Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada

Detalhes bibliográficos
Autor(a) principal: Dusilek, Adriana
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407
Resumo: Within the literary criticism in the chronicles of the Semana Ilustrada (1861-1876), I propose to identify what characterize the so-called “bad poets”. These “rhymer poets”, “poets without lute”, “invalid poets”, “poets of broken foot”, were constantly targeted by the chroniclers to ridicule. It was with subtle irony or with overt demonstration, the chroniclers that pointed to the “poetic aberrations” had the objective to correct through the laughter, as the motto of the Semana Ilustrada was precisely the latin saying: “Ridendo castigat mores”. As, in addition to the “reverse criticism”, had also the called “serious criticism”, which differed from one another was that it was an exaggerated tone, in addition to the excerpts transcribed that deny the praise to the examined poet. In one of the texts the chronicler calls “parnasian flea” the writers without skill and knowledge. So, therefore, the traces of these writers without talent can be possible to distinguish the aspects that should be avoided in poetry from the 1960s and 1970s of the 19th century. By the according to the chroniclers of the Semana Ilustrada, are also check that the elements discussed are still current, because it´s conditions for the writers.
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spelling Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana IlustradaRidendo Castigat Mores: o combate às “pulgas parnásicas” nas páginas da Semana IlustradaSemana IlustradaReverse criticismChronicle.Semana IlustradaCrítica às avessasCrônicas.Within the literary criticism in the chronicles of the Semana Ilustrada (1861-1876), I propose to identify what characterize the so-called “bad poets”. These “rhymer poets”, “poets without lute”, “invalid poets”, “poets of broken foot”, were constantly targeted by the chroniclers to ridicule. It was with subtle irony or with overt demonstration, the chroniclers that pointed to the “poetic aberrations” had the objective to correct through the laughter, as the motto of the Semana Ilustrada was precisely the latin saying: “Ridendo castigat mores”. As, in addition to the “reverse criticism”, had also the called “serious criticism”, which differed from one another was that it was an exaggerated tone, in addition to the excerpts transcribed that deny the praise to the examined poet. In one of the texts the chronicler calls “parnasian flea” the writers without skill and knowledge. So, therefore, the traces of these writers without talent can be possible to distinguish the aspects that should be avoided in poetry from the 1960s and 1970s of the 19th century. By the according to the chroniclers of the Semana Ilustrada, are also check that the elements discussed are still current, because it´s conditions for the writers.Dentro da crítica literária que há nas crônicas da Semana Ilustrada (1861-1876), proponho identificar aquilo que caracterizaria os chamados “maus poetas”. Esses “poetas rimadores”, “poetas sem alaúde”, “poetas inválidos”, “poetas de pé quebrado”, eram constantemente alvo dos cronistas para ridicularização. Fosse com sutil ironia ou com ostensiva demonstração, os cronistas que apontavam as “aberrações poéticas” tinham o objetivo de corrigir através do riso, já que a divisa da revista Semana Ilustrada era justamente o dito latino: “Ridendo castigat mores”. Como, além da crítica às avessas, havia a chamada “crítica séria”, o que diferenciava uma da outra era que naquela se encontrava um tom exagerado, além dos excertos transcritos que desmentiam o louvor ao poeta examinado. Em um dos textos o cronista chamará de “pulga parnásica” à mania que muitos tinham de escrever em versos, mesmo sem habilidade e conhecimento. Reunindo, portanto, os traços desses escritores sem talento, não apenas será possível distinguir os aspectos que deveriam ser evitados na poesia das décadas de 60 e 70 do século XIX, segundo os cronistas da Semana Ilustrada, como também verificar que os elementos comentados ainda são atuais, por serem condições sine qua non para quaisquer candidatos a escritores.Editora da PUCRS - ediPUCRS2015-11-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/2040710.15448/1984-4301.2015.2.20407Letrônica; Vol. 8 No. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-595Letrônica; v. 8 n. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-5951984-430110.15448/1984-4301.2015.2reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407/13869Copyright (c) 2015 Letrônicainfo:eu-repo/semantics/openAccessDusilek, Adriana2017-02-15T18:02:47Zoai:ojs.revistaseletronicas.pucrs.br:article/20407Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2017-02-15T18:02:47letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
Ridendo Castigat Mores: o combate às “pulgas parnásicas” nas páginas da Semana Ilustrada
title Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
spellingShingle Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
Dusilek, Adriana
Semana Ilustrada
Reverse criticism
Chronicle.
Semana Ilustrada
Crítica às avessas
Crônicas.
title_short Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
title_full Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
title_fullStr Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
title_full_unstemmed Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
title_sort Ridendo Castigat Mores: the struggle against the “parnasian fleas” in the pages of the Semana Ilustrada
author Dusilek, Adriana
author_facet Dusilek, Adriana
author_role author
dc.contributor.author.fl_str_mv Dusilek, Adriana
dc.subject.por.fl_str_mv Semana Ilustrada
Reverse criticism
Chronicle.
Semana Ilustrada
Crítica às avessas
Crônicas.
topic Semana Ilustrada
Reverse criticism
Chronicle.
Semana Ilustrada
Crítica às avessas
Crônicas.
description Within the literary criticism in the chronicles of the Semana Ilustrada (1861-1876), I propose to identify what characterize the so-called “bad poets”. These “rhymer poets”, “poets without lute”, “invalid poets”, “poets of broken foot”, were constantly targeted by the chroniclers to ridicule. It was with subtle irony or with overt demonstration, the chroniclers that pointed to the “poetic aberrations” had the objective to correct through the laughter, as the motto of the Semana Ilustrada was precisely the latin saying: “Ridendo castigat mores”. As, in addition to the “reverse criticism”, had also the called “serious criticism”, which differed from one another was that it was an exaggerated tone, in addition to the excerpts transcribed that deny the praise to the examined poet. In one of the texts the chronicler calls “parnasian flea” the writers without skill and knowledge. So, therefore, the traces of these writers without talent can be possible to distinguish the aspects that should be avoided in poetry from the 1960s and 1970s of the 19th century. By the according to the chroniclers of the Semana Ilustrada, are also check that the elements discussed are still current, because it´s conditions for the writers.
publishDate 2015
dc.date.none.fl_str_mv 2015-11-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407
10.15448/1984-4301.2015.2.20407
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407
identifier_str_mv 10.15448/1984-4301.2015.2.20407
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/20407/13869
dc.rights.driver.fl_str_mv Copyright (c) 2015 Letrônica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Letrônica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 8 No. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-595
Letrônica; v. 8 n. 2 (2015): Sintaxe e suas interfaces & Em pauta: História da Literatura e Historiografia Literária; 586-595
1984-4301
10.15448/1984-4301.2015.2
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repository.name.fl_str_mv letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
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