Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | letrônica |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407 |
Resumo: | Within the literary criticism in the chronicles of the Semana Ilustrada (1861-1876), I propose to identify what characterize the so-called “bad poets”. These “rhymer poets”, “poets without lute”, “invalid poets”, “poets of broken foot”, were constantly targeted by the chroniclers to ridicule. It was with subtle irony or with overt demonstration, the chroniclers that pointed to the “poetic aberrations” had the objective to correct through the laughter, as the motto of the Semana Ilustrada was precisely the latin saying: “Ridendo castigat mores”. As, in addition to the “reverse criticism”, had also the called “serious criticism”, which differed from one another was that it was an exaggerated tone, in addition to the excerpts transcribed that deny the praise to the examined poet. In one of the texts the chronicler calls “parnasian flea” the writers without skill and knowledge. So, therefore, the traces of these writers without talent can be possible to distinguish the aspects that should be avoided in poetry from the 1960s and 1970s of the 19th century. By the according to the chroniclers of the Semana Ilustrada, are also check that the elements discussed are still current, because it´s conditions for the writers. |
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Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana IlustradaRidendo Castigat Mores: o combate às “pulgas parnásicas” nas páginas da Semana IlustradaSemana IlustradaReverse criticismChronicle.Semana IlustradaCrítica às avessasCrônicas.Within the literary criticism in the chronicles of the Semana Ilustrada (1861-1876), I propose to identify what characterize the so-called “bad poets”. These “rhymer poets”, “poets without lute”, “invalid poets”, “poets of broken foot”, were constantly targeted by the chroniclers to ridicule. It was with subtle irony or with overt demonstration, the chroniclers that pointed to the “poetic aberrations” had the objective to correct through the laughter, as the motto of the Semana Ilustrada was precisely the latin saying: “Ridendo castigat mores”. As, in addition to the “reverse criticism”, had also the called “serious criticism”, which differed from one another was that it was an exaggerated tone, in addition to the excerpts transcribed that deny the praise to the examined poet. In one of the texts the chronicler calls “parnasian flea” the writers without skill and knowledge. So, therefore, the traces of these writers without talent can be possible to distinguish the aspects that should be avoided in poetry from the 1960s and 1970s of the 19th century. By the according to the chroniclers of the Semana Ilustrada, are also check that the elements discussed are still current, because it´s conditions for the writers.Dentro da crítica literária que há nas crônicas da Semana Ilustrada (1861-1876), proponho identificar aquilo que caracterizaria os chamados “maus poetas”. Esses “poetas rimadores”, “poetas sem alaúde”, “poetas inválidos”, “poetas de pé quebrado”, eram constantemente alvo dos cronistas para ridicularização. Fosse com sutil ironia ou com ostensiva demonstração, os cronistas que apontavam as “aberrações poéticas” tinham o objetivo de corrigir através do riso, já que a divisa da revista Semana Ilustrada era justamente o dito latino: “Ridendo castigat mores”. Como, além da crítica às avessas, havia a chamada “crítica séria”, o que diferenciava uma da outra era que naquela se encontrava um tom exagerado, além dos excertos transcritos que desmentiam o louvor ao poeta examinado. Em um dos textos o cronista chamará de “pulga parnásica” à mania que muitos tinham de escrever em versos, mesmo sem habilidade e conhecimento. Reunindo, portanto, os traços desses escritores sem talento, não apenas será possível distinguir os aspectos que deveriam ser evitados na poesia das décadas de 60 e 70 do século XIX, segundo os cronistas da Semana Ilustrada, como também verificar que os elementos comentados ainda são atuais, por serem condições sine qua non para quaisquer candidatos a escritores.Editora da PUCRS - ediPUCRS2015-11-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/2040710.15448/1984-4301.2015.2.20407Letrônica; Vol. 8 No. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-595Letrônica; v. 8 n. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-5951984-430110.15448/1984-4301.2015.2reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407/13869Copyright (c) 2015 Letrônicainfo:eu-repo/semantics/openAccessDusilek, Adriana2017-02-15T18:02:47Zoai:ojs.revistaseletronicas.pucrs.br:article/20407Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2017-02-15T18:02:47letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada Ridendo Castigat Mores: o combate às “pulgas parnásicas” nas páginas da Semana Ilustrada |
title |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada |
spellingShingle |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada Dusilek, Adriana Semana Ilustrada Reverse criticism Chronicle. Semana Ilustrada Crítica às avessas Crônicas. |
title_short |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada |
title_full |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada |
title_fullStr |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada |
title_full_unstemmed |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada |
title_sort |
Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada |
author |
Dusilek, Adriana |
author_facet |
Dusilek, Adriana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dusilek, Adriana |
dc.subject.por.fl_str_mv |
Semana Ilustrada Reverse criticism Chronicle. Semana Ilustrada Crítica às avessas Crônicas. |
topic |
Semana Ilustrada Reverse criticism Chronicle. Semana Ilustrada Crítica às avessas Crônicas. |
description |
Within the literary criticism in the chronicles of the Semana Ilustrada (1861-1876), I propose to identify what characterize the so-called “bad poets”. These “rhymer poets”, “poets without lute”, “invalid poets”, “poets of broken foot”, were constantly targeted by the chroniclers to ridicule. It was with subtle irony or with overt demonstration, the chroniclers that pointed to the “poetic aberrations” had the objective to correct through the laughter, as the motto of the Semana Ilustrada was precisely the latin saying: “Ridendo castigat mores”. As, in addition to the “reverse criticism”, had also the called “serious criticism”, which differed from one another was that it was an exaggerated tone, in addition to the excerpts transcribed that deny the praise to the examined poet. In one of the texts the chronicler calls “parnasian flea” the writers without skill and knowledge. So, therefore, the traces of these writers without talent can be possible to distinguish the aspects that should be avoided in poetry from the 1960s and 1970s of the 19th century. By the according to the chroniclers of the Semana Ilustrada, are also check that the elements discussed are still current, because it´s conditions for the writers. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407 10.15448/1984-4301.2015.2.20407 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407 |
identifier_str_mv |
10.15448/1984-4301.2015.2.20407 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407/13869 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Letrônica info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Letrônica |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Letrônica; Vol. 8 No. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-595 Letrônica; v. 8 n. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-595 1984-4301 10.15448/1984-4301.2015.2 reponame:letrônica instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
letrônica |
collection |
letrônica |
repository.name.fl_str_mv |
letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
letronica@pucrs.br||ivanetemileski@gmail.com |
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1799128597196177408 |