Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/36991 |
Resumo: | Romantic and modernist Brazilian literature tried to tackle the issue of our nationality as a means of self-recognition, a search for national identity. With the rise of post-modernism and especially of cultural studies, the question of national identity and of the representation of the nation is back again; historians, social scientists and literary and visual arts critics have been discussing the theme and we, therefore, see analysis of novels, short stories, poems, paintings, installations, movies and TV series, among others, which deal with how these media try to represent the nation – or if it is still possible to speak in a totalizing way about narratives of the nation and of national identity. Nonetheless, this matter does not seem so compelling in theatre studies. Although there are plays which attempt to narrate a space and its society, whether it be the nation or the city – the latter sometimes representative of an idea of nation -, the debate on what this idea of nation and national identity are is, in theatre studies, limited. Thus, this article aims at analyzing how the nation was imagined and the understanding of national identity in the play BR3, signed by Bernardo Carvalho and staged by the company Teatro da Vertigem. |
id |
PUC_RS-14_ad1b6d43bfe3d15ce5dd6fde5ceebe25 |
---|---|
oai_identifier_str |
oai:ojs.revistaseletronicas.pucrs.br:article/36991 |
network_acronym_str |
PUC_RS-14 |
network_name_str |
letrônica |
repository_id_str |
|
spelling |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo CarvalhoImaginando a nação no teatro: Criação, escrita e encenação de BR3, do Teatro da Vertigem e Bernardo CarvalhoNationNational identityCityRepresentationContemporary theatreNaçãoidentidade nacionalcidaderepresentaçãoteatro contemporâneoRomantic and modernist Brazilian literature tried to tackle the issue of our nationality as a means of self-recognition, a search for national identity. With the rise of post-modernism and especially of cultural studies, the question of national identity and of the representation of the nation is back again; historians, social scientists and literary and visual arts critics have been discussing the theme and we, therefore, see analysis of novels, short stories, poems, paintings, installations, movies and TV series, among others, which deal with how these media try to represent the nation – or if it is still possible to speak in a totalizing way about narratives of the nation and of national identity. Nonetheless, this matter does not seem so compelling in theatre studies. Although there are plays which attempt to narrate a space and its society, whether it be the nation or the city – the latter sometimes representative of an idea of nation -, the debate on what this idea of nation and national identity are is, in theatre studies, limited. Thus, this article aims at analyzing how the nation was imagined and the understanding of national identity in the play BR3, signed by Bernardo Carvalho and staged by the company Teatro da Vertigem.O romantismo e o modernismo na literatura brasileira procuraram trabalhar com o tema de nossa nacionalidade como meio de nos autorreconhecermos, uma busca por uma identidade nacional. Com o advento do pós-modernismo e, principalmente, dos estudos culturais, a questão da identidade nacional e da representação da nação voltou à carga; historiadores, cientistas sociais e críticos literários e das artes visuais vêm debatendo acerca do tema e, portanto, vemos análises de romances, contos, poemas, pinturas, instalações, filmes e séries de TV, entre outros, que tratam de como esses meios procuram representar a nação – ou se ainda é possível falar de modo totalizante de narrativas da nação e de identidade nacional. Entretanto, esse ponto não parece tão premente nos estudos teatrais. Embora haja peças que procuram narrar o meio, o espaço e a sociedade, seja a nação ou a cidade – essa às vezes como representativa de uma ideia de nação –, o debate sobre o que seria essa ideia de nação e identidade nacional é, na crítica teatral, escasso. Esse artigo tem, portanto, o objetivo de analisar como a nação foi imaginada e o entendimento de identidade nacional na peça BR3, assinada por Bernardo Carvalho e encenada pela companhia Teatro da Vertigem.Editora da PUCRS - ediPUCRS2020-03-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3699110.15448/1984-4301.2020.3.36991Letrônica; Vol. 13 No. 3 (2020): Representações do Brasil nas literaturas de língua portuguesa e nas literaturas de língua espanhola; e36991Letrônica; v. 13 n. 3 (2020): Representações do Brasil nas literaturas de língua portuguesa e nas literaturas de língua espanhola; e369911984-430110.15448/1984-4301.2020.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/36991/26298Copyright (c) 2020 Letrônicahttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMontebelo Barcelos, Carolina2020-10-30T20:44:53Zoai:ojs.revistaseletronicas.pucrs.br:article/36991Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2020-10-30T20:44:53letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho Imaginando a nação no teatro: Criação, escrita e encenação de BR3, do Teatro da Vertigem e Bernardo Carvalho |
title |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho |
spellingShingle |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho Montebelo Barcelos, Carolina Nation National identity City Representation Contemporary theatre Nação identidade nacional cidade representação teatro contemporâneo |
title_short |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho |
title_full |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho |
title_fullStr |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho |
title_full_unstemmed |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho |
title_sort |
Imagining the nation at the theatre: Creation, writing up and staging of BR3, by Teatro da Vertigem and Bernardo Carvalho |
author |
Montebelo Barcelos, Carolina |
author_facet |
Montebelo Barcelos, Carolina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Montebelo Barcelos, Carolina |
dc.subject.por.fl_str_mv |
Nation National identity City Representation Contemporary theatre Nação identidade nacional cidade representação teatro contemporâneo |
topic |
Nation National identity City Representation Contemporary theatre Nação identidade nacional cidade representação teatro contemporâneo |
description |
Romantic and modernist Brazilian literature tried to tackle the issue of our nationality as a means of self-recognition, a search for national identity. With the rise of post-modernism and especially of cultural studies, the question of national identity and of the representation of the nation is back again; historians, social scientists and literary and visual arts critics have been discussing the theme and we, therefore, see analysis of novels, short stories, poems, paintings, installations, movies and TV series, among others, which deal with how these media try to represent the nation – or if it is still possible to speak in a totalizing way about narratives of the nation and of national identity. Nonetheless, this matter does not seem so compelling in theatre studies. Although there are plays which attempt to narrate a space and its society, whether it be the nation or the city – the latter sometimes representative of an idea of nation -, the debate on what this idea of nation and national identity are is, in theatre studies, limited. Thus, this article aims at analyzing how the nation was imagined and the understanding of national identity in the play BR3, signed by Bernardo Carvalho and staged by the company Teatro da Vertigem. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-03-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/36991 10.15448/1984-4301.2020.3.36991 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/36991 |
identifier_str_mv |
10.15448/1984-4301.2020.3.36991 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/36991/26298 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Letrônica https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Letrônica https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 13 No. 3 (2020): Representações do Brasil nas literaturas de língua portuguesa e nas literaturas de língua espanhola; e36991 Letrônica; v. 13 n. 3 (2020): Representações do Brasil nas literaturas de língua portuguesa e nas literaturas de língua espanhola; e36991 1984-4301 10.15448/1984-4301.2020.3 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
_version_ |
1799128599436984320 |