The The right to doubt: decolonization in Dear Martin, by Nic Stone
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/44335 |
Resumo: | Starting from the candidian premise that all literature has as its premise three integrated faces, namely: a significant structure; a way of expressing feelings and worldviews; and a form of knowledge, which we can apprehend in a verbose and unconscious way, we aim to analyze how the aesthetic construction of the young adult novel Dear Martin (2020), by the north-american writer Nic Stone, collaborates with the relations between the (des)construction of thought, the writing and minorized Young adult identities. To carry out this analysis, we will base ourselves on the theoretical assumptions of Hunt (2005; 2015), on Children's Literature, which we will use as inspiration to reflect on Young Adult Literature; in the concepts of Identity and Multiculturalism, in Hall (2006) and Bonnici (2011), respectively; and in the concepts of trauma and decolonization, in Kilomba (2021). Through an aesthetic that breaks literary stereotypes, the writer also breaks identity stereotypes, by demonstrating how a minorized young person deals with the oppressive cultural and social systems that pervade their existence. In the impossibility of finding a space that welcomes him, the character creates his own spaces in the deep world of his conscience, which are transfigured into his real life. |
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The The right to doubt: decolonization in Dear Martin, by Nic StoneEl El derecho a la duda: la descolonización en Cartas para Martin, de Nic StoneO O direito à dúvida: descolonização em Cartas para Martin, de Nic Stone Young Adult LiteraturaIdentitiesRacismTraumaDescolonizationLiteratura JuvenilIdentidadesRacismoTraumaDescolonizaciónLiteratura JuvenilIdentidadesRacismoTraumaDescolonizaçãoStarting from the candidian premise that all literature has as its premise three integrated faces, namely: a significant structure; a way of expressing feelings and worldviews; and a form of knowledge, which we can apprehend in a verbose and unconscious way, we aim to analyze how the aesthetic construction of the young adult novel Dear Martin (2020), by the north-american writer Nic Stone, collaborates with the relations between the (des)construction of thought, the writing and minorized Young adult identities. To carry out this analysis, we will base ourselves on the theoretical assumptions of Hunt (2005; 2015), on Children's Literature, which we will use as inspiration to reflect on Young Adult Literature; in the concepts of Identity and Multiculturalism, in Hall (2006) and Bonnici (2011), respectively; and in the concepts of trauma and decolonization, in Kilomba (2021). Through an aesthetic that breaks literary stereotypes, the writer also breaks identity stereotypes, by demonstrating how a minorized young person deals with the oppressive cultural and social systems that pervade their existence. In the impossibility of finding a space that welcomes him, the character creates his own spaces in the deep world of his conscience, which are transfigured into his real life.Partiendo de la premisa candidiana de que toda literatura tiene como premisa tres caras integradas, a saber: una estructura significante; una forma de expresar sentimientos y cosmovisiones; y una forma de conocimiento, que podemos aprehender de manera verbosa e inconsciente, nos proponemos analizar cómo la construcción estética de la novela juvenil Cartas para Martin (2020), del escritor norte-americano Nic Stone, colabora con las relaciones entre la (des)construcción del pensamiento, la escritura y las identidades adultas jóvenes minorizadas. Para llevar a cabo este análisis, nos basaremos en los presupuestos teóricos de Hunt (2005; 2015), sobre la Literatura Infantil, que utilizaremos como inspiración para reflexionar sobre la Literatura Juvenil; en los conceptos de Identidad y Multiculturalidad, en Hall (2006) y Bonnici (2011), respectivamente; y en los conceptos de trauma y descolonización, en Kilomba (2021). A través de una estética que rompe con los estereotipos literarios, la escritora también rompe con los estereotipos identitarios, al mostrar cómo un joven minoritario lidia con los sistemas culturales y sociales opresores que impregnan su existencia. En la imposibilidad de encontrar un espacio que lo acoja, el personaje crea sus propios espacios en el mundo profundo de su conciencia, que se transfiguran en su vida real.Partindo da premissa candidiana de que toda literatura tem como premissa três faces integradas, sendo elas: uma estrutura significante; uma forma de expressar sentimentos e visões de mundo; e uma forma de conhecimento, que podemos apreender de forma prolixa e inconsciente, objetivamos analisar como a construção estética do romance juvenil Cartas para Martin (2020), da escritora estadunidense Nic Stone colabora com as relações entre a (des)construção do pensamento, a escrita e as identidades juvenis minorizadas. Para realizar essa análise, nos pautaremos nos pressupostos teóricos de Hunt (2005; 2015), sobre Literatura Infantil, os quais usaremos como inspiração para refletir sobre a Literatura Juvenil; nos conceitos de Identidade e Multiculturalismo, em Hall (2006) e Bonnici (2011), respectivamente; e nos conceitos de trauma e descolonização, em Kilomba (2021). Por meio de uma estética que rompe estereótipos literários, a escritora rompe, também, estereótipos de identidades, ao demonstrar como um jovem minorizado lida com os sistemas culturais e sociais opressivos, que perpassam sua existência. Na impossibilidade de encontrar um espaço que o acolha, a personagem cria seus próprios espaços no mundo profundo de sua consciência, que se transfiguram para sua vida real.Editora da PUCRS - ediPUCRS2023-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/4433510.15448/1984-4301.2023.1.44335Letrônica; Vol. 16 No. 1 (2023): Single Volume ; e44335Letrônica; v. 16 n. 1 (2023): Volume Único ; e443351984-430110.15448/1984-4301.2023.1reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/44335/28339Copyright (c) 2023 Letrônicahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMagon, Jaqueline2024-01-18T14:01:34Zoai:ojs.revistaseletronicas.pucrs.br:article/44335Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2024-01-18T14:01:34letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
The The right to doubt: decolonization in Dear Martin, by Nic Stone El El derecho a la duda: la descolonización en Cartas para Martin, de Nic Stone O O direito à dúvida: descolonização em Cartas para Martin, de Nic Stone |
title |
The The right to doubt: decolonization in Dear Martin, by Nic Stone |
spellingShingle |
The The right to doubt: decolonization in Dear Martin, by Nic Stone Magon, Jaqueline Young Adult Literatura Identities Racism Trauma Descolonization Literatura Juvenil Identidades Racismo Trauma Descolonización Literatura Juvenil Identidades Racismo Trauma Descolonização |
title_short |
The The right to doubt: decolonization in Dear Martin, by Nic Stone |
title_full |
The The right to doubt: decolonization in Dear Martin, by Nic Stone |
title_fullStr |
The The right to doubt: decolonization in Dear Martin, by Nic Stone |
title_full_unstemmed |
The The right to doubt: decolonization in Dear Martin, by Nic Stone |
title_sort |
The The right to doubt: decolonization in Dear Martin, by Nic Stone |
author |
Magon, Jaqueline |
author_facet |
Magon, Jaqueline |
author_role |
author |
dc.contributor.author.fl_str_mv |
Magon, Jaqueline |
dc.subject.por.fl_str_mv |
Young Adult Literatura Identities Racism Trauma Descolonization Literatura Juvenil Identidades Racismo Trauma Descolonización Literatura Juvenil Identidades Racismo Trauma Descolonização |
topic |
Young Adult Literatura Identities Racism Trauma Descolonization Literatura Juvenil Identidades Racismo Trauma Descolonización Literatura Juvenil Identidades Racismo Trauma Descolonização |
description |
Starting from the candidian premise that all literature has as its premise three integrated faces, namely: a significant structure; a way of expressing feelings and worldviews; and a form of knowledge, which we can apprehend in a verbose and unconscious way, we aim to analyze how the aesthetic construction of the young adult novel Dear Martin (2020), by the north-american writer Nic Stone, collaborates with the relations between the (des)construction of thought, the writing and minorized Young adult identities. To carry out this analysis, we will base ourselves on the theoretical assumptions of Hunt (2005; 2015), on Children's Literature, which we will use as inspiration to reflect on Young Adult Literature; in the concepts of Identity and Multiculturalism, in Hall (2006) and Bonnici (2011), respectively; and in the concepts of trauma and decolonization, in Kilomba (2021). Through an aesthetic that breaks literary stereotypes, the writer also breaks identity stereotypes, by demonstrating how a minorized young person deals with the oppressive cultural and social systems that pervade their existence. In the impossibility of finding a space that welcomes him, the character creates his own spaces in the deep world of his conscience, which are transfigured into his real life. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/44335 10.15448/1984-4301.2023.1.44335 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/44335 |
identifier_str_mv |
10.15448/1984-4301.2023.1.44335 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/44335/28339 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Letrônica http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Letrônica http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 16 No. 1 (2023): Single Volume ; e44335 Letrônica; v. 16 n. 1 (2023): Volume Único ; e44335 1984-4301 10.15448/1984-4301.2023.1 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
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Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
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