photography as fiction-image in Alice in Wonderland, by Suzy Lee
title_full_unstemmed Photography as fiction-image in Alice in Wonderland, by Suzy Lee
title_sort Photography as fiction-image in Alice in Wonderland, by Suzy Lee
author Girão, Luis Carlos
author_facet Girão, Luis Carlos
author_role author
dc.contributor.author.fl_str_mv Girão, Luis Carlos
dc.subject.por.fl_str_mv Fiction-image. Montage. Photography. Pictorial narrative. Suzy Lee.
Fotografia
Imagem-Ficção
Montagem
Narrativa Pictórica
Suzy Lee
topic Fiction-image. Montage. Photography. Pictorial narrative. Suzy Lee.
Fotografia
Imagem-Ficção
Montagem
Narrativa Pictórica
Suzy Lee
description The present paper aims to reflect on the choice of photography as a constitutive and potential element of Suzy Lee’s Alice in Wonderland (2002) pictorial narrative. In her first picture-book, the South Korean book artist uses photographic visual language to structure and record some revelation/ forgery games in images that flash incessantly representifications to Lewis Carroll’s classic title of Children’s Literature. Reflecting on this process of imaginary fictionalization, we take the recent writings of Philippe Dubois (2016, 2017) on the concept of fiction-image, an exponential aspect in the field of contemporary art photography. And to help us out thinking about the sensible repositioning of the look proposed by Suzy Lee’s hybrid book – among the literary, plastic, photographic arts –, we’ve looked for Georges Didi-Huberman’s writings (2010, 2013, 2015, 2017) on the double distance comprehension and the montage as thresholds that erupt before the reader, child, young adult, or adult, producing defamiliarization to his experience with the work of art’s aura.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33357
10.15448/1984-4301.2019.3.33357
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33357
identifier_str_mv 10.15448/1984-4301.2019.3.33357
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/33357/19238
dc.rights.driver.fl_str_mv Copyright (c) 2019 Letrônica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Letrônica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 12 No. 3 (2019): Literatura e Fotografia; e33357
Letrônica; v. 12 n. 3 (2019): Literatura e Fotografia; e33357
1984-4301
10.15448/1984-4301.2019.3
reponame:letrônica
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str letrônica
collection letrônica
repository.name.fl_str_mv letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv letronica@pucrs.br||ivanetemileski@gmail.com
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