The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Navegações (Online) |
Texto Completo: | https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/42401 |
Resumo: | The main goal of this work is to reflect on the concept of the narrative act represented by Raimundo Silva’s character from The History of the Siege of Lisbon, by José Saramago. To achieve it, Raimundo Silva’s interpretation of his own experiences before and after his lawbreaking – saying “no” instead of “yes” in a historical document already consecrated by tradition – was evaluated. Paul Ricoeur’s approach in Threefold Mimesis (which is part of his work Time and Narrative (1983 [1994]) was used to evidence how much theory can enlighten the literature. This theoretic body gains importance for its dealing with the narrative identity in which the act of narrating by challenging facts constitutes the way through which the subject organizes his practical experiences. This can explain Raimundo Silva’s utter need to modify someone else’s text, and, thus, his own identity, crossing the limits of a proofreader’s functions. |
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The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José SaramagoA concepção do ato de narrar representada pela personagem Raimundo Silva, em História do cerco de Lisboa, de José SaramagoThe History of the Siege of LisbonJosé SaramagoRaimundo SilvaPaul RicoeurHistória do cerco de LisboaJosé SaramagoRaimundo SilvaPaul RicoeurThe main goal of this work is to reflect on the concept of the narrative act represented by Raimundo Silva’s character from The History of the Siege of Lisbon, by José Saramago. To achieve it, Raimundo Silva’s interpretation of his own experiences before and after his lawbreaking – saying “no” instead of “yes” in a historical document already consecrated by tradition – was evaluated. Paul Ricoeur’s approach in Threefold Mimesis (which is part of his work Time and Narrative (1983 [1994]) was used to evidence how much theory can enlighten the literature. This theoretic body gains importance for its dealing with the narrative identity in which the act of narrating by challenging facts constitutes the way through which the subject organizes his practical experiences. This can explain Raimundo Silva’s utter need to modify someone else’s text, and, thus, his own identity, crossing the limits of a proofreader’s functions.Objetivamos, no presente artigo, refletir sobre a concepção do ato de narrar representada pela personagem Raimundo Silva, em História do cerco de Lisboa, de José Saramago. Para isso, buscamos pensar sobre como Raimundo Silva lê as suas experiências antes e depois do seu ato infrator, de colocar um “não no lugar de um “sim” em um documento histórico já consagrado pela tradição. A fim de evidenciar como a teoria pode servir para iluminar a literatura, aproximo-me do romance sob a chave de leitura da chamada teoria ricoeuriana de “A tríplice mimese”, pertencente à obra Tempo e Narrativa (1983 [1994]). Esse corpo teórico se torna importante por tratar da identidade narrativa, em que o ato de narrar, de “pôr-em-intriga” os acontecimentos, constitui a maneira pela qual o sujeito organiza as suas experiências práticas. Esse ponto pode vir a explicar a necessidade imperante de Raimundo Silva de modificar o texto de outrem e, assim, a sua própria identidade, cruzando os limites da sua função de corretor.Editora da PUCRS - ediPUCRS2022-08-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/4240110.15448/1983-4276.2022.1.42401Navegações; Vol. 15 No. 1 (2022): Single Volume; e42401Navegações; v. 15 n. 1 (2022): Volume Único; e424011983-42761982-852710.15448/1983-4276.2022.1reponame:Navegações (Online)instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/42401/27580Copyright (c) 2022 Navegaçõeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAdorno, Karen Lorrany NevesOliveira, Raquel Trentin2022-11-21T13:28:46Zoai:ojs.revistaseletronicas.pucrs.br:article/42401Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoesPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/oai||revistanavegacoes@pucrs.br1983-42761982-8527opendoar:2022-11-21T13:28:46Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.none.fl_str_mv |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago A concepção do ato de narrar representada pela personagem Raimundo Silva, em História do cerco de Lisboa, de José Saramago |
title |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago |
spellingShingle |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago Adorno, Karen Lorrany Neves The History of the Siege of Lisbon José Saramago Raimundo Silva Paul Ricoeur História do cerco de Lisboa José Saramago Raimundo Silva Paul Ricoeur |
title_short |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago |
title_full |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago |
title_fullStr |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago |
title_full_unstemmed |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago |
title_sort |
The conception of the narrative act represented by the character Raimundo Silva, from the History of the siege of Lisbon, by José Saramago |
author |
Adorno, Karen Lorrany Neves |
author_facet |
Adorno, Karen Lorrany Neves Oliveira, Raquel Trentin |
author_role |
author |
author2 |
Oliveira, Raquel Trentin |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Adorno, Karen Lorrany Neves Oliveira, Raquel Trentin |
dc.subject.por.fl_str_mv |
The History of the Siege of Lisbon José Saramago Raimundo Silva Paul Ricoeur História do cerco de Lisboa José Saramago Raimundo Silva Paul Ricoeur |
topic |
The History of the Siege of Lisbon José Saramago Raimundo Silva Paul Ricoeur História do cerco de Lisboa José Saramago Raimundo Silva Paul Ricoeur |
description |
The main goal of this work is to reflect on the concept of the narrative act represented by Raimundo Silva’s character from The History of the Siege of Lisbon, by José Saramago. To achieve it, Raimundo Silva’s interpretation of his own experiences before and after his lawbreaking – saying “no” instead of “yes” in a historical document already consecrated by tradition – was evaluated. Paul Ricoeur’s approach in Threefold Mimesis (which is part of his work Time and Narrative (1983 [1994]) was used to evidence how much theory can enlighten the literature. This theoretic body gains importance for its dealing with the narrative identity in which the act of narrating by challenging facts constitutes the way through which the subject organizes his practical experiences. This can explain Raimundo Silva’s utter need to modify someone else’s text, and, thus, his own identity, crossing the limits of a proofreader’s functions. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/42401 10.15448/1983-4276.2022.1.42401 |
url |
https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/42401 |
identifier_str_mv |
10.15448/1983-4276.2022.1.42401 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/42401/27580 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Navegações http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Navegações http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
publisher.none.fl_str_mv |
Editora da PUCRS - ediPUCRS |
dc.source.none.fl_str_mv |
Navegações; Vol. 15 No. 1 (2022): Single Volume; e42401 Navegações; v. 15 n. 1 (2022): Volume Único; e42401 1983-4276 1982-8527 10.15448/1983-4276.2022.1 reponame:Navegações (Online) instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) instacron:PUC_RS |
instname_str |
Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
instacron_str |
PUC_RS |
institution |
PUC_RS |
reponame_str |
Navegações (Online) |
collection |
Navegações (Online) |
repository.name.fl_str_mv |
Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
repository.mail.fl_str_mv |
||revistanavegacoes@pucrs.br |
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1799128837175377920 |