O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th

Detalhes bibliográficos
Autor(a) principal: Minuzzi, Luara Pinto
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/22363
Resumo: This study aims to think the book O jardim sem limites, by Lydia Jorge, as an allegory of the situation of Portugal after the Carnation Revolution: the microcosm Casa da Arara, where the novel's characters inhabit, represents the macrocosm Portugal, as well as the inhabitants of the first and second floor and the tension between these two levels correspond to different generations that make up the Portuguese people. Thus, the conflicted everyday who live in the younger residents of the second floor and the older of the first would be the representation of the distance between a generation that lived the Salazar era and fought the regime and another that was born after the end of totalitarianism and does not understand the sacrifices made by the first group so that everyone could enjoy freedom. For this analysis, it was used as theoretical foundation, studies by philosophers who think the Portuguese nation, its identity and history, as Eduardo Lourenço, Boaventura de Sousa Santos and Jorge Babo.
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spelling O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25thO jardim sem limites, de Lídia Jorge – ou, por outras palavras, a situação do Portugal pós-25 de abrilCarnation RevolutionClash of generationsLídia JorgeO jardim sem limites.Revolução dos cravosChoque de geraçõesLídia JorgeO jardim sem limites.This study aims to think the book O jardim sem limites, by Lydia Jorge, as an allegory of the situation of Portugal after the Carnation Revolution: the microcosm Casa da Arara, where the novel's characters inhabit, represents the macrocosm Portugal, as well as the inhabitants of the first and second floor and the tension between these two levels correspond to different generations that make up the Portuguese people. Thus, the conflicted everyday who live in the younger residents of the second floor and the older of the first would be the representation of the distance between a generation that lived the Salazar era and fought the regime and another that was born after the end of totalitarianism and does not understand the sacrifices made by the first group so that everyone could enjoy freedom. For this analysis, it was used as theoretical foundation, studies by philosophers who think the Portuguese nation, its identity and history, as Eduardo Lourenço, Boaventura de Sousa Santos and Jorge Babo.Este trabalho tem por objetivo pensar o livro O jardim sem limites, da escritora Lídia Jorge, como uma alegoria da situação de Portugal após a Revolução dos Cravos: o microcosmo Casa da Arara, onde os personagens do romance habitam, representaria o macrocosmo Portugal, assim como os habitantes do primeiro e do segundo andar e a tensão entre esses dois níveis, corresponderiam às diferentes gerações que compõem o povo português. Dessa forma, o cotidiano conflituoso em que convivem os moradores mais jovens do segundo piso e os mais velhos do primeiro seria a representação do distanciamento entre uma geração que viveu o salazarismo e que combateu o regime e outra que nasceu após o fim do totalitarismo e que não compreende os sacrifícios realizados pelos primeiros a fim de que todos pudessem usufruir da liberdade. Para tal análise, foram utilizados, como fundamentação teórica, estudos de filósofos que pensam a nação lusa, sua identidade e história, como Eduardo Lourenço, Boaventura de Sousa Santos e Jorge Babo.Editora da PUCRS - ediPUCRS2016-12-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/2236310.15448/1984-4301.2016.s.22363Letrônica; Vol. 9, n. supl (2016): Diálogos; s58-s67Letrônica; v. 9, n. supl (2016): Diálogos; s58-s671984-430110.15448/1984-4301.2016.sreponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/22363/15078Copyright (c) 2016 Letrônicainfo:eu-repo/semantics/openAccessMinuzzi, Luara Pinto2016-12-09T20:41:30Zoai:ojs.revistaseletronicas.pucrs.br:article/22363Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2016-12-09T20:41:30letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
O jardim sem limites, de Lídia Jorge – ou, por outras palavras, a situação do Portugal pós-25 de abril
title O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
spellingShingle O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
Minuzzi, Luara Pinto
Carnation Revolution
Clash of generations
Lídia Jorge
O jardim sem limites.
Revolução dos cravos
Choque de gerações
Lídia Jorge
O jardim sem limites.
title_short O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
title_full O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
title_fullStr O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
title_full_unstemmed O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
title_sort O jardim sem limites, by Lídia Jorge – or, in other words, the situation in Portugal after April 25th
author Minuzzi, Luara Pinto
author_facet Minuzzi, Luara Pinto
author_role author
dc.contributor.author.fl_str_mv Minuzzi, Luara Pinto
dc.subject.por.fl_str_mv Carnation Revolution
Clash of generations
Lídia Jorge
O jardim sem limites.
Revolução dos cravos
Choque de gerações
Lídia Jorge
O jardim sem limites.
topic Carnation Revolution
Clash of generations
Lídia Jorge
O jardim sem limites.
Revolução dos cravos
Choque de gerações
Lídia Jorge
O jardim sem limites.
description This study aims to think the book O jardim sem limites, by Lydia Jorge, as an allegory of the situation of Portugal after the Carnation Revolution: the microcosm Casa da Arara, where the novel's characters inhabit, represents the macrocosm Portugal, as well as the inhabitants of the first and second floor and the tension between these two levels correspond to different generations that make up the Portuguese people. Thus, the conflicted everyday who live in the younger residents of the second floor and the older of the first would be the representation of the distance between a generation that lived the Salazar era and fought the regime and another that was born after the end of totalitarianism and does not understand the sacrifices made by the first group so that everyone could enjoy freedom. For this analysis, it was used as theoretical foundation, studies by philosophers who think the Portuguese nation, its identity and history, as Eduardo Lourenço, Boaventura de Sousa Santos and Jorge Babo.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/22363
10.15448/1984-4301.2016.s.22363
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/22363
identifier_str_mv 10.15448/1984-4301.2016.s.22363
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/22363/15078
dc.rights.driver.fl_str_mv Copyright (c) 2016 Letrônica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Letrônica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 9, n. supl (2016): Diálogos; s58-s67
Letrônica; v. 9, n. supl (2016): Diálogos; s58-s67
1984-4301
10.15448/1984-4301.2016.s
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