Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues

Detalhes bibliográficos
Autor(a) principal: Guimarães, Jonatas Aparecido
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Navegações (Online)
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/36995
Resumo: This article proposes an analysis of the play “The kiss on the asphalt”, by Nelson Rodrigues, from the perspective of the concepts of scene and obscenity. This play is structured around a scandal caused by the fact that the character Arandir kisses a man dying on the pavement after being hit, which hurt the morals imposed at the time. However, it is observed that, in part, this scandal is not only related to moral transgression, but mostly to its own scenario. In this regard, we note that the play touts several scenarios, which are presented as components of the social order. Thus, obscenity, which comes from several overlapping scenarios, seems to put at stake the fact of being in / out of the picture, or the accumulation of representations.
id PUC_RS-16_b1b7e8f56b5919b546fbb36eacbfd2df
oai_identifier_str oai:ojs.revistaseletronicas.pucrs.br:article/36995
network_acronym_str PUC_RS-16
network_name_str Navegações (Online)
repository_id_str
spelling Scene and obscenity in O beijo no asfalto, by Nelson RodriguesCena e obsceno em O beijo no asfalto, de Nelson RodriguesO beijo no asfaltoNelson RodriguesSceneObscenityTheaterO beijo no asfaltoNelson RodriguesCenaObscenoTeatroThis article proposes an analysis of the play “The kiss on the asphalt”, by Nelson Rodrigues, from the perspective of the concepts of scene and obscenity. This play is structured around a scandal caused by the fact that the character Arandir kisses a man dying on the pavement after being hit, which hurt the morals imposed at the time. However, it is observed that, in part, this scandal is not only related to moral transgression, but mostly to its own scenario. In this regard, we note that the play touts several scenarios, which are presented as components of the social order. Thus, obscenity, which comes from several overlapping scenarios, seems to put at stake the fact of being in / out of the picture, or the accumulation of representations.Este artigo propõe uma análise da peça O beijo no asfalto, de Nelson Rodrigues, sob a ótica dos conceitos de cena e de obscenidade. Essa peça se estrutura em torno de um escândalo causado pelo fato de o personagem Arandir beijar um homem que agonizava no asfalto após ser atropelado, o que feria os códigos morais instituídos à época. Contudo, observa-se que, na peça, esse escândalo não está relacionado apenas com a transgressão moral, mas principalmente com a própria encenação. Nesse sentido, nota-se que a peça agencia diversas encenações, as quais são apresentadas como elementos constituintes da ordem social. Assim, a obscenidade advinda das diversas encenações que se sobrepõem parecem colocar em jogo o fato de se estar dentro/fora de cena, ou do acúmulo de representações.Editora da PUCRS - ediPUCRS2020-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/3699510.15448/1983-4276.2020.2.36995Navegações; Vol. 13 No. 2 (2020); e36995Navegações; v. 13 n. 2 (2020); e369951983-42761982-852710.15448/1983-4276.2020.2reponame:Navegações (Online)instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/36995/26616Copyright (c) 2021 Navegaçõeshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGuimarães, Jonatas Aparecido2021-02-25T12:29:41Zoai:ojs.revistaseletronicas.pucrs.br:article/36995Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoesPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/oai||revistanavegacoes@pucrs.br1983-42761982-8527opendoar:2021-02-25T12:29:41Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
Cena e obsceno em O beijo no asfalto, de Nelson Rodrigues
title Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
spellingShingle Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
Guimarães, Jonatas Aparecido
O beijo no asfalto
Nelson Rodrigues
Scene
Obscenity
Theater
O beijo no asfalto
Nelson Rodrigues
Cena
Obsceno
Teatro
title_short Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
title_full Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
title_fullStr Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
title_full_unstemmed Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
title_sort Scene and obscenity in O beijo no asfalto, by Nelson Rodrigues
author Guimarães, Jonatas Aparecido
author_facet Guimarães, Jonatas Aparecido
author_role author
dc.contributor.author.fl_str_mv Guimarães, Jonatas Aparecido
dc.subject.por.fl_str_mv O beijo no asfalto
Nelson Rodrigues
Scene
Obscenity
Theater
O beijo no asfalto
Nelson Rodrigues
Cena
Obsceno
Teatro
topic O beijo no asfalto
Nelson Rodrigues
Scene
Obscenity
Theater
O beijo no asfalto
Nelson Rodrigues
Cena
Obsceno
Teatro
description This article proposes an analysis of the play “The kiss on the asphalt”, by Nelson Rodrigues, from the perspective of the concepts of scene and obscenity. This play is structured around a scandal caused by the fact that the character Arandir kisses a man dying on the pavement after being hit, which hurt the morals imposed at the time. However, it is observed that, in part, this scandal is not only related to moral transgression, but mostly to its own scenario. In this regard, we note that the play touts several scenarios, which are presented as components of the social order. Thus, obscenity, which comes from several overlapping scenarios, seems to put at stake the fact of being in / out of the picture, or the accumulation of representations.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/36995
10.15448/1983-4276.2020.2.36995
url https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/36995
identifier_str_mv 10.15448/1983-4276.2020.2.36995
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/navegacoes/article/view/36995/26616
dc.rights.driver.fl_str_mv Copyright (c) 2021 Navegações
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Navegações
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Navegações; Vol. 13 No. 2 (2020); e36995
Navegações; v. 13 n. 2 (2020); e36995
1983-4276
1982-8527
10.15448/1983-4276.2020.2
reponame:Navegações (Online)
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Navegações (Online)
collection Navegações (Online)
repository.name.fl_str_mv Navegações (Online) - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
repository.mail.fl_str_mv ||revistanavegacoes@pucrs.br
_version_ 1799128837101977600

Registros relacionados